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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Sacred Heart, On Earth Thou Art An Exile’s Rest

Veronica Moreno · June 13, 2020

S OUR SCHOOL YEAR comes to an end, we slow down our academic endeavors but never fully stop enjoying the feast that is truth, goodness, and beauty. One of the delicacies that remains throughout the summer months is our hymn/chant study and this month we have chosen to learn “O Sacred Heart” and “Ave Verum Corpus.”

The month of June is dedicated to the Most Sacred Heart of Jesus, which is quite fitting for these times. This past week, the Church also celebrated the Feast of Corpus Christi. “The feast of Corpus Christi was proposed by St. Thomas Aquinas, Doctor of the Church, to Pope Urban IV in order to create a feast focused solely on the Holy Eucharist, emphasizing the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ.” 1

O Sacred Heart

The hymn, “O Sacred Heart,” was written by Francis Stanfield (1835-1914), an English Catholic priest, who worked in Westminster. He is known for writing many hymns. He was the son a landscape artist and was friends with Charles Dickens (a fun fact my daughter enjoyed!). The hymn is set to a tune by Sir Richard R. Terry, a musicologist, who after his conversion to Catholicism, “began the massively important work of reviving the Latin music of Tudor English composers such as William Byrd and Thomas Tallis.” 2


The sheet music can be found in “The Westminster Hymnal” 3 and my children picked up the tune quickly. When reading through the verses, before listening to the hymn, I asked my children to reflect on the first verse:

O Sacred Heart!
Our home lies deep in Thee.
On earth Thou art an exile’s rest,
In heaven the glory of the blest,
O Sacred Heart!

We discussed the word ‘exile’ and they gave me many examples of people they had read about who had been banished, which included: Adam and Eve, the Earl of Kent (from King Lear), and Benedict Arnold. I then asked them to re-read the verse and tell me who were the ‘exiles’ referenced in the lyrics. The conversation that followed covered heaven, hell, our true home, and what can keep us from getting there. It was a wonderful opportunity to use such a beautiful hymn to discuss the theological complexities of our Faith.

Ave Verum Corpus

In addition to a hymn, we study a chant. This month, in honor of the Feast of Corpus Christi, we are learning “Ave Verum Corpus.” The melody is hauntingly beautiful. This Eucharistic chant was sung during the elevation of the host at Mass during the Middle Ages. There are many musical settings of this piece, but most are familiar with Mozart’s.

Hail, true Body born
of Mary the Virgin.
Truly suffering, sacrificed
on the cross for man;
from Whose pierced side
flowed water and blood.
Be to us a foretaste
at death’s trial,
O sweet Jesus, O loving Jesus,
O Jesus, Son of Mary.

 

Once again, we read the words in English, before listening to the chant, and I asked my children to focus on the line: “Be to us a foretaste at death’s trial.” I left the discussion open and asked what they thought about that line. My daughter immediately shouted, “Its like heaven on earth!” And from that starting point, the conversation began. After talking, we went through a few of the Latin words to continue to build up our vocabulary and then I sang the chant for them three times before they attempted to join in.

When the children are familiar with “Ave Verum Corpus” it would be a great idea to have them listen to one or two other versions (Mozart, Lizst, Byrd, Lassus, etc.) and compare and contrast the pieces. This is a great exercise in listening and a chance to introduce them to the feast of beautiful sacred music the world has to offer!

Throughout the month of June we will continue to sing the hymn and chant everyday after our morning rosary, in addition to singing them on the Feast of Corpus Christi and the Feast of the Sacred Heart of Jesus.

In all honesty, like many forms of music that “stick”, I have caught my children belting these songs as they play “Mass”, stomp through the house, or do their vacuuming chores. May these melodies “stick” in their hearts into adult-hood.

Most Sacred Heart of Jesus, have mercy on us.



NOTES FROM THIS ARTICLE:

1   For a brief overview of the feast of Corpus Christi, go here.

2   For more on Sir Richard Runciman Terry, go here.

3   You can download the New Westminster Hymnal at this link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: New Westminster Hymnal Last Updated: June 13, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

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