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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Fasting, Hunger, and Pent Up Energy

Dr. Alfred Calabrese · March 17, 2020

AST SATURDAY evening we watched another press conference from the White House. At this point the Dow Jones Industrial Average had just recorded a nearly 2,000 point rise after a week of historic losses. The President talked about the “pent up energy” that would one day be released upon our economy once the crisis of the coronavirus had subsided.

The phrase struck me because I have been thinking about pent up energy and Eucharistic fasting in the wake  of the suspension of public celebrations of the Mass across many of our dioceses, including my own Diocese of Dallas.

We take many things for granted until we lose them. Even after only one week, I know that so many are distraught that they cannot receive Jesus in the Eucharist. Musicians, especially, are profoundly missing being able to sing for the sacred Liturgy, especially during this rich season of Lent. We feel the dryness of the Lenten desert. It is real. We have been forced to fast from that which we love. Our longings for the Liturgy and the Eucharist are being pent up.

Eucharistic fasting is not new. It was not always the case that the faithful could receive the Eucharist each Sunday, let alone daily if desired. St. Augustine is said to have excommunicated himself to be in solidarity with the sinners who could not juridically receive communion.

Pope Emeritus Benedict XVI, writing as Josef Cardinal Ratzinger, said that such a fasting, “could…sometimes be useful or even necessary, to renew and establish more deeply our relationship with the Body of Christ.” (Pilgrim Fellowship of Faith, p.86, Ignatius Press, 2005) In these days, when belief in the Real Presence is waning, could Eucharistic fasting be beneficial? 1

Cardinal Ratzinger went on to say, “Yet from time to time we need a cure from falling into mere habit and its dullness. Sometimes we need to be hungry…” (Pilgrim Fellowship of Faith, p.88)

Imagine the hunger that will need to be satisfied when full public Masses resume, the pent up desires that will be released. Imagine people, filled with emotion, joy, and thanksgiving, streaming to Mass to receive the Lord, conscious now of what it is that they’ve missed, what it is that is real.

I believe, too, that there is pent up energy for sacred music and for beauty. For the liturgy and the eschatological. For heaven. How parched will have been our spiritual lives, how absent of beauty. Like a thirst that must be quenched, sacred polyphony, chant, and excellent hymnody will be like drinking from cooling waters.

Musicians need to be ready. We don’t know when this will happen, if we’ll receive plenty of lead time or only a few days notice. My suggestion to you all is to be ready for any contingency. Plan what would happen if you returned on Palm Sunday, Good Friday, Easter Sunday, or even later. Are you ready? If needed, reimagine musical plans so that your choirs can sing things they know very well. The faithful will want to hear you at your best, singing as beautifully as possible. They will have missed you, even if they don’t yet know it. Keep in contact with your choir through email, text, or phone. Make sure they are healthy, and remind them how much they will be needed when the time comes.

Let us pray for the Church, for the Pope, for the sick, for the world.

 


NOTES FROM THIS ARTICLE:

1 I was struck when looking at the various statements from Americas bishops regarding the suspension of public celebrations of the Mass how few mentioned the Eucharist. From what I could find, Cardinal Cupich of Chicago was most explicit when he said, “This was not a decision I make lightly. The Eucharist is the source and summit of our life as Catholics.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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