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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: Music For Two Voices • “Jam Christe Sol Justitiæ”

Jeff Ostrowski · March 12, 2021

E REMEMBER HOW many holy people were known to have a highly developed sense of humor. In this category were saints: Father Antoine Daniel, Saint Thomas More, Don Bosco. Also in this category are American clerics: Monsignor Robert Skeris, Bishop Fulton Sheen, and so forth. These people were always laughing and making jokes. They were quite jolly. But for Church musicians, there’s nothing funny about the Covid-19 restrictions put in place by the government and the Catholic Church. And it’s certainly been difficult to “look on the bright side” of these restrictions. However, I think some good will come out of this: especially how we’ve been forced to find solutions for a limited number of singers. Below is something we tried recently, and I’d be grateful to hear your feedback.

We started with Hymn #240 from the Brébeuf Hymnal for Lent:

*  Mp3 Download • Treble Only
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

That hymn probably sounds “bright”—and that’s okay. It’s an ancient Catholic hymn called Jam Christe Sol Justitiæ. 1 We’ve spoken about this hymn quite a bit. Here’s part of it: “Dies venit, dies tua, in qua reflórent ómnia.” That means: The day comes, Thy day, on which all things bloom again. The footnote in the Brébeuf hymnal says of this line: “The physical spring of the northern hemisphere is an analogy for the spiritual rebirth which the Resurrection of Christ inaugurates.” Indeed, the word “Lent” is derived from Old English word (lencten), meaning “spring”—the lengthening of days after winter has ended. Our pastor recently reminded us that Lent should be a joyful time, as our penances bring us closer to God. In any event, from the “Brébeuf Choral Supplement” we added the Tenor line:

*  Mp3 Download • Tenor Line Added
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

From the standpoint of music theory, this should not work without organ. However, I think it actually sounds okay:

*  Mp3 Download • Without organ
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

Please leave your thoughts in the Facebook combox (see below).


NOTES FROM THIS ARTICLE:

1   The title of Jam Christe Sol Justitiæ was changed in 1631AD to O Sol Salutis Intimis by Pope Urban VIII. For more details on this, cf. the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jam Christe Sol Justitiae, Lent means lencten lengthening, O Sol Salutis Intimis Last Updated: March 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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