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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pray (At Least) As Much As You Practice

Daniel Tucker · February 19, 2023

HE SEASON OF LENT will soon be upon us, during which we make extra time to devote to prayer, fasting, and almsgiving. As musicians, we are well aware that certain “seasons” of our professional life – or of our calendar year – also demand extra time spent at the keyboard, or in front of the choir, or studying scores. For many of us, the self-discipline required to hone our musical craft through daily practice has become second nature. But I propose that we take the opportunity this Lent to transfer that same sense of self-discipline to honing (or rather, to letting God hone by grace) our interior lives.

Lately, I have been reading Dom Chautard’s The Soul of the Apostolate, a book that I would consider required reading for anyone who works in parish ministry. The central thrust of the book is reminiscent of that old Latin adage, nemo dat quod non habet – “you can’t give what you don’t have.” As parish musicians, our fundamental aim is to be conduits of that grace which God wants to lavish on the souls of His children through the beauty of liturgical music and the sacred liturgy. Dom Chautard, following St. Bernard of Clairvaux, challenges us not merely to be channels but to be reservoirs of this grace. Not to be “running on fumes,” as it were, but to be pouring ourselves out to our choristers and our parishioners and our co-workers from the overflow of grace that God pours into us through prayer. He writes:

“Is there anyone who does not know St. Bernard’s saying, to apostles: ‘If you are wise, you will be reservoirs and not channels’?…The channels let the water flow away, and do not retain a drop. But the reservoir is first filled, and then, without emptying itself, pours out its overflow, which is ever renewed, over the fields which it waters. How many there are devoted to works, who are never anything but channels, and retain nothing for themselves, but remain dry while trying to pass on life-giving grace to souls! ‘We have many channels in the Church today,’ St. Bernard added, sadly, ‘but very few reservoirs.’…As a mother cannot suckle her child except in so far as she feeds herself, so [the ministers of the Church] must first assimilate the substance with which they are later to feed the children of the Church…The interior life alone can transform divine truth and charity in us to a truly life-giving nourishment for others.”

My challenge to myself this Lent – and one which I propose to you, dear reader – is that I pray at least as much as I practice. If an hour at the keyboard is an hour well-spent, how much more an hour of silent prayer before Our Lord present in the Most Blessed Sacrament? If fifteen minutes of score study is a productive use of my time, how much more a daily rosary for the intentions of my family and friends? If ten dollars for lunch in the midst of a busy workday is money well-spent, how much more could be gained from skipping that meal and giving ten dollars as a stipend to have Mass offered for the holy souls in purgatory? And so on…

May God who, in His mercy, gives us both the grace to pray in the first place and then, in accordance with His will, the grace of answered prayers, pour these graces into our hearts with reckless abandon, so that we can be overflowing oases of His grace in a world so desperately in need of it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 19, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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