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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Message From Mr. Roderick Royce!

Corpus Christi Watershed · January 21, 2024

R. RODERICK ROYCE graduated from BOISE STATE UNIVERSITY (Idaho) with a bachelor’s degree in music education. He has sung in multiple choirs through the years, including the Cathedral of Saint John the Evangelist (Roman Catholic) under Dr. Ray Morvant. He has taught orchestra for about thirteen years. Mr. Royce recently sent the following message vis-à-vis Jeff Ostrowski’s seminar: “Secrets of the Conscientious Choirmaster”.

Jeff Ostrowski is a choirmaster based in Los Angeles, California. He and a group of individuals have created the Corpus Christi Watershed website to supply musicians with musical resources for Catholic choirs. Ostrowski’s latest resource is a seminar: Secrets of the Conscientious Choirmaster. The seminar is focused on choral music (motets, hymns, Mass settings, and so forth) useful to those who provide music at the Extraordinary Form (“Latin Mass”) or at the Ordinary Form (“Novus Ordo Missae”). Ostrowski introduces techniques and tools to help choirmasters improve as musicians and fall in love with the art of learning choral music all over again. Various items are treated: singing liturgical pieces of Catholic Music in Latin (including polyphonic pieces); Gregorian Chant, which is written in different modes; video recordings; and printable sheet music. Ostrowski teaches the choirmaster to better direct anybody—from an ‘average’ parishioner to the veteran choir member—how to sing hymnody in SATB parts and contrapuntal lines in polyphonic masterworks. He explains how to ‘build up’ the individual to add to the strength of the choir. He also encourages choirs to pray before rehearsals to strengthen their Catholic faith. Ostrowski has a “just do it” mentality. He patiently shows how to ‘speak’ and use Solfège on the most inspiring and difficult polyphonic pieces. Specimens he examines would include fugues and masterworks using imitative polyphony by Palestrina, Victoria, Guerrero, Croft, Morley, Lassus, and Josquin. After watching his seminar, I am more prepared to spend rehearsal time wisely, communicate effectively, and apply the tools he has taught me to help improve choir members.

You can watch the 57-minute INTRODUCTION to “Secrets of the Conscientious Choirmaster” completely free of charge by visiting https://ccwatershed.org/seminar/.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 21, 2024

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President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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