• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Prophet Baruch: Surge, Ierusalem, Look to the East!

Fr. David Friel · December 6, 2020

ARUCH, who served as secretary for the prophet Jeremiah, also has a prophetic book of the Old Testament attributed to him. Passages from the Book of Baruch do not appear very often, either in the Ordinary Form or the Extraordinary Form of the Roman Rite. I’ve always loved this short book (six brief chapters), so my ears always perk up when it appears among our liturgical texts. The Second Sunday of Advent is one such occasion.

The communion chant appointed for the Second Sunday of Advent is this:

Ierusalem, surge et sta in excelso, et vide iucunditatem, quae veniet tibi a Deo tuo.

Up, Jerusalem! stand upon the heights, and behold the joy that comes to you from God.

This communio actually splices together portions of two related verses from the Book of Baruch (Bar 5:5 and 4:36). In what way are these verses related? The relationship is twofold, and it becomes clearer when the verses are viewed in full. The NABRE renders the complete verses in this way:

Bar 5:5 — Up, Jerusalem! stand upon the heights; look to the east and see your children gathered from the east and the west at the word of the Holy One, rejoicing that they are remembered by God.

Bar 4:36 — Look to the east, Jerusalem! behold the joy that comes to you from God.

The first way in which these two verses are related is their “middle term,” so to speak, which is elided in today’s communion chant, namely the encouragement to “look to the east.” Looking toward the dayspring is very much a theme of Advent. Consider, for example, the famous “O antiphon” that begins O oriens.

The second thing that unites these two verses is that they are drawn from the same section of Baruch. Verses 4:30 through 5:9 are regarded by Scripture scholars as a unit, united by the theme of the consolation of Jerusalem as an end to captivity comes into view. This, too, is a clear Advent theme, as the coming of our Savior means the end to our captivity to sin and death.

This communion chant is not only interesting on its own merits. It is all the more fascinating for its inclusion in the Advent-Christmas series of communio chants, which reveals so much about how the Roman proper of the Mass came into being.

Some readers will be familiar with the seminal work of James McKinnon in this field, expressed principally in his 2000 book, The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper. Following is an information-rich excerpt from this work, which places today’s communion chant into a fuller context.

The Advent-Christmas season occupies a special place in the Roman Mass Proper; its chants display a level of compositional planning and perfection of execution not met with elsewhere in the annual cycle. . .

The Advent-Christmas communions . . . fall into two distinct groups, the ten chants of Advent and Christmas day, and the nine post-Christmas chants. All nineteen are unique and all nineteen are thematically appropriate to their assigned dates; all, in a word, are carefully designed to fit just one liturgical occasion. There is, moreoever, an overall compositional plan of the vertical type. . . The ten chants of the Advent-Christmas Day set all have short prophetic texts, six of them from the Prophets as such and four from David, who ranks in the medieval mind along with Isaiah as the prophet par excellence of Christ’s coming. The texts of the nine post-Christmas chants form a sharply contrasting group; they are all derived from the New Testament and have in each case a vivid narrative quality as opposed to the meditative or lyric quality of the prophetic set. They signal a new departure, moreover, in chant creation; nearly all of them are derived not only from the gospels, but from the gospel of the day. . .

The Advent-Christmas season is marked also by a high proportion of . . . horizontal compositional planning, that is, the maintenance of some common theme throughout the Proper of a particular festival. This is a rare phenomenon in the Mass Proper; there are only a handful of examples in the entire liturgical year, and two of them are found in this season. The first Sunday of Advent derives its introit, gradual and offertory from the same psalm, Psalm 24, and the second Sunday of Advent, with its station at the church of Santa Croce in Gerusalemme, has a distinct Holy City theme in its chants; there is its introit Populus sion, its gradual Ex sion and its communion Hierusalem surge. The Franks, by the way, appreciated this theme and added their own alleluia Laetatus sum to the mix, derived as it is from Psalm 121, which celebrates Jerusalem from start to finish. 1

There is always a richness waiting to be discovered in the Proprium Missae, but today this is especially so. The Second Sunday of Advent invites us to reflect on the Holy City, Jerusalem, and its eschatological significance.

As Baruch exhorts us, let us look to the east, and behold the joy that comes to us from God!


NOTES FROM THIS ARTICLE:

1   James McKinnon, The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper (Berkeley: University of California Press, 2000), 137-141.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: chant, Graduale Romanum Roman Gradual Propers, Gregorian Chant, James McKinnon, Mass Propers Proprium Missae, Propers Last Updated: January 16, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

Recent Posts

  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”
  • Pope Leo XIV pays tribute to Palestrina
  • PDF Download • Palestrina’s “Ave Maria”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up