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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Secret Sympathy

Dr. Gregory Hamilton · February 20, 2020

“I feel that our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung than when they are not sung, and that all the affections of our soul in their variety have modes of their own in song and chant by which they are stirred up by an indescribable and secret sympathy.”
—Saint Augustine, Confessions, Book X, chap. 33, MPL, XXXII, 799ff.

“In the beginning was the Word…and the Word became flesh.” John 1:1.

Words, words, words. Just think for a minute about the overwhelming waves of words that our culture washes over us. Through the nearly infinite spawn of digital devices, automatically generating and sending words constantly to all corners of the globe, it seems that the goal of our society is to create more words, as if the ever-increasing amount will bring us happiness.

It is true, however that we are hard wired to receive meaning from communicating through language. The words that we devise to speak to each other and to sing to each other have inherent meaning for our human nature.

We are reminded by the Word of God that in the beginning, before all else, was the Word, the Logos. This is quite profound. The one who created all, created the very idea and possibility of communication. But we can also note that the Word of God is quite different. It can come in a still small voice, or as in the psalms, a thunder that cracks trees…however, this word is definite, it does not change, and it never loses it’s meaning, in other words it is Divine. This word is definitive and certain. When the Father spoke to the Son confirming his divine status during the mystical event of the Transfiguration, is was a declaration that was eternally true.

As well, I am reminded of the age-old practice of meditating in prayer upon a single word or phrase—Lectio Divina. The practice involves meditation on a holy word or phrase in the presence of the Lord, and sitting in an attitude of receptiveness to the divine and spiritual nurture from the Holy Spirit that flow from that word.

So, as Augustine says, how wonderful and significant is our task, that of joining words—the Logos—to music. Music also speaks to us as a divine word. I am convinced that there is a divine quality in music that emanates from this original Logos, coming directly from God, as a unique gift. In some mystical way which I don’t understand, the singing of this Logos creates a higher level of meaning and somehow connects to our understanding in a more profound way. Let us understand the profundity of the ministry that we cultivate—even as we praise the Logos in “indescribable and secret sympathy” amongst oceans of meaningless words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 27, 2020

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About Dr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

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