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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is Liturgy Essential?

Veronica Moreno · May 9, 2020

ODAY I asked my 8 year-old-boy what he missed most about going to Church. His answer did not disappoint. He said, “Well, three things actually. First I can’t go to confession. Second, I can’t go to Communion. And I also miss getting the treats after Mass.” Dear reader, a proud Mama, I am!

“Father, I am hungry; for the love of God give this soul her food, her Lord in the Eucharist.” —St. Catherine of Siena

This intense yearning for our Lord in the Eucharist is not hard to understand; even an eight year old ‘gets it.’ When one truly understands who the Eucharist is, it is hard not to ache for Him. It is hard to maintain an intimate relationship with someone who has been pulled from you. It is hard to fill a spiritual void that can only be filled with our Lamb’s flesh and blood.

Our screens have been filled with virtual Masses and a plethora of communication throughout all of our social media platforms. But at its most basic, personal prayer is what most Catholics probably have clung to as the foundation of their spiritual life in this time of pandemic.

In fact, entire Christian denominations are constructed around an individual’s ability to sustain a life of personal prayer, even communal personal prayer, that is quite different from the ritual liturgy we Catholics live. Perhaps these time have been easier for them: they can watch their pastor’s homily or download the sermon or listen to their “worship band” on stage or stream their playlist.

But for us Catholics it is vastly different. Although personal prayer is imperative in our daily lives and fosters our love for our Lord, it is not all that is needed. Liturgical prayer is needed and must be restored! The Liturgy is ESSENTIAL. It is as vital as the heart is to the body. Pandemic or not, the soul knows that Mass is indispensable!

Fr. Gabriel of St. Mary Magdalen tells us that “a Christian is not isolated…Hence his whole spiritual life, even though it has a personal character which tends toward intimate contact with God, ought also to have a social, liturgical character, which shares in the life of the Church.” In his meditation, he goes on to explain that interior (personal) prayer and exterior (liturgical) prayer “must never be opposed to one another. Rather, they must be united in such a way that the one penetrates and sustains the other. As liturgical prayer should be vivified by personal prayer, so personal prayer should be incorporated into liturgical prayer and nourished by it.” 1

“Some day, we will know the value of suffering, but then we will no longer be able to suffer. The present moment is ours.” St. Faustina

And so we strive to do our best and unite ourselves through prayer as we cry out to the Lord for divine sustenance. We cling to the belief that our suffering will not be in vain and that He will restore Himself to us.

Most Sacred Hear of Jesus, have mercy on us.
Our Lady of Ransom, pray for us.

 


NOTES FROM THIS ARTICLE:

1   Fr. Gabriel of St. Mary Magdalen, O.C.D., the author of Divine Intimacy: Meditations on the Interior Life for Every Day of the Liturgical Year, was a Discalced Carmelite priest who studied and became an expert in the writings of St. Teresa of Avila and St. John of the Cross, two Carmelite mystics. Towards the end of his life, he became the spiritual director for the Discalced Carmelite nuns of the Monastery of St. Joseph in Rome. With their help, he was able to compile his spiritual reflections and writings. They are, in my humble opinion, deep and profound and great spiritual food.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 9, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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