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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Throwing Away Our Birthright of Beauty

Fr. David Friel · May 3, 2020

ESTERDAY, the Church celebrated the feast of Saint Athanasius (c. 296-298 to 373), the exemplary bishop of Alexandria who proved himself not only a faithful and long-suffering shepherd to his people, but also a distinguished theologian.

He authored the remarkable “festal letters,” which make for good reading during Paschaltide.

The title of this post, however, is drawn from his treatise De incarnatione Verbi (“On the Incarnation of the Word,” PG 25:95-198), which might first seem a better fit for Christmastide. I would nevertheless like to reflect on this striking turn of phrase, which caught my attention because of its reference to beauty.

Athanasius begins this work (available here) with a defense of Christian belief in creation ex nihilo. Against the teachings of the Epicureans and Plato and the Gnostics, he argues that the infinite God created the universe not from pre-existent matter, but rather brought it into being “out of nothing and out of non-existence absolute and utter.” 1

He goes on to describe God’s intention in placing Adam and Eve in the Garden of Eden. Still in chapter one of the treatise, Athanasius writes this:

He set them in His own paradise, and laid upon them a single prohibition. If they guarded the grace and retained the loveliness of their original innocence, then the life of paradise should be theirs, without sorrow, pain or care, and after it the assurance of immortality in heaven. But if they went astray and became vile, throwing away their birthright of beauty, then they would come under the natural law of death and live no longer in paradise, but, dying outside of it, continue in death and in corruption. 2

Notice first that, for Athanasius, the “life of paradise” is not some life hereafter, but rather life on earth in perfect accord with God’s will. Note, also, that this ideal life is what he characterizes as humanity’s “birthright of beauty.” We “throw away” this birthright by sin.

Later in the chapter, Athanasius writes that, by turning from eternal things to corruptible things, our first parents surrendered “the beauty of innocence with which they were created.” 3

What first struck me about these texts is the correspondence Athanasius sees between beauty and holiness of life. We have often written about beauty on Views from the Choir Loft, mostly from an artistic or aesthetic perspective. This great fourth-century bishop invites us to contemplate beauty from different angles, as 1) one of God’s original gifts, 2) the state of harmony with God, and 3) a quality of life in paradise.

May all Christians, during this Paschaltide, resolve not to throw away this birthright, but rather live in the beauty of innocence for which we were created!


NOTES FROM THIS ARTICLE:

1   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

2   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

3   Saint Athanasius, De incarnatione Verbi, no. 5, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty Last Updated: May 3, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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