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Views from the Choir Loft

Pray (At Least) As Much As You Practice

Daniel Tucker · February 19, 2023

HE SEASON OF LENT will soon be upon us, during which we make extra time to devote to prayer, fasting, and almsgiving. As musicians, we are well aware that certain “seasons” of our professional life – or of our calendar year – also demand extra time spent at the keyboard, or in front of the choir, or studying scores. For many of us, the self-discipline required to hone our musical craft through daily practice has become second nature. But I propose that we take the opportunity this Lent to transfer that same sense of self-discipline to honing (or rather, to letting God hone by grace) our interior lives.

Lately, I have been reading Dom Chautard’s The Soul of the Apostolate, a book that I would consider required reading for anyone who works in parish ministry. The central thrust of the book is reminiscent of that old Latin adage, nemo dat quod non habet – “you can’t give what you don’t have.” As parish musicians, our fundamental aim is to be conduits of that grace which God wants to lavish on the souls of His children through the beauty of liturgical music and the sacred liturgy. Dom Chautard, following St. Bernard of Clairvaux, challenges us not merely to be channels but to be reservoirs of this grace. Not to be “running on fumes,” as it were, but to be pouring ourselves out to our choristers and our parishioners and our co-workers from the overflow of grace that God pours into us through prayer. He writes:

“Is there anyone who does not know St. Bernard’s saying, to apostles: ‘If you are wise, you will be reservoirs and not channels’?…The channels let the water flow away, and do not retain a drop. But the reservoir is first filled, and then, without emptying itself, pours out its overflow, which is ever renewed, over the fields which it waters. How many there are devoted to works, who are never anything but channels, and retain nothing for themselves, but remain dry while trying to pass on life-giving grace to souls! ‘We have many channels in the Church today,’ St. Bernard added, sadly, ‘but very few reservoirs.’…As a mother cannot suckle her child except in so far as she feeds herself, so [the ministers of the Church] must first assimilate the substance with which they are later to feed the children of the Church…The interior life alone can transform divine truth and charity in us to a truly life-giving nourishment for others.”

My challenge to myself this Lent – and one which I propose to you, dear reader – is that I pray at least as much as I practice. If an hour at the keyboard is an hour well-spent, how much more an hour of silent prayer before Our Lord present in the Most Blessed Sacrament? If fifteen minutes of score study is a productive use of my time, how much more a daily rosary for the intentions of my family and friends? If ten dollars for lunch in the midst of a busy workday is money well-spent, how much more could be gained from skipping that meal and giving ten dollars as a stipend to have Mass offered for the holy souls in purgatory? And so on…

May God who, in His mercy, gives us both the grace to pray in the first place and then, in accordance with His will, the grace of answered prayers, pour these graces into our hearts with reckless abandon, so that we can be overflowing oases of His grace in a world so desperately in need of it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 19, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

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  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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