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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Fasting, Hunger, and Pent Up Energy

Dr. Alfred Calabrese · March 17, 2020

AST SATURDAY evening we watched another press conference from the White House. At this point the Dow Jones Industrial Average had just recorded a nearly 2,000 point rise after a week of historic losses. The President talked about the “pent up energy” that would one day be released upon our economy once the crisis of the coronavirus had subsided.

The phrase struck me because I have been thinking about pent up energy and Eucharistic fasting in the wake  of the suspension of public celebrations of the Mass across many of our dioceses, including my own Diocese of Dallas.

We take many things for granted until we lose them. Even after only one week, I know that so many are distraught that they cannot receive Jesus in the Eucharist. Musicians, especially, are profoundly missing being able to sing for the sacred Liturgy, especially during this rich season of Lent. We feel the dryness of the Lenten desert. It is real. We have been forced to fast from that which we love. Our longings for the Liturgy and the Eucharist are being pent up.

Eucharistic fasting is not new. It was not always the case that the faithful could receive the Eucharist each Sunday, let alone daily if desired. St. Augustine is said to have excommunicated himself to be in solidarity with the sinners who could not juridically receive communion.

Pope Emeritus Benedict XVI, writing as Josef Cardinal Ratzinger, said that such a fasting, “could…sometimes be useful or even necessary, to renew and establish more deeply our relationship with the Body of Christ.” (Pilgrim Fellowship of Faith, p.86, Ignatius Press, 2005) In these days, when belief in the Real Presence is waning, could Eucharistic fasting be beneficial? 1

Cardinal Ratzinger went on to say, “Yet from time to time we need a cure from falling into mere habit and its dullness. Sometimes we need to be hungry…” (Pilgrim Fellowship of Faith, p.88)

Imagine the hunger that will need to be satisfied when full public Masses resume, the pent up desires that will be released. Imagine people, filled with emotion, joy, and thanksgiving, streaming to Mass to receive the Lord, conscious now of what it is that they’ve missed, what it is that is real.

I believe, too, that there is pent up energy for sacred music and for beauty. For the liturgy and the eschatological. For heaven. How parched will have been our spiritual lives, how absent of beauty. Like a thirst that must be quenched, sacred polyphony, chant, and excellent hymnody will be like drinking from cooling waters.

Musicians need to be ready. We don’t know when this will happen, if we’ll receive plenty of lead time or only a few days notice. My suggestion to you all is to be ready for any contingency. Plan what would happen if you returned on Palm Sunday, Good Friday, Easter Sunday, or even later. Are you ready? If needed, reimagine musical plans so that your choirs can sing things they know very well. The faithful will want to hear you at your best, singing as beautifully as possible. They will have missed you, even if they don’t yet know it. Keep in contact with your choir through email, text, or phone. Make sure they are healthy, and remind them how much they will be needed when the time comes.

Let us pray for the Church, for the Pope, for the sick, for the world.

 


NOTES FROM THIS ARTICLE:

1 I was struck when looking at the various statements from Americas bishops regarding the suspension of public celebrations of the Mass how few mentioned the Eucharist. From what I could find, Cardinal Cupich of Chicago was most explicit when he said, “This was not a decision I make lightly. The Eucharist is the source and summit of our life as Catholics.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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