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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

35 Children Chanting “Sálve Regína” From Memory

Julie Huebner · December 10, 2024

HE AFTERNOON that Mr. Ostrowski encouraged me to contribute an article for CORPUS CHRISTI WATERSHED, I thought: “What on earth do I have to contribute that would be of value to those far more experienced than I am?” As I was sitting in my office collecting my thoughts, nestled in a quiet suburban parish of the Archdiocese of Milwaukee, my colleague walked into my office asking if I’d read a certain article in the newspaper. The article in question spoke about the Catholic Church in Milwaukee, how some suburban parishes were combining, and pontificated about how “oh, obviously the Church is dying” (I am paraphrasing).

My Confirmation • This made me think back to a letter my brother wrote to me years ago. It was for a retreat I was attending in preparation to receive the Sacrament of Confirmation. He wrote: “The Catholic Church has been around for over 2,000 years and is no stranger to adversity. There are those who want to tear it down, belittle it, ostracize it, and so forth.” But he explained that my reception of this Sacrament was part of my preparation to bear the burden against adversity, take up the Cross, and continue the walk to keep the Faith alive.

My Aerial View • Over time, buildings will disappear and congregations will consolidate. However, from my aerial view in the choir loft, I feel an overwhelming sense of vibrancy and growth. My school choir had sung for their school Mass earlier that same day. Listen to them as they chant the Sálve Regína during the Post-Communion:

Here’s the direct URL link.

A Stronghold • Thirty-five children chanting Sálve Regína from memory shows a promising outlook—at least for me—about the current pulse and future life of the Church. Through the songs of their praise, God is establishing a stronghold in my parish to silence any enemies (Psalm 8). I am blessed to work with children every day that help shoulder the burden and make my cross feel lighter as we all walk together.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 10, 2024

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About Julie Huebner

Julie earned degrees at Luther College and Southern Illinois University. With her husband and three children, she resides in Wauwatosa, Wisconsin.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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