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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What We See Under the Big Top

Veronica Moreno · November 18, 2023

Editor’s Note: In this article, Veronica Moreno reflects on her parish, run by the Priestly Fraternity of Saint Peter. For several years, due to the large number of Catholics who attend Mass at this parish, all celebrations have been held in a parking lot under a tent. Veronica calls this the “Holy Tent.”

HEN WE WERE YOUNG, my husband and I visited Barcelona and the Sagrada Familia. The story of its long construction, spanning decades and generations, is well known (“La Sagrada Familia nears completion after 141 years”). The persistence of Antonio Gaudí is legendary. And the construction site, now a Church, hosts weekly Masses like a parish.

Beautiful things take time to build.

The Sagrada Familia amazes us because things aren’t build like that any more. The beauty of our modern cathedrals isn’t easy to see sometimes. You have to squint and tilt your head, and often times, read the laminated descriptions to understand what the artists meant.

Beautiful things can also be destroyed in an instant. I’m glad to be part of a community that’s working to build beautiful things. While our parish is currently in a “Canvas Church Tent”, being exposed to the weather during Mass isn’t anything new. Here are some reflections on what we see and hear under the big top.

What We See Looking Forward • Looking up, you see the stitching of the canvas, where the roof section meets the back “wall”—a kind of APSE, if you will. Webbed straps hold the two pieces together from one side of the wall to the other, like a zipper. Throughout, the steel frame stretches the canvas. You can count the straps that tie the roof canvas to the steel beams. In this way we’re like Gaudí intended for his church, the weight and the wind means that there’s almost no straight lines. There’s a dip here and a parabola there, as these steel cables strain to be taut.

Looking around, there are construction lights that hang from the beams. The same ones we buy for our backyard pachangas (parties) when we have a baby shower or to light the mariachi’s performance for our tías 65th birthday celebration. I think my husband can tell which hardware store the neon yellow extension cord is from. The cable snakes around the steel pole, a strange vine with stranger produce hanging in the form of LED construction lights.

Then there’s the steel wire that stretches across the beams. Somehow, it strains taut, offering the canvas a place to rest so it doesn’t sag, so the water from the rain doesn’t pool and can drip down on our heads all winter. It worked. We survived the wettest winter in recent memory here.

<em>Wikipedia: open to the sky</em>

What We See Looking at the Sides • All along the sides, are our neighbors: industrial shops and warehouses on the other side of the iron bars atop the cement block wall. In our time there, we’ve painted the wall and someone kindly added cloth along the length of both sides of the “aisles.” Before those cloths, whatever workers were working overtime on Sunday mornings could peer directly at us as we knelt. Well, actually, even after the cloths were put up they can still look directly at us today, but at least they have to strain their eyes to look past the cloth-veil or find the cracks between sections of it.

Oh, and we do have one thing that the Sagrada Familia does not have: flying buttresses! Someone purchased and installed sun shade canvases that hang in the space between the steel structure and the property wall. This “aisle” upgrade instantly gave us hundreds of covered square footage, a truly heroic mercy provided for those of us who had to sit there (with children!) during these scorching southern California summers.

We love this Tent.
We love this parish.
We love these people.
We love this archdiocese.
We love this faith.

Wikipedia: humble beginnings open to the sky (1906)Without any reservation, I compare this tent in a commercial zone of San Fernando to the Sagrada Familia in Barcelona. Why? Because at every Mass something extraordinary happens. Because the bells ring. Because my children are starting to behave. Because there are old ladies and men who use walkers. Because the locals seem to outnumber those who commute.1

Extraordinary Masses • The web site of the Sagrada Familia lists two big Sunday Masses: the “International Masses” and the “International evening Masses.” There’s also three Masses in Catalan and two in Spanish. But at the bottom of the page, there’s another category, curiously named. It says, “Throughout the year the Sagrada Familia hosts extraordinary Masses . . . see the calendar of masses for the upcoming extraordinary events.”

With a cheeky grin I say, “We have those too! Four extraordinary Masses every Sunday. And extraordinary during the week.”

We’re a modern Church. We have our own web app and stream Masses! But you don’t have to squint and tilt your head and research the bulletin to locate and witness beauty. All you have to do is open your heart, close your eyes, and sit under a Holy Tent.

1 Our parish started with a congregation of “commuters” who would drive in from all over southern California. An influx of “commuters” during the pandemic lockdown swelled our numbers. But in the most recent months, our Spanish-speaking local community appears to outnumber the “commuters.” The parish is experiencing organic, local growth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 18, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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