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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Christmas Sequence: Laetabundus

Daniel Tucker · December 21, 2022

THROUGHOUT THE MIDDLE AGES, the musical tradition of the Church accumulated hundreds of Sequences, Latin hymns that were chanted just before the Gospel reading and were proper to the particular liturgical day or season. With the liturgical reforms of Pope Pius V in 1570, though, the Church’s collection of Sequences in the Roman rite was reduced to just four:
1) Victimae paschale laudes (11th c.) at Easter
2) Veni Sancte Spiritus (12th c.) at Pentecost
3) Lauda Sion Salvatorem (c. 1264) at Corpus Christi
4) Dies Irae (13th c.) for All Souls Day and Masses for the Dead 1

In 1727, the number of Sequences in the Roman rite was expanded to five with the restoration of the Stabat Mater dolorosa (13th c.) for the feast of Our Lady of Sorrows.

One may wonder why the Feast of the Nativity of the Lord was left off of Pope Pius V’s list, given that major feasts of similar status, such as Easter and Pentecost, had their Sequences included. There is, in fact, a Sequence for Christmas which, although left out of the Roman rite, has been preserved in the Dominican rite. This Sequence, called Laetabundus (Joy abounding…), is sung by the Dominicans at Christmas, Epiphany, and Candlemas.

Dominican friars Fr. Stefan Ansinger, OP and Fr. Alexandre Frezzato, OP have produced this lovely recording of the Sequence as part of their work for the YouTube channel OPChant:

The English translation reads:

Let the choir of all the faithful exult in their joy. Alleluia.
The Virgin’s womb hath given us the King of Kings! O wonderful mystery!
The Angel of the great Counsel is born of the Virgin, the Sun is born of a Star!
The Sun knows no setting; the Star is ever shining, ever bright.
As a star gives forth its ray, so does the Virgin her Child.
The star loses naught of its purity by the ray it yields, so neither does the Virgin by her Child.
The lofty cedar of Libanus comes down into our valley, making itself little as the hyssop.
He that is the Word of the Most High God deigns to take a body unto himself; he assumes our flesh.
Isaias had foretold all this; and the Jews, though they knew the prophecy by heart, see not its accomplishment in this mystery.
If they will not believe their Prophets, let them believe the Sybils, who thus sang:
‘Unhappy people, delay not, believe, at least, the ancient oracles! Why wilt thou be cast off, O chosen nation?
This is the Child of whom thy books tell thee: he is the Son of a Virgin-Mother.’ Alleluia.

As Advent draws to a close, let us mark well and with joyful expectation the coming of “the Son of a Virgin-Mother,” and with her let us long for him “with love beyond all telling”! 2

Auguste Le Guennant (d. 1972) published an organ accompaniment for the “Lætabundus” sequence. It can be downloaded in the Saint Jean de Lalande online library.

NOTES FROM THIS ARTICLE:

1  Four hundred years later, the liturgical reforms of Pope Paul VI in 1970 removed the Dies Irae from the Requiem Mass and transferred it to the Liturgy of the Hours for the 34th Sunday in Ordinary Time. 

2  From the Preface from December 17 until Christmas Eve.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sequence for Christmas Last Updated: February 11, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

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