• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

Jeff Ostrowski · January 14, 2023

HOSE WHO SEARCH archive.org for the name “Éthelbert Thibault” will come up with tons of search results. Father Éthelbert Thibault (1898-1953) had extensive musical training and taught at the University of Montreal (Québec), as did Dr. Eugène Lapierre, his friend and collaborator. Along with Clifford Bennett, Father Thibault produced the “Catholic Choirmasters Correspondence Course,” which included LP records with a seminary Schola Cantorum singing Gregorian chant. Those interested in the CLASSICAL SOLESMES METHOD will want to explore those (very copious) lectures and recordings. Some of the recordings are done according to Solfège, such as the Lauda Sion Sequence for the feast of Corpus Christi.

False Narrative • In an effort to mock the CLASSICAL SOLESMES METHOD, it was sometimes said in the past: “At the Abbey of Solesmes itself they don’t even use the Solesmes method!” That was supposed to be a devastating attack—but it was hardly that. The reality is, the 1-2-3 counting business was meant for amateur singers; it was never intended to be used by monks who sing the Divine Office for several hours each day. Therefore, it would be foolish to expect to hear the monks of Solesmes singing “1-2-3” instead of the words.

Counting “Jubiláte Déo” • Here’s an example—courtesy of Father Thibault—of how to “count” according to Dom Mocquereau’s method:

Example Chosen • The example in that video is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany. Two years ago, I wrote extensively here and here about the feasts of Christmastide and Epiphany-tide, explaining how often the calendar has changed over the last 100+ years. In the second article, a chart is provided showing that editions prior to the Editio Vaticana—including the 1903 LIBER USUALIS by Dom Mocquereau—usually omitted the long beginning section. Incidentally, that Offertory also occurs on the 4th Sunday after Easter; otherwise I would not have been able to show how it looked in Mocquereau’s 1903 LIBER USUALIS. That’s because in those days the 2nd Sunday after Epiphany was always replaced by another feast, so Dom Mocquereau did not include that feast in his book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Classical Solesmes Method, Dom Mocquereau, Dr Clifford Bennett, Éthelbert Thibault, Mocquereau Rhythmic Signs Last Updated: January 14, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.