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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Throwing Away Our Birthright of Beauty

Fr. David Friel · May 3, 2020

ESTERDAY, the Church celebrated the feast of Saint Athanasius (c. 296-298 to 373), the exemplary bishop of Alexandria who proved himself not only a faithful and long-suffering shepherd to his people, but also a distinguished theologian.

He authored the remarkable “festal letters,” which make for good reading during Paschaltide.

The title of this post, however, is drawn from his treatise De incarnatione Verbi (“On the Incarnation of the Word,” PG 25:95-198), which might first seem a better fit for Christmastide. I would nevertheless like to reflect on this striking turn of phrase, which caught my attention because of its reference to beauty.

Athanasius begins this work (available here) with a defense of Christian belief in creation ex nihilo. Against the teachings of the Epicureans and Plato and the Gnostics, he argues that the infinite God created the universe not from pre-existent matter, but rather brought it into being “out of nothing and out of non-existence absolute and utter.” 1

He goes on to describe God’s intention in placing Adam and Eve in the Garden of Eden. Still in chapter one of the treatise, Athanasius writes this:

He set them in His own paradise, and laid upon them a single prohibition. If they guarded the grace and retained the loveliness of their original innocence, then the life of paradise should be theirs, without sorrow, pain or care, and after it the assurance of immortality in heaven. But if they went astray and became vile, throwing away their birthright of beauty, then they would come under the natural law of death and live no longer in paradise, but, dying outside of it, continue in death and in corruption. 2

Notice first that, for Athanasius, the “life of paradise” is not some life hereafter, but rather life on earth in perfect accord with God’s will. Note, also, that this ideal life is what he characterizes as humanity’s “birthright of beauty.” We “throw away” this birthright by sin.

Later in the chapter, Athanasius writes that, by turning from eternal things to corruptible things, our first parents surrendered “the beauty of innocence with which they were created.” 3

What first struck me about these texts is the correspondence Athanasius sees between beauty and holiness of life. We have often written about beauty on Views from the Choir Loft, mostly from an artistic or aesthetic perspective. This great fourth-century bishop invites us to contemplate beauty from different angles, as 1) one of God’s original gifts, 2) the state of harmony with God, and 3) a quality of life in paradise.

May all Christians, during this Paschaltide, resolve not to throw away this birthright, but rather live in the beauty of innocence for which we were created!


NOTES FROM THIS ARTICLE:

1   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

2   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

3   Saint Athanasius, De incarnatione Verbi, no. 5, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty Last Updated: May 3, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
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