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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Michael Olbash on Sounds from the Spires

Richard J. Clark · August 2, 2021

ICHAEL OLBASH holds the rare distinction of being the Director of Music of two seminaries: Saint John’s Seminary, Boston, and Pope Saint John XXIII National Seminary in Weston, Massachusetts. He recently joined Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, on her program Sounds from the Spires.

Olbash discusses the seminary programs, his background in parishes, his work in the Extraordinary Form, and his love for cultivating children’s choirs. He also discusses the role music plays in the formation of priests while teaching them to sing the Mass.

As conductor, composer, singer, and organist, Olbash is exceedingly humble and self-effacing. As witness to his abilities in settings that involve adults or children, I attest his abilities are exceptional in each of these areas. (DOWNLOAD his Mass in Honor of the Blessed Virgin Mary, Star of the Sea here.) Most importantly, he integrates his varied skills to nurture, teach, and bring communities together in order to model the ideal of sacred music. He does so with love and joy.

You can listen to the entire program here including wonderful music from Maestro Olbash (See music list below):

 

Pascual’s weekly show can be heard on SIRIUSXM 129 Radio, The Catholic Channel, Saturday, 1:00am and 8:00am, Sunday, 12:00am 6:00am and 8:00pm, Thursday, 1:00pm (all Eastern/ New York times)

Music heard in this interview:

1. Hymn: “Come Down, O Love Divine”
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor
David Hughes, organ

2. Motet: “Ave Verum Corpus” by Mozart
Sung at Saint John’s Seminary, Boston
Immaculate Heart of Mary School Chorus, with string quartet
Michael Olbash, conductor

3.  Tract:  “Commovisti” Translated and arranged by Fr. Steven Lewis
Sung at Saint John’s Seminary, Boston
Michael Olbash, conductor

4.  Organ: Noel X by Daquin (excerpt)
Played at St. John Guardian of Our Lady Church, Clinton MA
Michael Olbash, organ

5.  Kyrie: “Mass of St. Philip Neri” by Paul Jernberg
Sung at Saint John’s Seminary, Boston
Saint John’s Seminary Schola
Michael Olbash, conductor

6.  Gloria:  “Mass in honor of BVM, Star of the Sea” by Michael Olbash
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ

7.  Organist Eric Anderson demonstrates the Phelps/Casavant organ at Pope St. John XXIII National Seminary, Weston MA

8.  Kyrie:  “Messe basse” by Faure
Sung at St. Paul’s, Harvard Sq., Cambridge MA
Blackstone Valley Catholic Youth Choir
Michael Olbash, conductor
John Robinson, organ
Nicholas Olbash, treble solo

9.  Responsorial Psalm:  “Ps. 45 – The Queen Stands at Your Right Hand” by Michael Olbash (excerpt)
Sung at St. Joseph’s, Homewood IL
St. Joseph Choir & Orchestra
John Ligda, conductor
Carrie Marcotte, soprano

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 2, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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