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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pray (At Least) As Much As You Practice

Daniel Tucker · February 19, 2023

HE SEASON OF LENT will soon be upon us, during which we make extra time to devote to prayer, fasting, and almsgiving. As musicians, we are well aware that certain “seasons” of our professional life – or of our calendar year – also demand extra time spent at the keyboard, or in front of the choir, or studying scores. For many of us, the self-discipline required to hone our musical craft through daily practice has become second nature. But I propose that we take the opportunity this Lent to transfer that same sense of self-discipline to honing (or rather, to letting God hone by grace) our interior lives.

Lately, I have been reading Dom Chautard’s The Soul of the Apostolate, a book that I would consider required reading for anyone who works in parish ministry. The central thrust of the book is reminiscent of that old Latin adage, nemo dat quod non habet – “you can’t give what you don’t have.” As parish musicians, our fundamental aim is to be conduits of that grace which God wants to lavish on the souls of His children through the beauty of liturgical music and the sacred liturgy. Dom Chautard, following St. Bernard of Clairvaux, challenges us not merely to be channels but to be reservoirs of this grace. Not to be “running on fumes,” as it were, but to be pouring ourselves out to our choristers and our parishioners and our co-workers from the overflow of grace that God pours into us through prayer. He writes:

“Is there anyone who does not know St. Bernard’s saying, to apostles: ‘If you are wise, you will be reservoirs and not channels’?…The channels let the water flow away, and do not retain a drop. But the reservoir is first filled, and then, without emptying itself, pours out its overflow, which is ever renewed, over the fields which it waters. How many there are devoted to works, who are never anything but channels, and retain nothing for themselves, but remain dry while trying to pass on life-giving grace to souls! ‘We have many channels in the Church today,’ St. Bernard added, sadly, ‘but very few reservoirs.’…As a mother cannot suckle her child except in so far as she feeds herself, so [the ministers of the Church] must first assimilate the substance with which they are later to feed the children of the Church…The interior life alone can transform divine truth and charity in us to a truly life-giving nourishment for others.”

My challenge to myself this Lent – and one which I propose to you, dear reader – is that I pray at least as much as I practice. If an hour at the keyboard is an hour well-spent, how much more an hour of silent prayer before Our Lord present in the Most Blessed Sacrament? If fifteen minutes of score study is a productive use of my time, how much more a daily rosary for the intentions of my family and friends? If ten dollars for lunch in the midst of a busy workday is money well-spent, how much more could be gained from skipping that meal and giving ten dollars as a stipend to have Mass offered for the holy souls in purgatory? And so on…

May God who, in His mercy, gives us both the grace to pray in the first place and then, in accordance with His will, the grace of answered prayers, pour these graces into our hearts with reckless abandon, so that we can be overflowing oases of His grace in a world so desperately in need of it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 19, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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