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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Kyrie for the Ordinary Form in Honor of Saint Thomas More”

Dr. Alfred Calabrese · September 23, 2023

HOSE WHO KNOW ME, or have read my writings, know of my special affection for the music of William Byrd. In my role at the parish of St. Rita in Dallas, I have designated the month of October to be especially dedicated to his music within the context of our liturgies. Each Sunday we will sing at least one work of Byrd’s, either in Mass or at Vespers (we sing Vespers each Sunday at 4pm). The inspiration for this exploration comes, most unsubtly, from a recent post by my colleague, Dr. Lucas Tappan, who referenced Westminster Cathedral and their singing of the entire Gradualia over the course of a calendar year. Understandably, our efforts come nowhere near this monumental undertaking. Yet, having a fairly substantial sampling of this repertoire in a condensed period will, I hope, bring to both our singers and our community a new perspective and appreciation for the genius of Byrd. Here is our music plan for the month of October.

Thomas More Kyrie • Some pieces are ‘standard’ repertoire, while others (Tantum ergo, for example) have been excerpted from various sources such as the Litanies of 1605. Another example is the adaptation of a short Kyrie from the Litanies which I am using as an extension of a chant Kyrie I composed in 2011. This use of choral extensions is being offered to us by Jeff Ostrowski in his recent posts, and I am a big fan.

*  PDF Download • Kyrie in Honor of Saint Thomas More (ORDINARY FORM)
—Polyphony by William Byrd (d. 1623) • Plainsong by Alfred Calabrese.

Bringing Byrd To Life • Because we are a Novus Ordo parish, certain adaptations will be necessary regarding the length of some of the Ordinary sections. Purists will cringe at some cutting, but my feeling is this: better to see the name of Byrd printed and hear as much of the music as possible than to leave it enclosed in a dusty closet in some back room, never to see the light of day. This is a lot of music, some of it very tricky. Please pray for our efforts and give thanks to God for the music, life, and legacy of the great William Byrd.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Kyrie in Honor of Saint Thomas More Last Updated: September 24, 2023

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

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  • Why A “Fugue” Here?
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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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