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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

J.S. Bach “Alleluia” • Director Posts Live Recording!

Jeff Ostrowski · December 19, 2022

UR READERS have probably seen the famous Solemn Mass, filmed at Our Lady of Sorrows Church (Chicago) in 1940. The narration, which is utterly sublime, was done by Monsignor Fulton J. Sheen. The video is all over the internet … a ‘Google’ search will locate it almost instantly. The music chosen for that Mass—in spite of tremendous performing forces—is a source of embarrassment for some, who say it sounds sugary and lacks depth. One commentator described it as “the very worst remnants of the Caecilian movement.” However, I believe such criticism to be a bit misguided. Let me explain why.

We Are Body & Soul • What the critics fail to take into consideration is how that music would have sounded if you were actually sitting in the pews. It’s similar to the music of Monsignor Lorenzo Perosi, which looks tedious and insipid on the page, but comes off very well in real life. After all, man is composed of both body and soul. It is wrong to completely dismiss the effects of well-crafted choral music heard in real life. On the other hand, I admit that such ‘Caecilian’ music lacks the depth of Palestrina, Victoria, or Guerrero. (And it’s not even a close call.)

Variety, Variety, Variety • I probably sound like a broken record, but I believe a key ingredient for any successful choral program is musical diversity. I would like to mention a piece that hopefully illustrates my point. We normally do a Renaissance setting of the ALLELUIA which comes before the Gospel—but lately we’ve been doing a setting by Johann Sebastian Bach (d. 1750) which the singers really love. You can freely download J.S. BACH’S ALLELUIA (PDF), arranged by Monsignor Moissenet.

Live Recording • Here’s a ‘live’ recording by our volunteer choir from last week:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Giovanni Pierluigi da Palestrina, Johann Sebastian Bach, Latin Mass Musical Diversity, Monsignor Lorenzo Perosi, Rene Moissenet Alleluia, SATB Alleluia Bach Last Updated: November 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

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  • Why A “Fugue” Here?
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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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