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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Who Can Guess This Melody? • (Rorate Mass)

Jeff Ostrowski · December 13, 2022

HE VATICAN COMMISSION on Gregorian Chant, meeting on 8 September 1905, took up the thorny issue of the Propria Missae which come between the Epistle and Gospel. Some have attempted to draw a distinction between what they call processional chants (which they claim “accompany liturgical action”) and meditation chants (which they say “are sung for their own sake”), but such a distinction betrays a misunderstanding of the traditional liturgy. In the traditional liturgy, actions are taking place between Epistle and Gospel. To name a few of these: the priest quietly reads the Gradual & Alleluia, the Missal is moved, the priest silently says the Munda Cor Meum, the priest silently reads the Gospel (which will be sung aloud later by the Deacon), the Deacon fetches the EVANGELIARIUM, he asks the priest for a blessing, incense is imposed, a procession takes place, and so forth.

Dom Combe describes 1 the discussion that took place on 8 September 1905:

“Dr. Wagner, underscoring the conditions of small Churches in non-Latin countries (where the integral chanting of very ornate melodies is impossible, and the recitation of the texts in place of the chant is no less difficult owing to pronunciation and ignorance of the Latin language) asks whether it would be possible to allow the chants between the Epistle and the Gospel to be omitted. Dom Horn seconded this resolution, at the request of many Germans. Father de Santi recalled that in Rome, at the Gregorian Congress, he had suggested introducing some more or less ornate formulas to which the various texts mentioned by Dr. Wagner could be suitably adapted. Dom Pothier and Dom Mocquereau averred that such formulas could be found in the manuscripts, without any need for composing new ones. With regard to the formulas to be adopted for the simple chanting of the Graduals, Tracts, Alleluia verses, Dr. Wagner proposes that, to this end, reference be made to the formulas of the responsorial psalms that have fallen into disuse. The liturgical nature of these chants would thus be maintained. Dom Mocquereau shares this opinion … Dr. Wagner, therefore, proposes that the editors of the Vatican Edition be formally charged with selecting simple formulas … formulas that should be published at the same time as the rest of the edition, and submitted to the Commissioners as early as possible. Father de Santi also proposes that the Commission authorize the Rassegna Gregoriana to publish them. The Commission approves.”

Do You Recognize? • The Vatican Commission on Gregorian Chant never published those, but all the German editors did. I bet you recognize this melody, written by Max Springer in his Graduale Romanum (1912) for the Advent Rorate Mass:

If you recognize it, let me know in the Facebook combox.

1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone very close to Dr. Marier told me that he found the work of translation tedious, and would exclaim: “Well, I guess I’d better go subtract a few years off Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Dom Josef Pothier, Dom Michael Horn OSB, Dom Mocquereau, Dr Peter Wagner Gregorian, Rorate Mass Last Updated: December 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

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“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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