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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Fearfully and Wonderfully Made” • New album from Richard Kelley & Richard J. Clark

Corpus Christi Watershed · October 13, 2022

Available on all digital formats including:

•  Apple iTunes  •  Amazon Music •  Spotify • Compact Disc

BOSTON – Defying category and convention, famed Boston trumpeter Richard Kelley and Boston Cathedral choirmaster, organist, and composer Richard J. Clark explore the depths of human frailty, struggle, and dignity in their second album “Fearfully and Wonderfully Made.”

The album coincides with the print publication from WLP | GIA Publications of the title track “Fearfully and Wonderfully Made,” a four-movement meditation on Psalm 139. The album also includes one of the final compositions of iconic New England composer Daniel Pinkham: “Scenes.” Written for Richard Kelley and in the final months of his life, Pinkham explores the abyss, mourning, and transcendence.

Defying all convention the album concludes with a bonus track featuring Richard Kelley on vocals in Clark’s category bending setting of poet E. Ethelbert Miller’s “If My Blackness Turns to Fruit.” Miller’s poem was featured on NPR’s Morning Edition in 2019 (marking Walt Whitman’s bicentennial). While it has been compared to Abel Meeropol’s “Strange Fruit” made famous by Billie Holiday, “If My Blackness Turns to Fruit” offers a new challenge for America. Shortly after the NPR broadcast, Miller asked Clark to compose music for the poem. The result: a classical art song in its bones but a traditional jazz ballad in its flesh. Miller’s evocative, yet hope-filled message is passionately delivered in a new, distinctive genre.  

The recordings were digitally mastered by double-platinum-winning producer Paul Umbach.

• OFFICIAL TRAILER click here

• CD RELEASE CONCERT • SUNDAY, November 13 @2pm • Cathedral of the Holy Cross, Boston • Tix Eventbrite – click here

“The career of trumpeter Richard Kelley is not only a testament to the versatility of his instrument, but also to the ability of one individual to excel across the broadest possible range of music.” ~ Brian McCreath, WCRB, Director of Production.

“…Clark’s vivid sound colors and emotionally committed playing created a compelling, dramatic narrative.” ~ The Boston Musical Intelligencer

“The seasonal music (Clark) and his choir are making on this Sunday morning is something more than just nice. Stirring is one way to put it. Profound is another.” ~ The Boston Globe

Press Contact: Kara Clark | RJC Cecilia Records
Phone: 617-309-0343
Email: click here

PDF of this Press Release click here. 

Richard A. Kelley is Principal Cornet of the Brass Band of Battle Creek. He performs regularly with the Boston Symphony Orchestra, Boston Pops, Boston Philharmonic, and the Bach Beethoven Brahms Society. He currently serves as Adjunct Professor of Trumpet at the Boston Conservatory at Berklee. Mr. Kelley’s work can be heard on a wide variety of recordings, from national commercials to the Oscar and Golden Globe-winning soundtrack to Disney’s Pocahontas and Stephen Paulus’ Grammy-nominated Concerto for Two Trumpets and Band. Covering many styles of music, he has collaborated with many from John Williams and Yo-Yo Ma to Steven Tyler, Ray Charles and James Taylor. A passionate believer in the power of music education, Mr. Kelley taught for Juilliard’s Music Advancement Program for inner-city youth, and he continues to pass along his knowledge and love of music to younger generations in the Boston area.

Richard J. Clark is highly regarded as a composer of sacred music in particular for the Roman Rite. His choral, instrumental, and orchestral works have been performed worldwide. A highly versatile musician, his eclectic appearances range from the Celebrity Series of Boston, the Boston Philharmonic, and the Sacred Music Symposium in Los Angeles to Jive Records (Sony BMG), Fenway Park, and the New York Songwriters Circle at the historic The Bitter End in Greenwich Village. He currently serves as Archdiocesan and Cathedral Director of Music at the Cathedral of the Holy Cross in Boston. He served as Director of Music at Saint Cecilia Church in Boston from 1992-2018 and as Organist since 1989. A New York native, he currently lives with his wife and four children just outside of Boston, Massachusetts.

Produced by Richard J. Clark and Richard A. Kelley
Tracks 1-10 • Recorded at Saint Cecilia Church, Boston, MA
Richard J. Clark plays the 1999 & 2001 IV/54 Smith & Gilbert Organ
Mastered by Paul Umbach @The Snug Studio, Las Vegas, NV
Tracks 7-10 Engineered by Evan Landry
Photography: Lyndie Laramore, George Martell
Track 11 • Richard Kelley, vocals, trumpet • Richard J. Clark, piano

Recorded at the Cathedral of the Holy Cross, Boston, MA
COPYRIGHT © 2022 Richard J. Clark • R J C Cecilia Music • ASCAP • ALL RIGHTS RESERVED

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2022

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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