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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Re: Music For Two Voices • “Jam Christe Sol Justitiæ”

Jeff Ostrowski · March 12, 2021

E REMEMBER HOW many holy people were known to have a highly developed sense of humor. In this category were saints: Father Antoine Daniel, Saint Thomas More, Don Bosco. Also in this category are American clerics: Monsignor Robert Skeris, Bishop Fulton Sheen, and so forth. These people were always laughing and making jokes. They were quite jolly. But for Church musicians, there’s nothing funny about the Covid-19 restrictions put in place by the government and the Catholic Church. And it’s certainly been difficult to “look on the bright side” of these restrictions. However, I think some good will come out of this: especially how we’ve been forced to find solutions for a limited number of singers. Below is something we tried recently, and I’d be grateful to hear your feedback.

We started with Hymn #240 from the Brébeuf Hymnal for Lent:

*  Mp3 Download • Treble Only
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

That hymn probably sounds “bright”—and that’s okay. It’s an ancient Catholic hymn called Jam Christe Sol Justitiæ. 1 We’ve spoken about this hymn quite a bit. Here’s part of it: “Dies venit, dies tua, in qua reflórent ómnia.” That means: The day comes, Thy day, on which all things bloom again. The footnote in the Brébeuf hymnal says of this line: “The physical spring of the northern hemisphere is an analogy for the spiritual rebirth which the Resurrection of Christ inaugurates.” Indeed, the word “Lent” is derived from Old English word (lencten), meaning “spring”—the lengthening of days after winter has ended. Our pastor recently reminded us that Lent should be a joyful time, as our penances bring us closer to God. In any event, from the “Brébeuf Choral Supplement” we added the Tenor line:

*  Mp3 Download • Tenor Line Added
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

From the standpoint of music theory, this should not work without organ. However, I think it actually sounds okay:

*  Mp3 Download • Without organ
—Taken from The Saint Jean de Brébeuf Hymnal (2018)—used with permission.

Please leave your thoughts in the Facebook combox (see below).


NOTES FROM THIS ARTICLE:

1   The title of Jam Christe Sol Justitiæ was changed in 1631AD to O Sol Salutis Intimis by Pope Urban VIII. For more details on this, cf. the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jam Christe Sol Justitiae, Lent means lencten lengthening, O Sol Salutis Intimis Last Updated: March 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

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