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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Secret Sympathy

Dr. Gregory Hamilton · February 20, 2020

“I feel that our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung than when they are not sung, and that all the affections of our soul in their variety have modes of their own in song and chant by which they are stirred up by an indescribable and secret sympathy.”
—Saint Augustine, Confessions, Book X, chap. 33, MPL, XXXII, 799ff.

“In the beginning was the Word…and the Word became flesh.” John 1:1.

Words, words, words. Just think for a minute about the overwhelming waves of words that our culture washes over us. Through the nearly infinite spawn of digital devices, automatically generating and sending words constantly to all corners of the globe, it seems that the goal of our society is to create more words, as if the ever-increasing amount will bring us happiness.

It is true, however that we are hard wired to receive meaning from communicating through language. The words that we devise to speak to each other and to sing to each other have inherent meaning for our human nature.

We are reminded by the Word of God that in the beginning, before all else, was the Word, the Logos. This is quite profound. The one who created all, created the very idea and possibility of communication. But we can also note that the Word of God is quite different. It can come in a still small voice, or as in the psalms, a thunder that cracks trees…however, this word is definite, it does not change, and it never loses it’s meaning, in other words it is Divine. This word is definitive and certain. When the Father spoke to the Son confirming his divine status during the mystical event of the Transfiguration, is was a declaration that was eternally true.

As well, I am reminded of the age-old practice of meditating in prayer upon a single word or phrase—Lectio Divina. The practice involves meditation on a holy word or phrase in the presence of the Lord, and sitting in an attitude of receptiveness to the divine and spiritual nurture from the Holy Spirit that flow from that word.

So, as Augustine says, how wonderful and significant is our task, that of joining words—the Logos—to music. Music also speaks to us as a divine word. I am convinced that there is a divine quality in music that emanates from this original Logos, coming directly from God, as a unique gift. In some mystical way which I don’t understand, the singing of this Logos creates a higher level of meaning and somehow connects to our understanding in a more profound way. Let us understand the profundity of the ministry that we cultivate—even as we praise the Logos in “indescribable and secret sympathy” amongst oceans of meaningless words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 27, 2020

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About Dr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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