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Views from the Choir Loft

The Christmas Sequence: Laetabundus

Daniel Tucker · December 21, 2022

THROUGHOUT THE MIDDLE AGES, the musical tradition of the Church accumulated hundreds of Sequences, Latin hymns that were chanted just before the Gospel reading and were proper to the particular liturgical day or season. With the liturgical reforms of Pope Pius V in 1570, though, the Church’s collection of Sequences in the Roman rite was reduced to just four:
1) Victimae paschale laudes (11th c.) at Easter
2) Veni Sancte Spiritus (12th c.) at Pentecost
3) Lauda Sion Salvatorem (c. 1264) at Corpus Christi
4) Dies Irae (13th c.) for All Souls Day and Masses for the Dead 1

In 1727, the number of Sequences in the Roman rite was expanded to five with the restoration of the Stabat Mater dolorosa (13th c.) for the feast of Our Lady of Sorrows.

One may wonder why the Feast of the Nativity of the Lord was left off of Pope Pius V’s list, given that major feasts of similar status, such as Easter and Pentecost, had their Sequences included. There is, in fact, a Sequence for Christmas which, although left out of the Roman rite, has been preserved in the Dominican rite. This Sequence, called Laetabundus (Joy abounding…), is sung by the Dominicans at Christmas, Epiphany, and Candlemas.

Dominican friars Fr. Stefan Ansinger, OP and Fr. Alexandre Frezzato, OP have produced this lovely recording of the Sequence as part of their work for the YouTube channel OPChant:

The English translation reads:

Let the choir of all the faithful exult in their joy. Alleluia.
The Virgin’s womb hath given us the King of Kings! O wonderful mystery!
The Angel of the great Counsel is born of the Virgin, the Sun is born of a Star!
The Sun knows no setting; the Star is ever shining, ever bright.
As a star gives forth its ray, so does the Virgin her Child.
The star loses naught of its purity by the ray it yields, so neither does the Virgin by her Child.
The lofty cedar of Libanus comes down into our valley, making itself little as the hyssop.
He that is the Word of the Most High God deigns to take a body unto himself; he assumes our flesh.
Isaias had foretold all this; and the Jews, though they knew the prophecy by heart, see not its accomplishment in this mystery.
If they will not believe their Prophets, let them believe the Sybils, who thus sang:
‘Unhappy people, delay not, believe, at least, the ancient oracles! Why wilt thou be cast off, O chosen nation?
This is the Child of whom thy books tell thee: he is the Son of a Virgin-Mother.’ Alleluia.

As Advent draws to a close, let us mark well and with joyful expectation the coming of “the Son of a Virgin-Mother,” and with her let us long for him “with love beyond all telling”! 2

Auguste Le Guennant (d. 1972) published an organ accompaniment for the “Lætabundus” sequence. It can be downloaded in the Saint Jean de Lalande online library.

NOTES FROM THIS ARTICLE:

1  Four hundred years later, the liturgical reforms of Pope Paul VI in 1970 removed the Dies Irae from the Requiem Mass and transferred it to the Liturgy of the Hours for the 34th Sunday in Ordinary Time. 

2  From the Preface from December 17 until Christmas Eve.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sequence for Christmas Last Updated: February 11, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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