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Views from the Choir Loft

CDW: “Let us return to the Eucharist with joy!”

Fr. David Friel · September 27, 2020

HURCH attendance around the world has been made difficult or precluded entirely in many territories around the globe since the beginning of the COVID-19 pandemic. Even where public Masses have returned in some fashion, barriers often remain, keeping many of the faithful apart from the sacraments. The spiritual cost has been high for regular churchgoers.

Into the midst of these struggles, a beautiful letter from Rome extends a faith-filled encouragement: “Let us return to the Eucharist with joy!”

That is the title of a letter sent to the heads of episcopal conferences throughout the world by the Congregation for Divine Worship and the Discipline of the Sacraments (CDW). The full text of the letter is available here.

Dated 15 August 2020 and signed by Cardinal Sarah, the letter was approved by Pope Francis on 3 September 2020 and began to be publicized in mid-September (see, for example, here and here).

Although many aspects of this letter deserve to be highlighted, I will limit myself to a single observation. What strikes me most is that the heart of the letter finds its inspiration in a liturgical text, namely the prayer for the dedication of a new church building.

The letter quotes the following portion of this prayer:

[…] Make this for ever a holy place […]

Here may the flood of divine grace
overwhelm human offenses,
so that your children, Father,
being dead to sin,
may be reborn to heavenly life.

Here may your faithful,
gathered around the table of the altar,
celebrate the memorial of the Paschal Mystery
and be refreshed by the banquet
of Christ’s Word and his Body.

Here may the joyful offering of praise resound,
with human voices joined to the song of Angels,
and unceasing prayer rise up to you
for the salvation of the world.

Here may the poor find mercy,
the oppressed attain true freedom,
and all the people be clothed with the dignity of your children,
until they come exultant
to the Jerusalem which is above.

The context in which Cardinal Sarah quotes this prayer is a rich reflection on Christian community, rooted in the Sacred Scriptures. As he notes: “The house of the Lord presupposes the presence of the family of the children of God.”

The Prefect further observes:

“While the pagans built temples dedicated to the divinity, to which people had no access, Christians, as soon as they enjoyed freedom of worship, immediately built places that were the domus Dei et domus ecclesiae, where the faithful could recognize themselves as the community of God, a people summoned for worship and constituted as a holy assembly.”

After reflecting on the singular importance of gathering as a Christian community, the letter states plainly: “It is necessary and urgent to return to the normality of Christian life, which has the church building as its home and the celebration of the liturgy, especially the Eucharist, as ‘the summit toward which the activity of the Church is directed; at the same time it is the font from which all her power flows’ (Sacrosanctum Concilium, 10).”

Again, what strikes me most about this letter is that the CDW draws directly upon a liturgical text to make a theological argument. This may seem a simple point, but I think it is significant.

Turning to the liturgy, itself, as a source for theology is not as instinctual for many Catholics as perhaps it ought to be. This letter manages to do it simply, beautifully, and persuasively.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Robert Cardinal Sarah Last Updated: September 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A penalty is decreed against clerics, who, being in sacred Orders, or holding benefices, do not wear a dress befitting their Order. […] In these days, the contempt of religion has grown to such a pitch that—making but little account of their own dignity, and of the clerical honor—some even wear in public the dress of laymen…”

— ‘Council of Trent (Session 14, Chapter 6)’

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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