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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Quasi Modo” • Introit for this coming Sunday.

Jeff Ostrowski · April 14, 2023

E ARE NOT pollyannaish when it comes to the current crisis of the Church. Like you, our hearts break reading headlines of church leaders who make scandalous statements, persecute their flocks, and mock the words of JESUS CHRIST. At the same time, we must remember that our Lord Himself was betrayed by the highest church leaders of His time: Annas and Caiaphas. Our Lord said (Mt 18:7): “Scandals must come: but woe to that man by whom the scandal cometh.” Indeed, it was ever thus. For example, during the 16th century, some of the bishops convened rival councils (against the Council of Trent). There were long periods in our history when nobody knew who the real pope was. Pope Stephen VI actually dug up his dead predecessor and put his corpse on trial, having a deacon pretend to be the “voice” of the dead corpse. These are just a few examples.

Difficulties Detailed Daily • But should we really despair? Think of the advantages we have: electricity, internet, running water, air conditioning, modern medicine, automobiles, planes, and so forth. Surely—if we work together—we can bring the sacred music revolution to fruition, in spite of the difficulties detailed daily in the newspapers. And let’s refrain from attacking our predecessors, when we realize the advantages we have over them thanks to technology. For example, the NOH has several typos of this this coming Sunday’s Introit. The ending of the Glória Patri is wrong, a quarter bar was missing, and there were a few other errors. You can download my corrected score if you’re so inclined. Regarding the “PURE VATICANA” scores, I’m working on a complete book. [I have spoken about this project before.] It’s still in production but we make progress each day. Over the next few weeks, I hope to release an updated DRAFT COPY. I’m really excited about this book, and wish it were already complete—but I suppose “patience is a virtue.”

This morning, I prepared a rehearsal video of the Introit (“Quasi Modo”) for this coming Sunday:


M And here is the URL for direct access.

Still Hoping • I’m still hoping one of our readers can help me obtain a physical copy of NOH VOLUME TWO. I’m desperately in need of this book! (I also need VOLUME EIGHT.) Please don’t email me telling me about libraries that have it—I need a physical copy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Quasi Modo Introit Last Updated: April 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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