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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pray (At Least) As Much As You Practice

Daniel Tucker · February 19, 2023

HE SEASON OF LENT will soon be upon us, during which we make extra time to devote to prayer, fasting, and almsgiving. As musicians, we are well aware that certain “seasons” of our professional life – or of our calendar year – also demand extra time spent at the keyboard, or in front of the choir, or studying scores. For many of us, the self-discipline required to hone our musical craft through daily practice has become second nature. But I propose that we take the opportunity this Lent to transfer that same sense of self-discipline to honing (or rather, to letting God hone by grace) our interior lives.

Lately, I have been reading Dom Chautard’s The Soul of the Apostolate, a book that I would consider required reading for anyone who works in parish ministry. The central thrust of the book is reminiscent of that old Latin adage, nemo dat quod non habet – “you can’t give what you don’t have.” As parish musicians, our fundamental aim is to be conduits of that grace which God wants to lavish on the souls of His children through the beauty of liturgical music and the sacred liturgy. Dom Chautard, following St. Bernard of Clairvaux, challenges us not merely to be channels but to be reservoirs of this grace. Not to be “running on fumes,” as it were, but to be pouring ourselves out to our choristers and our parishioners and our co-workers from the overflow of grace that God pours into us through prayer. He writes:

“Is there anyone who does not know St. Bernard’s saying, to apostles: ‘If you are wise, you will be reservoirs and not channels’?…The channels let the water flow away, and do not retain a drop. But the reservoir is first filled, and then, without emptying itself, pours out its overflow, which is ever renewed, over the fields which it waters. How many there are devoted to works, who are never anything but channels, and retain nothing for themselves, but remain dry while trying to pass on life-giving grace to souls! ‘We have many channels in the Church today,’ St. Bernard added, sadly, ‘but very few reservoirs.’…As a mother cannot suckle her child except in so far as she feeds herself, so [the ministers of the Church] must first assimilate the substance with which they are later to feed the children of the Church…The interior life alone can transform divine truth and charity in us to a truly life-giving nourishment for others.”

My challenge to myself this Lent – and one which I propose to you, dear reader – is that I pray at least as much as I practice. If an hour at the keyboard is an hour well-spent, how much more an hour of silent prayer before Our Lord present in the Most Blessed Sacrament? If fifteen minutes of score study is a productive use of my time, how much more a daily rosary for the intentions of my family and friends? If ten dollars for lunch in the midst of a busy workday is money well-spent, how much more could be gained from skipping that meal and giving ten dollars as a stipend to have Mass offered for the holy souls in purgatory? And so on…

May God who, in His mercy, gives us both the grace to pray in the first place and then, in accordance with His will, the grace of answered prayers, pour these graces into our hearts with reckless abandon, so that we can be overflowing oases of His grace in a world so desperately in need of it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 19, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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