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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Kyrie for the Ordinary Form in Honor of Saint Thomas More”

Dr. Alfred Calabrese · September 23, 2023

HOSE WHO KNOW ME, or have read my writings, know of my special affection for the music of William Byrd. In my role at the parish of St. Rita in Dallas, I have designated the month of October to be especially dedicated to his music within the context of our liturgies. Each Sunday we will sing at least one work of Byrd’s, either in Mass or at Vespers (we sing Vespers each Sunday at 4pm). The inspiration for this exploration comes, most unsubtly, from a recent post by my colleague, Dr. Lucas Tappan, who referenced Westminster Cathedral and their singing of the entire Gradualia over the course of a calendar year. Understandably, our efforts come nowhere near this monumental undertaking. Yet, having a fairly substantial sampling of this repertoire in a condensed period will, I hope, bring to both our singers and our community a new perspective and appreciation for the genius of Byrd. Here is our music plan for the month of October.

Thomas More Kyrie • Some pieces are ‘standard’ repertoire, while others (Tantum ergo, for example) have been excerpted from various sources such as the Litanies of 1605. Another example is the adaptation of a short Kyrie from the Litanies which I am using as an extension of a chant Kyrie I composed in 2011. This use of choral extensions is being offered to us by Jeff Ostrowski in his recent posts, and I am a big fan.

*  PDF Download • Kyrie in Honor of Saint Thomas More (ORDINARY FORM)
—Polyphony by William Byrd (d. 1623) • Plainsong by Alfred Calabrese.

Bringing Byrd To Life • Because we are a Novus Ordo parish, certain adaptations will be necessary regarding the length of some of the Ordinary sections. Purists will cringe at some cutting, but my feeling is this: better to see the name of Byrd printed and hear as much of the music as possible than to leave it enclosed in a dusty closet in some back room, never to see the light of day. This is a lot of music, some of it very tricky. Please pray for our efforts and give thanks to God for the music, life, and legacy of the great William Byrd.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Kyrie in Honor of Saint Thomas More Last Updated: September 24, 2023

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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