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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Michael Olbash on Sounds from the Spires

Richard J. Clark · August 2, 2021

ICHAEL OLBASH holds the rare distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts. He recently joined Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, on her program Sounds from the Spires.

Olbash discusses the seminary programs, his background in parishes, his work in the Extraordinary Form, and his love for cultivating children’s choirs. He also discusses the role music plays in the formation of priests while teaching them to sing the Mass.

As conductor, composer, singer, and organist, Olbash is exceedingly humble and self-effacing. As witness to his abilities in settings that involve adults or children, I attest his abilities are exceptional in each of these areas. (DOWNLOAD his Mass in Honor of the Blessed Virgin Mary, Star of the Sea here.) Most importantly, he integrates his varied skills to nurture, teach, and bring communities together in order to model the ideal of sacred music. He does so with love and joy.

You can listen to the entire program here including wonderful music from Maestro Olbash (See music list below):

 

Pascual’s weekly show can be heard on SIRIUSXM 129 Radio, The Catholic Channel, Saturday, 1:00am and 8:00am, Sunday, 12:00am 6:00am and 8:00pm, Thursday, 1:00pm (all Eastern/ New York times)

Music heard in this interview:

1. Hymn: “Come Down, O Love Divine”
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor
David Hughes, organ

2. Motet: “Ave Verum Corpus” by Mozart
Sung at Saint John’s Seminary, Boston
Immaculate Heart of Mary School Chorus, with string quartet
Michael Olbash, conductor

3.  Tract:  “Commovisti” Translated and arranged by Fr. Steven Lewis
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor

4.  Organ: Noel X by Daquin (excerpt)
Played at St. John Guardian of Our Lady Church, Clinton MA
Michael Olbash, organ

5.  Kyrie: “Mass of St. Philip Neri” by Paul Jernberg
Sung at Saint John’s Seminary, Boston
Saint John’s Seminary Schola
Michael Olbash, conductor

6.  Gloria:  “Mass in honor of BVM, Star of the Sea” by Michael Olbash
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ

7.  Organist Eric Anderson demonstrates the Phelps/Casavant organ at Pope St. John XXIII National Seminary, Weston MA

8.  Kyrie:  “Messe basse” by Faure
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ
Nicholas Olbash, treble solo

9.  Responsorial Psalm:  “Ps. 45 – The Queen Stands at Your Right Hand” by Michael Olbash (excerpt)
Sung at St. Joseph’s, Homewood IL
St. Joseph Choir & Orchestra
John Ligda, conductor
Carrie Marcotte, soprano

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 2, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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