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Views from the Choir Loft

Re: Music For Two Voices • “Jam Christe Sol Justitiæ”

Jeff Ostrowski · March 12, 2021

E REMEMBER HOW many holy people were known to have a highly developed sense of humor. In this category were saints: Father Antoine Daniel, Saint Thomas More, Don Bosco. Also in this category are American clerics: Monsignor Robert Skeris, Bishop Fulton Sheen, and so forth. These people were always laughing and making jokes. They were quite jolly. But for Church musicians, there’s nothing funny about the Covid-19 restrictions put in place by the government and the Catholic Church. And it’s certainly been difficult to “look on the bright side” of these restrictions. However, I think some good will come out of this: especially how we’ve been forced to find solutions for a limited number of singers. Below is something we tried recently, and I’d be grateful to hear your feedback.

We started with Hymn #240 from the Brébeuf Hymnal for Lent:

*  Mp3 Download • Treble Only
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

That hymn probably sounds “bright”—and that’s okay. It’s an ancient Catholic hymn called Jam Christe Sol Justitiæ. 1 We’ve spoken about this hymn quite a bit. Here’s part of it: “Dies venit, dies tua, in qua reflórent ómnia.” That means: The day comes, Thy day, on which all things bloom again. The footnote in the Brébeuf hymnal says of this line: “The physical spring of the northern hemisphere is an analogy for the spiritual rebirth which the Resurrection of Christ inaugurates.” Indeed, the word “Lent” is derived from Old English word (lencten), meaning “spring”—the lengthening of days after winter has ended. Our pastor recently reminded us that Lent should be a joyful time, as our penances bring us closer to God. In any event, from the “Brébeuf Choral Supplement” we added the Tenor line:

*  Mp3 Download • Tenor Line Added
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

From the standpoint of music theory, this should not work without organ. However, I think it actually sounds okay:

*  Mp3 Download • Without organ
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

Please leave your thoughts in the Facebook combox (see below).


NOTES FROM THIS ARTICLE:

1   The title of Jam Christe Sol Justitiæ was changed in 1631AD to O Sol Salutis Intimis by Pope Urban VIII. For more details on this, cf. the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jam Christe Sol Justitiae, Lent means lencten lengthening, O Sol Salutis Intimis Last Updated: March 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“For the Pharisees, and all the Jews, except they wash their hands, eat not, holding the tradition of the elders”—is that English idiom? “For the Nazis, and all the Germans, except they say Heil Hitler! meet not in the street, holding their lives valuable”—is that English idiom?

— Monsignor Ronald Knox

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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