• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Eucharistic Fasting, Hunger, and Pent Up Energy

Dr. Alfred Calabrese · March 17, 2020

AST SATURDAY evening we watched another press conference from the White House. At this point the Dow Jones Industrial Average had just recorded a nearly 2,000 point rise after a week of historic losses. The President talked about the “pent up energy” that would one day be released upon our economy once the crisis of the coronavirus had subsided.

The phrase struck me because I have been thinking about pent up energy and Eucharistic fasting in the wake  of the suspension of public celebrations of the Mass across many of our dioceses, including my own Diocese of Dallas.

We take many things for granted until we lose them. Even after only one week, I know that so many are distraught that they cannot receive Jesus in the Eucharist. Musicians, especially, are profoundly missing being able to sing for the sacred Liturgy, especially during this rich season of Lent. We feel the dryness of the Lenten desert. It is real. We have been forced to fast from that which we love. Our longings for the Liturgy and the Eucharist are being pent up.

Eucharistic fasting is not new. It was not always the case that the faithful could receive the Eucharist each Sunday, let alone daily if desired. St. Augustine is said to have excommunicated himself to be in solidarity with the sinners who could not juridically receive communion.

Pope Emeritus Benedict XVI, writing as Josef Cardinal Ratzinger, said that such a fasting, “could…sometimes be useful or even necessary, to renew and establish more deeply our relationship with the Body of Christ.” (Pilgrim Fellowship of Faith, p.86, Ignatius Press, 2005) In these days, when belief in the Real Presence is waning, could Eucharistic fasting be beneficial? 1

Cardinal Ratzinger went on to say, “Yet from time to time we need a cure from falling into mere habit and its dullness. Sometimes we need to be hungry…” (Pilgrim Fellowship of Faith, p.88)

Imagine the hunger that will need to be satisfied when full public Masses resume, the pent up desires that will be released. Imagine people, filled with emotion, joy, and thanksgiving, streaming to Mass to receive the Lord, conscious now of what it is that they’ve missed, what it is that is real.

I believe, too, that there is pent up energy for sacred music and for beauty. For the liturgy and the eschatological. For heaven. How parched will have been our spiritual lives, how absent of beauty. Like a thirst that must be quenched, sacred polyphony, chant, and excellent hymnody will be like drinking from cooling waters.

Musicians need to be ready. We don’t know when this will happen, if we’ll receive plenty of lead time or only a few days notice. My suggestion to you all is to be ready for any contingency. Plan what would happen if you returned on Palm Sunday, Good Friday, Easter Sunday, or even later. Are you ready? If needed, reimagine musical plans so that your choirs can sing things they know very well. The faithful will want to hear you at your best, singing as beautifully as possible. They will have missed you, even if they don’t yet know it. Keep in contact with your choir through email, text, or phone. Make sure they are healthy, and remind them how much they will be needed when the time comes.

Let us pray for the Church, for the Pope, for the sick, for the world.

 


NOTES FROM THIS ARTICLE:

1 I was struck when looking at the various statements from Americas bishops regarding the suspension of public celebrations of the Mass how few mentioned the Eucharist. From what I could find, Cardinal Cupich of Chicago was most explicit when he said, “This was not a decision I make lightly. The Eucharist is the source and summit of our life as Catholics.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.