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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Virtual Sacred Music Colloquium 2021

Fr. David Friel · May 9, 2021

GAIN this year, the Church Music Association of America (CMAA) will be hosting its Sacred Music Colloquium virtually. A week-long conference for parish musicians, directors of music, and clergy, the Colloquium is the only event of its kind, connecting singers and instrumentalists from around the United States (and beyond), offering instruction in the treasury of Catholic sacred music, and facilitating the practical implementation of chant and polyphony in the service of the liturgy. This is the signature event in the CMAA’s calendar each year.

Although the virtual format of this year’s Colloquium will limit the opportunities for fellowship and camaraderie that are such an important part of the annual gathering, a fine lineup of presenters and topics remains in force. All the details of this year’s Colloquium are presented on the event homepage.

Following much the same arrangement as last year, Colloquium 2021 will be conducted via Zoom, with presentations and opportunities for prayer during the evening hours (from 4:30 PM to 10 PM EDT). The dates for the conference will be Monday through Friday, June 21 – 25, 2021.

Alongside many familiar faces, several new presenters are joining the faculty this year. Some of the schedule’s highlights include:

Chant Modes • Nicholas Lemme
Vocal Training of the Young Voice • Dr. Lucas Tappan
Vocal Pedagogy • Dr. MeeAe Cecilia Nam
Building up the Choral Sound • Dr. Horst Buchholz
Parish Organ Techniques • Bruce Ludwick
Advanced Organ Techniques • Christopher Berry

Three plenary speakers will give keynote addresses on Monday, Tuesday, and Thursday nights:

June 21, 2021 — Dr. William P. Mahrt (President, CMAA Board of Directors)
June 22, 2021 — Most Rev. Salvatore J. Cordileone (Archbishop of San Francisco)
June 24, 2021 — Rev. Joseph Koterski, SJ (Fordham University)

The breakout sessions will be divided into beginner and advanced tracks. There will also be a Spanish track, with presentations concentrated on Wednesday evening.

If you have never been able to participate in a CMAA Colloquium before, this may be the year to give it a try. The registration cost is very reasonable—only $30 per day or $80 for all five days. There will also be some parts of the program made freely available to anyone who completes the Colloquium basic registration, including daily spiritual reflections from the CMAA chaplain and daily Compline.

Full information regarding Sacred Music Colloquium 2021 is available here, and registration is available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Church Music Association of America CMAA, Contemporary Sacred Music, Sacred Music Colloquium, William Mahrt Gregorian Chant Last Updated: May 9, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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