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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Michael Olbash on Sounds from the Spires

Richard J. Clark · August 2, 2021

ICHAEL OLBASH holds the rare distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts. He recently joined Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, on her program Sounds from the Spires.

Olbash discusses the seminary programs, his background in parishes, his work in the Extraordinary Form, and his love for cultivating children’s choirs. He also discusses the role music plays in the formation of priests while teaching them to sing the Mass.

As conductor, composer, singer, and organist, Olbash is exceedingly humble and self-effacing. As witness to his abilities in settings that involve adults or children, I attest his abilities are exceptional in each of these areas. (DOWNLOAD his Mass in Honor of the Blessed Virgin Mary, Star of the Sea here.) Most importantly, he integrates his varied skills to nurture, teach, and bring communities together in order to model the ideal of sacred music. He does so with love and joy.

You can listen to the entire program here including wonderful music from Maestro Olbash (See music list below):

 

Pascual’s weekly show can be heard on SIRIUSXM 129 Radio, The Catholic Channel, Saturday, 1:00am and 8:00am, Sunday, 12:00am 6:00am and 8:00pm, Thursday, 1:00pm (all Eastern/ New York times)

Music heard in this interview:

1. Hymn: “Come Down, O Love Divine”
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor
David Hughes, organ

2. Motet: “Ave Verum Corpus” by Mozart
Sung at Saint John’s Seminary, Boston
Immaculate Heart of Mary School Chorus, with string quartet
Michael Olbash, conductor

3.  Tract:  “Commovisti” Translated and arranged by Fr. Steven Lewis
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor

4.  Organ: Noel X by Daquin (excerpt)
Played at St. John Guardian of Our Lady Church, Clinton MA
Michael Olbash, organ

5.  Kyrie: “Mass of St. Philip Neri” by Paul Jernberg
Sung at Saint John’s Seminary, Boston
Saint John’s Seminary Schola
Michael Olbash, conductor

6.  Gloria:  “Mass in honor of BVM, Star of the Sea” by Michael Olbash
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ

7.  Organist Eric Anderson demonstrates the Phelps/Casavant organ at Pope St. John XXIII National Seminary, Weston MA

8.  Kyrie:  “Messe basse” by Faure
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ
Nicholas Olbash, treble solo

9.  Responsorial Psalm:  “Ps. 45 – The Queen Stands at Your Right Hand” by Michael Olbash (excerpt)
Sung at St. Joseph’s, Homewood IL
St. Joseph Choir & Orchestra
John Ligda, conductor
Carrie Marcotte, soprano

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 2, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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