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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Kyrie for the Ordinary Form in Honor of Saint Thomas More”

Dr. Alfred Calabrese · September 23, 2023

HOSE WHO KNOW ME, or have read my writings, know of my special affection for the music of William Byrd. In my role at the parish of St. Rita in Dallas, I have designated the month of October to be especially dedicated to his music within the context of our liturgies. Each Sunday we will sing at least one work of Byrd’s, either in Mass or at Vespers (we sing Vespers each Sunday at 4pm). The inspiration for this exploration comes, most unsubtly, from a recent post by my colleague, Dr. Lucas Tappan, who referenced Westminster Cathedral and their singing of the entire Gradualia over the course of a calendar year. Understandably, our efforts come nowhere near this monumental undertaking. Yet, having a fairly substantial sampling of this repertoire in a condensed period will, I hope, bring to both our singers and our community a new perspective and appreciation for the genius of Byrd. Here is our music plan for the month of October.

Thomas More Kyrie • Some pieces are ‘standard’ repertoire, while others (Tantum ergo, for example) have been excerpted from various sources such as the Litanies of 1605. Another example is the adaptation of a short Kyrie from the Litanies which I am using as an extension of a chant Kyrie I composed in 2011. This use of choral extensions is being offered to us by Jeff Ostrowski in his recent posts, and I am a big fan.

*  PDF Download • Kyrie in Honor of Saint Thomas More (ORDINARY FORM)
—Polyphony by William Byrd (d. 1623) • Plainsong by Alfred Calabrese.

Bringing Byrd To Life • Because we are a Novus Ordo parish, certain adaptations will be necessary regarding the length of some of the Ordinary sections. Purists will cringe at some cutting, but my feeling is this: better to see the name of Byrd printed and hear as much of the music as possible than to leave it enclosed in a dusty closet in some back room, never to see the light of day. This is a lot of music, some of it very tricky. Please pray for our efforts and give thanks to God for the music, life, and legacy of the great William Byrd.

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Kyrie in Honor of Saint Thomas More Last Updated: September 24, 2023

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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  • PDF Download • Introit (2nd Sn. Ord.)

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