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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

Jeff Ostrowski · January 14, 2023

HOSE WHO SEARCH archive.org for the name “Éthelbert Thibault” will come up with tons of search results. Father Éthelbert Thibault (1898-1953) had extensive musical training and taught at the University of Montreal (Québec), as did Dr. Eugène Lapierre, his friend and collaborator. Along with Clifford Bennett, Father Thibault produced the “Catholic Choirmasters Correspondence Course,” which included LP records with a seminary Schola Cantorum singing Gregorian chant. Those interested in the CLASSICAL SOLESMES METHOD will want to explore those (very copious) lectures and recordings. Some of the recordings are done according to Solfège, such as the Lauda Sion Sequence for the feast of Corpus Christi.

False Narrative • In an effort to mock the CLASSICAL SOLESMES METHOD, it was sometimes said in the past: “At the Abbey of Solesmes itself they don’t even use the Solesmes method!” That was supposed to be a devastating attack—but it was hardly that. The reality is, the 1-2-3 counting business was meant for amateur singers; it was never intended to be used by monks who sing the Divine Office for several hours each day. Therefore, it would be foolish to expect to hear the monks of Solesmes singing “1-2-3” instead of the words.

Counting “Jubiláte Déo” • Here’s an example—courtesy of Father Thibault—of how to “count” according to Dom Mocquereau’s method:

Example Chosen • The example in that video is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany. Two years ago, I wrote extensively here and here about the feasts of Christmastide and Epiphany-tide, explaining how often the calendar has changed over the last 100+ years. In the second article, a chart is provided showing that editions prior to the Editio Vaticana—including the 1903 LIBER USUALIS by Dom Mocquereau—usually omitted the long beginning section. Incidentally, that Offertory also occurs on the 4th Sunday after Easter; otherwise I would not have been able to show how it looked in Mocquereau’s 1903 LIBER USUALIS. That’s because in those days the 2nd Sunday after Epiphany was always replaced by another feast, so Dom Mocquereau did not include that feast in his book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Classical Solesmes Method, Dom Mocquereau, Dr Clifford Bennett, Éthelbert Thibault, Mocquereau Rhythmic Signs Last Updated: January 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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