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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Sacred Heart, On Earth Thou Art An Exile’s Rest

Veronica Moreno · June 13, 2020

S OUR SCHOOL YEAR comes to an end, we slow down our academic endeavors but never fully stop enjoying the feast that is truth, goodness, and beauty. One of the delicacies that remains throughout the summer months is our hymn/chant study and this month we have chosen to learn “O Sacred Heart” and “Ave Verum Corpus.”

The month of June is dedicated to the Most Sacred Heart of Jesus, which is quite fitting for these times. This past week, the Church also celebrated the Feast of Corpus Christi. “The feast of Corpus Christi was proposed by St. Thomas Aquinas, Doctor of the Church, to Pope Urban IV in order to create a feast focused solely on the Holy Eucharist, emphasizing the joy of the Eucharist being the Body and Blood, Soul and Divinity of Jesus Christ.” 1

O Sacred Heart

The hymn, “O Sacred Heart,” was written by Francis Stanfield (1835-1914), an English Catholic priest, who worked in Westminster. He is known for writing many hymns. He was the son a landscape artist and was friends with Charles Dickens (a fun fact my daughter enjoyed!). The hymn is set to a tune by Sir Richard R. Terry, a musicologist, who after his conversion to Catholicism, “began the massively important work of reviving the Latin music of Tudor English composers such as William Byrd and Thomas Tallis.” 2


The sheet music can be found in “The Westminster Hymnal” 3 and my children picked up the tune quickly. When reading through the verses, before listening to the hymn, I asked my children to reflect on the first verse:

O Sacred Heart!
Our home lies deep in Thee.
On earth Thou art an exile’s rest,
In heaven the glory of the blest,
O Sacred Heart!

We discussed the word ‘exile’ and they gave me many examples of people they had read about who had been banished, which included: Adam and Eve, the Earl of Kent (from King Lear), and Benedict Arnold. I then asked them to re-read the verse and tell me who were the ‘exiles’ referenced in the lyrics. The conversation that followed covered heaven, hell, our true home, and what can keep us from getting there. It was a wonderful opportunity to use such a beautiful hymn to discuss the theological complexities of our Faith.

Ave Verum Corpus

In addition to a hymn, we study a chant. This month, in honor of the Feast of Corpus Christi, we are learning “Ave Verum Corpus.” The melody is hauntingly beautiful. This Eucharistic chant was sung during the elevation of the host at Mass during the Middle Ages. There are many musical settings of this piece, but most are familiar with Mozart’s.

Hail, true Body born
of Mary the Virgin.
Truly suffering, sacrificed
on the cross for man;
from Whose pierced side
flowed water and blood.
Be to us a foretaste
at death’s trial,
O sweet Jesus, O loving Jesus,
O Jesus, Son of Mary.

 

Once again, we read the words in English, before listening to the chant, and I asked my children to focus on the line: “Be to us a foretaste at death’s trial.” I left the discussion open and asked what they thought about that line. My daughter immediately shouted, “Its like heaven on earth!” And from that starting point, the conversation began. After talking, we went through a few of the Latin words to continue to build up our vocabulary and then I sang the chant for them three times before they attempted to join in.

When the children are familiar with “Ave Verum Corpus” it would be a great idea to have them listen to one or two other versions (Mozart, Lizst, Byrd, Lassus, etc.) and compare and contrast the pieces. This is a great exercise in listening and a chance to introduce them to the feast of beautiful sacred music the world has to offer!

Throughout the month of June we will continue to sing the hymn and chant everyday after our morning rosary, in addition to singing them on the Feast of Corpus Christi and the Feast of the Sacred Heart of Jesus.

In all honesty, like many forms of music that “stick”, I have caught my children belting these songs as they play “Mass”, stomp through the house, or do their vacuuming chores. May these melodies “stick” in their hearts into adult-hood.

Most Sacred Heart of Jesus, have mercy on us.



NOTES FROM THIS ARTICLE:

1   For a brief overview of the feast of Corpus Christi, go here.

2   For more on Sir Richard Runciman Terry, go here.

3   You can download the New Westminster Hymnal at this link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: New Westminster Hymnal Last Updated: June 13, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We turn to the East when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

— Saint Augustine of Hippo

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