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Views from the Choir Loft

Who Can Guess This Melody? • (Rorate Mass)

Jeff Ostrowski · December 13, 2022

HE VATICAN COMMISSION on Gregorian Chant, meeting on 8 September 1905, took up the thorny issue of the Propria Missae which come between the Epistle and Gospel. Some have attempted to draw a distinction between what they call processional chants (which they claim “accompany liturgical action”) and meditation chants (which they say “are sung for their own sake”), but such a distinction betrays a misunderstanding of the traditional liturgy. In the traditional liturgy, actions are taking place between Epistle and Gospel. To name a few of these: the priest quietly reads the Gradual & Alleluia, the Missal is moved, the priest silently says the Munda Cor Meum, the priest silently reads the Gospel (which will be sung aloud later by the Deacon), the Deacon fetches the EVANGELIARIUM, he asks the priest for a blessing, incense is imposed, a procession takes place, and so forth.

Dom Combe describes 1 the discussion that took place on 8 September 1905:

“Dr. Wagner, underscoring the conditions of small Churches in non-Latin countries (where the integral chanting of very ornate melodies is impossible, and the recitation of the texts in place of the chant is no less difficult owing to pronunciation and ignorance of the Latin language) asks whether it would be possible to allow the chants between the Epistle and the Gospel to be omitted. Dom Horn seconded this resolution, at the request of many Germans. Father de Santi recalled that in Rome, at the Gregorian Congress, he had suggested introducing some more or less ornate formulas to which the various texts mentioned by Dr. Wagner could be suitably adapted. Dom Pothier and Dom Mocquereau averred that such formulas could be found in the manuscripts, without any need for composing new ones. With regard to the formulas to be adopted for the simple chanting of the Graduals, Tracts, Alleluia verses, Dr. Wagner proposes that, to this end, reference be made to the formulas of the responsorial psalms that have fallen into disuse. The liturgical nature of these chants would thus be maintained. Dom Mocquereau shares this opinion … Dr. Wagner, therefore, proposes that the editors of the Vatican Edition be formally charged with selecting simple formulas … formulas that should be published at the same time as the rest of the edition, and submitted to the Commissioners as early as possible. Father de Santi also proposes that the Commission authorize the Rassegna Gregoriana to publish them. The Commission approves.”

Do You Recognize? • The Vatican Commission on Gregorian Chant never published those, but all the German editors did. I bet you recognize this melody, written by Max Springer in his Graduale Romanum (1912) for the Advent Rorate Mass:

If you recognize it, let me know in the Facebook combox.

1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone very close to Dr. Marier told me that he found the work of translation tedious, and would exclaim: “Well, I guess I’d better go subtract a few years off Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Dom Josef Pothier, Dom Michael Horn OSB, Dom Mocquereau, Dr Peter Wagner Gregorian, Rorate Mass Last Updated: December 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

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