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Views from the Choir Loft

Throwing Away Our Birthright of Beauty

Fr. David Friel · May 3, 2020

ESTERDAY, the Church celebrated the feast of Saint Athanasius (c. 296-298 to 373), the exemplary bishop of Alexandria who proved himself not only a faithful and long-suffering shepherd to his people, but also a distinguished theologian.

He authored the remarkable “festal letters,” which make for good reading during Paschaltide.

The title of this post, however, is drawn from his treatise De incarnatione Verbi (“On the Incarnation of the Word,” PG 25:95-198), which might first seem a better fit for Christmastide. I would nevertheless like to reflect on this striking turn of phrase, which caught my attention because of its reference to beauty.

Athanasius begins this work (available here) with a defense of Christian belief in creation ex nihilo. Against the teachings of the Epicureans and Plato and the Gnostics, he argues that the infinite God created the universe not from pre-existent matter, but rather brought it into being “out of nothing and out of non-existence absolute and utter.” 1

He goes on to describe God’s intention in placing Adam and Eve in the Garden of Eden. Still in chapter one of the treatise, Athanasius writes this:

He set them in His own paradise, and laid upon them a single prohibition. If they guarded the grace and retained the loveliness of their original innocence, then the life of paradise should be theirs, without sorrow, pain or care, and after it the assurance of immortality in heaven. But if they went astray and became vile, throwing away their birthright of beauty, then they would come under the natural law of death and live no longer in paradise, but, dying outside of it, continue in death and in corruption. 2

Notice first that, for Athanasius, the “life of paradise” is not some life hereafter, but rather life on earth in perfect accord with God’s will. Note, also, that this ideal life is what he characterizes as humanity’s “birthright of beauty.” We “throw away” this birthright by sin.

Later in the chapter, Athanasius writes that, by turning from eternal things to corruptible things, our first parents surrendered “the beauty of innocence with which they were created.” 3

What first struck me about these texts is the correspondence Athanasius sees between beauty and holiness of life. We have often written about beauty on Views from the Choir Loft, mostly from an artistic or aesthetic perspective. This great fourth-century bishop invites us to contemplate beauty from different angles, as 1) one of God’s original gifts, 2) the state of harmony with God, and 3) a quality of life in paradise.

May all Christians, during this Paschaltide, resolve not to throw away this birthright, but rather live in the beauty of innocence for which we were created!


NOTES FROM THIS ARTICLE:

1   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

2   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

3   Saint Athanasius, De incarnatione Verbi, no. 5, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty Last Updated: May 3, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
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    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

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