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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Fasting, Hunger, and Pent Up Energy

Dr. Alfred Calabrese · March 17, 2020

AST SATURDAY evening we watched another press conference from the White House. At this point the Dow Jones Industrial Average had just recorded a nearly 2,000 point rise after a week of historic losses. The President talked about the “pent up energy” that would one day be released upon our economy once the crisis of the coronavirus had subsided.

The phrase struck me because I have been thinking about pent up energy and Eucharistic fasting in the wake  of the suspension of public celebrations of the Mass across many of our dioceses, including my own Diocese of Dallas.

We take many things for granted until we lose them. Even after only one week, I know that so many are distraught that they cannot receive Jesus in the Eucharist. Musicians, especially, are profoundly missing being able to sing for the sacred Liturgy, especially during this rich season of Lent. We feel the dryness of the Lenten desert. It is real. We have been forced to fast from that which we love. Our longings for the Liturgy and the Eucharist are being pent up.

Eucharistic fasting is not new. It was not always the case that the faithful could receive the Eucharist each Sunday, let alone daily if desired. St. Augustine is said to have excommunicated himself to be in solidarity with the sinners who could not juridically receive communion.

Pope Emeritus Benedict XVI, writing as Josef Cardinal Ratzinger, said that such a fasting, “could…sometimes be useful or even necessary, to renew and establish more deeply our relationship with the Body of Christ.” (Pilgrim Fellowship of Faith, p.86, Ignatius Press, 2005) In these days, when belief in the Real Presence is waning, could Eucharistic fasting be beneficial? 1

Cardinal Ratzinger went on to say, “Yet from time to time we need a cure from falling into mere habit and its dullness. Sometimes we need to be hungry…” (Pilgrim Fellowship of Faith, p.88)

Imagine the hunger that will need to be satisfied when full public Masses resume, the pent up desires that will be released. Imagine people, filled with emotion, joy, and thanksgiving, streaming to Mass to receive the Lord, conscious now of what it is that they’ve missed, what it is that is real.

I believe, too, that there is pent up energy for sacred music and for beauty. For the liturgy and the eschatological. For heaven. How parched will have been our spiritual lives, how absent of beauty. Like a thirst that must be quenched, sacred polyphony, chant, and excellent hymnody will be like drinking from cooling waters.

Musicians need to be ready. We don’t know when this will happen, if we’ll receive plenty of lead time or only a few days notice. My suggestion to you all is to be ready for any contingency. Plan what would happen if you returned on Palm Sunday, Good Friday, Easter Sunday, or even later. Are you ready? If needed, reimagine musical plans so that your choirs can sing things they know very well. The faithful will want to hear you at your best, singing as beautifully as possible. They will have missed you, even if they don’t yet know it. Keep in contact with your choir through email, text, or phone. Make sure they are healthy, and remind them how much they will be needed when the time comes.

Let us pray for the Church, for the Pope, for the sick, for the world.

 


NOTES FROM THIS ARTICLE:

1 I was struck when looking at the various statements from Americas bishops regarding the suspension of public celebrations of the Mass how few mentioned the Eucharist. From what I could find, Cardinal Cupich of Chicago was most explicit when he said, “This was not a decision I make lightly. The Eucharist is the source and summit of our life as Catholics.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

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