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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CDW: “Let us return to the Eucharist with joy!”

Fr. David Friel · September 27, 2020

HURCH attendance around the world has been made difficult or precluded entirely in many territories around the globe since the beginning of the COVID-19 pandemic. Even where public Masses have returned in some fashion, barriers often remain, keeping many of the faithful apart from the sacraments. The spiritual cost has been high for regular churchgoers.

Into the midst of these struggles, a beautiful letter from Rome extends a faith-filled encouragement: “Let us return to the Eucharist with joy!”

That is the title of a letter sent to the heads of episcopal conferences throughout the world by the Congregation for Divine Worship and the Discipline of the Sacraments (CDW). The full text of the letter is available here.

Dated 15 August 2020 and signed by Cardinal Sarah, the letter was approved by Pope Francis on 3 September 2020 and began to be publicized in mid-September (see, for example, here and here).

Although many aspects of this letter deserve to be highlighted, I will limit myself to a single observation. What strikes me most is that the heart of the letter finds its inspiration in a liturgical text, namely the prayer for the dedication of a new church building.

The letter quotes the following portion of this prayer:

[…] Make this for ever a holy place […]

Here may the flood of divine grace
overwhelm human offenses,
so that your children, Father,
being dead to sin,
may be reborn to heavenly life.

Here may your faithful,
gathered around the table of the altar,
celebrate the memorial of the Paschal Mystery
and be refreshed by the banquet
of Christ’s Word and his Body.

Here may the joyful offering of praise resound,
with human voices joined to the song of Angels,
and unceasing prayer rise up to you
for the salvation of the world.

Here may the poor find mercy,
the oppressed attain true freedom,
and all the people be clothed with the dignity of your children,
until they come exultant
to the Jerusalem which is above.

The context in which Cardinal Sarah quotes this prayer is a rich reflection on Christian community, rooted in the Sacred Scriptures. As he notes: “The house of the Lord presupposes the presence of the family of the children of God.”

The Prefect further observes:

“While the pagans built temples dedicated to the divinity, to which people had no access, Christians, as soon as they enjoyed freedom of worship, immediately built places that were the domus Dei et domus ecclesiae, where the faithful could recognize themselves as the community of God, a people summoned for worship and constituted as a holy assembly.”

After reflecting on the singular importance of gathering as a Christian community, the letter states plainly: “It is necessary and urgent to return to the normality of Christian life, which has the church building as its home and the celebration of the liturgy, especially the Eucharist, as ‘the summit toward which the activity of the Church is directed; at the same time it is the font from which all her power flows’ (Sacrosanctum Concilium, 10).”

Again, what strikes me most about this letter is that the CDW draws directly upon a liturgical text to make a theological argument. This may seem a simple point, but I think it is significant.

Turning to the liturgy, itself, as a source for theology is not as instinctual for many Catholics as perhaps it ought to be. This letter manages to do it simply, beautifully, and persuasively.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Robert Cardinal Sarah Last Updated: September 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

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