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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Fearfully and Wonderfully Made” • New album from Richard Kelley & Richard J. Clark

Corpus Christi Watershed · October 13, 2022

Available on all digital formats including:

•  Apple iTunes  •  Amazon Music •  Spotify • Compact Disc

BOSTON – Defying category and convention, famed Boston trumpeter Richard Kelley and Boston Cathedral choirmaster, organist, and composer Richard J. Clark explore the depths of human frailty, struggle, and dignity in their second album “Fearfully and Wonderfully Made.”

The album coincides with the print publication from WLP | GIA Publications of the title track “Fearfully and Wonderfully Made,” a four-movement meditation on Psalm 139. The album also includes one of the final compositions of iconic New England composer Daniel Pinkham: “Scenes.” Written for Richard Kelley and in the final months of his life, Pinkham explores the abyss, mourning, and transcendence.

Defying all convention the album concludes with a bonus track featuring Richard Kelley on vocals in Clark’s category bending setting of poet E. Ethelbert Miller’s “If My Blackness Turns to Fruit.” Miller’s poem was featured on NPR’s Morning Edition in 2019 (marking Walt Whitman’s bicentennial). While it has been compared to Abel Meeropol’s “Strange Fruit” made famous by Billie Holiday, “If My Blackness Turns to Fruit” offers a new challenge for America. Shortly after the NPR broadcast, Miller asked Clark to compose music for the poem. The result: a classical art song in its bones but a traditional jazz ballad in its flesh. Miller’s evocative, yet hope-filled message is passionately delivered in a new, distinctive genre.  

The recordings were digitally mastered by double-platinum-winning producer Paul Umbach.

• OFFICIAL TRAILER click here

• CD RELEASE CONCERT • SUNDAY, November 13 @2pm • Cathedral of the Holy Cross, Boston • Tix Eventbrite – click here

“The career of trumpeter Richard Kelley is not only a testament to the versatility of his instrument, but also to the ability of one individual to excel across the broadest possible range of music.” ~ Brian McCreath, WCRB, Director of Production.

“…Clark’s vivid sound colors and emotionally committed playing created a compelling, dramatic narrative.” ~ The Boston Musical Intelligencer

“The seasonal music (Clark) and his choir are making on this Sunday morning is something more than just nice. Stirring is one way to put it. Profound is another.” ~ The Boston Globe

Press Contact: Kara Clark | RJC Cecilia Records
Phone: 617-309-0343
Email: click here

PDF of this Press Release click here. 

Richard A. Kelley is Principal Cornet of the Brass Band of Battle Creek. He performs regularly with the Boston Symphony Orchestra, Boston Pops, Boston Philharmonic, and the Bach Beethoven Brahms Society. He currently serves as Adjunct Professor of Trumpet at the Boston Conservatory at Berklee. Mr. Kelley’s work can be heard on a wide variety of recordings, from national commercials to the Oscar and Golden Globe-winning soundtrack to Disney’s Pocahontas and Stephen Paulus’ Grammy-nominated Concerto for Two Trumpets and Band. Covering many styles of music, he has collaborated with many from John Williams and Yo-Yo Ma to Steven Tyler, Ray Charles and James Taylor. A passionate believer in the power of music education, Mr. Kelley taught for Juilliard’s Music Advancement Program for inner-city youth, and he continues to pass along his knowledge and love of music to younger generations in the Boston area.

Richard J. Clark is highly regarded as a composer of sacred music in particular for the Roman Rite. His choral, instrumental, and orchestral works have been performed worldwide. A highly versatile musician, his eclectic appearances range from the Celebrity Series of Boston, the Boston Philharmonic, and the Sacred Music Symposium in Los Angeles to Jive Records (Sony BMG), Fenway Park, and the New York Songwriters Circle at the historic The Bitter End in Greenwich Village. He currently serves as Archdiocesan and Cathedral Director of Music at the Cathedral of the Holy Cross in Boston. He served as Director of Music at Saint Cecilia Church in Boston from 1992-2018 and as Organist since 1989. A New York native, he currently lives with his wife and four children just outside of Boston, Massachusetts.

Produced by Richard J. Clark and Richard A. Kelley
Tracks 1-10 • Recorded at Saint Cecilia Church, Boston, MA
Richard J. Clark plays the 1999 & 2001 IV/54 Smith & Gilbert Organ
Mastered by Paul Umbach @The Snug Studio, Las Vegas, NV
Tracks 7-10 Engineered by Evan Landry
Photography: Lyndie Laramore, George Martell
Track 11 • Richard Kelley, vocals, trumpet • Richard J. Clark, piano

Recorded at the Cathedral of the Holy Cross, Boston, MA
COPYRIGHT © 2022 Richard J. Clark • R J C Cecilia Music • ASCAP • ALL RIGHTS RESERVED

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2022

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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