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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Throwing Away Our Birthright of Beauty

Fr. David Friel · May 3, 2020

ESTERDAY, the Church celebrated the feast of Saint Athanasius (c. 296-298 to 373), the exemplary bishop of Alexandria who proved himself not only a faithful and long-suffering shepherd to his people, but also a distinguished theologian.

He authored the remarkable “festal letters,” which make for good reading during Paschaltide.

The title of this post, however, is drawn from his treatise De incarnatione Verbi (“On the Incarnation of the Word,” PG 25:95-198), which might first seem a better fit for Christmastide. I would nevertheless like to reflect on this striking turn of phrase, which caught my attention because of its reference to beauty.

Athanasius begins this work (available here) with a defense of Christian belief in creation ex nihilo. Against the teachings of the Epicureans and Plato and the Gnostics, he argues that the infinite God created the universe not from pre-existent matter, but rather brought it into being “out of nothing and out of non-existence absolute and utter.” 1

He goes on to describe God’s intention in placing Adam and Eve in the Garden of Eden. Still in chapter one of the treatise, Athanasius writes this:

He set them in His own paradise, and laid upon them a single prohibition. If they guarded the grace and retained the loveliness of their original innocence, then the life of paradise should be theirs, without sorrow, pain or care, and after it the assurance of immortality in heaven. But if they went astray and became vile, throwing away their birthright of beauty, then they would come under the natural law of death and live no longer in paradise, but, dying outside of it, continue in death and in corruption. 2

Notice first that, for Athanasius, the “life of paradise” is not some life hereafter, but rather life on earth in perfect accord with God’s will. Note, also, that this ideal life is what he characterizes as humanity’s “birthright of beauty.” We “throw away” this birthright by sin.

Later in the chapter, Athanasius writes that, by turning from eternal things to corruptible things, our first parents surrendered “the beauty of innocence with which they were created.” 3

What first struck me about these texts is the correspondence Athanasius sees between beauty and holiness of life. We have often written about beauty on Views from the Choir Loft, mostly from an artistic or aesthetic perspective. This great fourth-century bishop invites us to contemplate beauty from different angles, as 1) one of God’s original gifts, 2) the state of harmony with God, and 3) a quality of life in paradise.

May all Christians, during this Paschaltide, resolve not to throw away this birthright, but rather live in the beauty of innocence for which we were created!


NOTES FROM THIS ARTICLE:

1   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

2   Saint Athanasius, De incarnatione Verbi, no. 3, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

3   Saint Athanasius, De incarnatione Verbi, no. 5, available from Christian Classics Ethereal Library online: https://www.ccel.org/ccel/athanasius/incarnation.ii.html.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty Last Updated: May 3, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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