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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Quasi Modo” • Introit for this coming Sunday.

Jeff Ostrowski · April 14, 2023

E ARE NOT pollyannaish when it comes to the current crisis of the Church. Like you, our hearts break reading headlines of church leaders who make scandalous statements, persecute their flocks, and mock the words of JESUS CHRIST. At the same time, we must remember that our Lord Himself was betrayed by the highest church leaders of His time: Annas and Caiaphas. Our Lord said (Mt 18:7): “Scandals must come: but woe to that man by whom the scandal cometh.” Indeed, it was ever thus. For example, during the 16th century, some of the bishops convened rival councils (against the Council of Trent). There were long periods in our history when nobody knew who the real pope was. Pope Stephen VI actually dug up his dead predecessor and put his corpse on trial, having a deacon pretend to be the “voice” of the dead corpse. These are just a few examples.

Difficulties Detailed Daily • But should we really despair? Think of the advantages we have: electricity, internet, running water, air conditioning, modern medicine, automobiles, planes, and so forth. Surely—if we work together—we can bring the sacred music revolution to fruition, in spite of the difficulties detailed daily in the newspapers. And let’s refrain from attacking our predecessors, when we realize the advantages we have over them thanks to technology. For example, the NOH has several typos of this this coming Sunday’s Introit. The ending of the Glória Patri is wrong, a quarter bar was missing, and there were a few other errors. You can download my corrected score if you’re so inclined. Regarding the “PURE VATICANA” scores, I’m working on a complete book. [I have spoken about this project before.] It’s still in production but we make progress each day. Over the next few weeks, I hope to release an updated DRAFT COPY. I’m really excited about this book, and wish it were already complete—but I suppose “patience is a virtue.”

This morning, I prepared a rehearsal video of the Introit (“Quasi Modo”) for this coming Sunday:


M And here is the URL for direct access.

Still Hoping • I’m still hoping one of our readers can help me obtain a physical copy of NOH VOLUME TWO. I’m desperately in need of this book! (I also need VOLUME EIGHT.) Please don’t email me telling me about libraries that have it—I need a physical copy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Quasi Modo Introit Last Updated: April 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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