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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

CDW: “Let us return to the Eucharist with joy!”

Fr. David Friel · September 27, 2020

HURCH attendance around the world has been made difficult or precluded entirely in many territories around the globe since the beginning of the COVID-19 pandemic. Even where public Masses have returned in some fashion, barriers often remain, keeping many of the faithful apart from the sacraments. The spiritual cost has been high for regular churchgoers.

Into the midst of these struggles, a beautiful letter from Rome extends a faith-filled encouragement: “Let us return to the Eucharist with joy!”

That is the title of a letter sent to the heads of episcopal conferences throughout the world by the Congregation for Divine Worship and the Discipline of the Sacraments (CDW). The full text of the letter is available here.

Dated 15 August 2020 and signed by Cardinal Sarah, the letter was approved by Pope Francis on 3 September 2020 and began to be publicized in mid-September (see, for example, here and here).

Although many aspects of this letter deserve to be highlighted, I will limit myself to a single observation. What strikes me most is that the heart of the letter finds its inspiration in a liturgical text, namely the prayer for the dedication of a new church building.

The letter quotes the following portion of this prayer:

[…] Make this for ever a holy place […]

Here may the flood of divine grace
overwhelm human offenses,
so that your children, Father,
being dead to sin,
may be reborn to heavenly life.

Here may your faithful,
gathered around the table of the altar,
celebrate the memorial of the Paschal Mystery
and be refreshed by the banquet
of Christ’s Word and his Body.

Here may the joyful offering of praise resound,
with human voices joined to the song of Angels,
and unceasing prayer rise up to you
for the salvation of the world.

Here may the poor find mercy,
the oppressed attain true freedom,
and all the people be clothed with the dignity of your children,
until they come exultant
to the Jerusalem which is above.

The context in which Cardinal Sarah quotes this prayer is a rich reflection on Christian community, rooted in the Sacred Scriptures. As he notes: “The house of the Lord presupposes the presence of the family of the children of God.”

The Prefect further observes:

“While the pagans built temples dedicated to the divinity, to which people had no access, Christians, as soon as they enjoyed freedom of worship, immediately built places that were the domus Dei et domus ecclesiae, where the faithful could recognize themselves as the community of God, a people summoned for worship and constituted as a holy assembly.”

After reflecting on the singular importance of gathering as a Christian community, the letter states plainly: “It is necessary and urgent to return to the normality of Christian life, which has the church building as its home and the celebration of the liturgy, especially the Eucharist, as ‘the summit toward which the activity of the Church is directed; at the same time it is the font from which all her power flows’ (Sacrosanctum Concilium, 10).”

Again, what strikes me most about this letter is that the CDW draws directly upon a liturgical text to make a theological argument. This may seem a simple point, but I think it is significant.

Turning to the liturgy, itself, as a source for theology is not as instinctual for many Catholics as perhaps it ought to be. This letter manages to do it simply, beautifully, and persuasively.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Robert Cardinal Sarah Last Updated: September 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

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