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Views from the Choir Loft

Unanswered Questions on the Liturgy of the Hours

Daniel Tucker · July 24, 2023

N MY LAST POST, I shared a digest of the latest news from the USCCB regarding the forthcoming revised translation of the Liturgy of the Hours. In this post, I’d like to pose some lingering questions about the finer details of the project that, as far as I’m aware, have not been definitively settled by the editors and publishers who will be tasked with making the new editions.

1) Stanza Length

In the current editions of the breviary, stanzas of the Psalms and canticles are of wildly varying line lengths. Usually somewhere between two and seven lines – and not always an even number, either! I sincerely hope that the editors of the revised editions will partition the texts of the Psalms and canticles into stanzas that are a standard (e.g. four-line) length, or that at the very least always have an even number of lines. This would greatly facilitate the chanting of the Office in common, since the two antiphonal sides or choirs would be able to point the texts and alternate stanzas in a more predictable and equitable way.

2) Psalm Prayers

The Psalm prayers which follow each of the Psalms (at least in American editions of the breviary, though not in, for example, those of United Kingdom), composed during the post-conciliar revision of the Liturgy of the Hours, are not the most effective resourcement project that the council fathers ever undertook. That they are something of a novelty when viewed from the perspective of the Latin tradition as a whole does not make them inherently bad (after all, everything was new once), but besides this they are viewed by many as being of dubious theological import or emphasis, and also something of a distraction within the text, considering that they are entirely optional. These prayers might be better relegated to an appendix in the forthcoming edition.

3) Artwork

As the saying goes, de gustibus non est disputandum – “in matters of taste, there can be no disputes.” Having said that, the stick-figure line art from the 1970s does nothing (at least as far as my own taste is concerned) to raise my heart, mind, and soul to the beauty of God Who is Beauty itself. Many editions of the recently revised Roman Missal (2011) have rightly replaced such drawings with prints of truly beautiful paintings that have long been a part of the heritage of Catholic artwork and devotional imagery, or with newly-commissioned artwork that draws on that same rich patrimony. I hope that the publishers of the revised breviaries will take this same tack again, adorning them with artwork that is suitably dignified, “evoking and glorifying, in faith and adoration, the transcendent mystery of God [and] the surpassing invisible beauty of truth and love visible in Christ” (CCC 2502).

What hopes do you have for the new editions of the breviary? Leave comment on Corpus Christi Watershed’s Facebook page, or shoot me an email!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 24, 2023

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About Daniel Tucker

Daniel Tucker is the Director of Liturgical Music & Organist at the Cathedral of St. Matthew in South Bend, IN. He holds degrees in music and religion from Western Michigan University and Yale University.—(Read full biography).

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Quick Thoughts

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    It's very brief, but I think you would enjoy hearing Benno Moiseiwitsch (d. 1963) tell this really cool story about Sergei Rachmaninoff (d. 1943). Moiseiwitsch, whose playing was admired by Josef Hofmann, had studied with Theodor Leschetizky (d. 1915). I opened my recent article by speaking of a powerful quote Rachmaninoff gave to Robert Croan, music critic for the Post Gazette and professor of voice at Duquesne University.
    —Jeff Ostrowski
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    In case you missed it, many readers have enjoyed taking this little Quiz On Hymns. In the context of that article, I included a sensational quote about the Holy Mass by Monsignor Ronald Knox. Moreover, I talk about how Abraham Lincoln's mother died, as well as a fabulous Eucharistic hymn by the Archbishop of Canterbury.
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    Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect piece for a choir just beginning to experiment with polyphony.
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Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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