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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Two Reasons for Fewer Vocations

Richard J. Clark · January 31, 2020

E PRAY for vocations quite frequently. We should never despair. There are legions of wonderful men entering the priesthood. But there are many reasons for fewer vocations in years past. The decline began long before the sex abuse scandal that first convulsed Boston in 2002.

There are certainly more than two reasons. Causes are complex, at times self-inflicted, and perhaps outnumber the stars in the sky. Despite increasing numbers in the Catholic Church world-wide (1.2 billion) there are far fewer priests, nuns, religious than historic averages in the mid-twentieth Century.

The goal is not necessarily to revert to historic averages of the past. It is wise and healthy for the faithful to be discerning when considering a possible vocation. (Exploring discernment itself is to be encouraged!) It is wise for seminaries to be more judicious; formation within seminaries is among the current difficulties.

YRIAD CAUSES can be distilled into one: Lost Catholic Identity in our increasingly secularized world. Such secularization has crept its way, in varying degrees, into two critical areas:

1 • Celebration of the Sacred Liturgy
2 • Catholic Schools and Faith Formation of children and adults

This is not a judgment, but a mindfulness to be proud of our Catholic Faith. Catholics are often left on the defensive these days—clergy and religious especially. Furthermore, they are overworked. Young diocesan priests are pushed into being pastors much sooner than in the past — sometimes after merely three years of being a Parochial Vicar. They must be all things to all people from economist to human recourses manager to saving our souls. Just a day at the office!

EGARDING THE MASS: I have frequently written about the transformative power of singing the Mass instead of singing favorite songs at Mass—however beloved. Singing the scriptures, and singing sound Roman Catholic theology is our responsibility, not just another option.

Sadly, many celebrations of the Sacred Liturgy fall short of embracing our traditional music that is replete with rich theology and scripture. Many new pieces possess the same qualities, but far too many do not.

Such decisions on the content of sacred music have been outsourced to publishers who may have economic realities to consider. These worldly considerations may come above souls, above liturgical documents, and above sacred beauty.

Other publishers handle this responsibility quite admirably and seriously and have been of great service to the Church, e.g.: CanticaNOVA Publications, World Library Publications (now a division of G.I.A.), Illuminare Publications, Corpus Christi Watershed, St. Michael Hymnal, Adoremus Hymnal, etc. They are not making much money—if any! These adhere to standards of Roman Catholic theology regardless of musical style or commercial demands. (Full disclosure: I am published with WLP, CanticaNOVA, and Corpus Christi Watershed. I know the editors quite well, their ethos, and production!)

The marketing and commercialization of sacred music has had vastly mixed results, some positive, but some deleterious. Because it is published does not mean it contains solid theology or even correct theology. Because it is popular does not make it suitable for the sacred liturgy. Because it is allowable, popular, or in print does not mean it is inspiring, elevating, or edifying. It can be. Publication is not the determining factor.

While every generation has published its fair share of sub-par music—of every style—the post-Vatican II commercialization of sacred music correlates with an increasingly secularized society. It is in this society that we need our Roman Catholic Faith more than ever.

AS THE marketing and commercialization of sacred music contributed to fewer vocations? It is silly to think it is the sole cause or a direct one. But it is a telltale sign in a larger picture: that that Mass looks, sounds, (and smells) more like the secular world than one that elevates our hearts and minds to higher realms of the ineffable mystery of God. If we offer the world a similar — or subpar — experience of secular society and entertainment, then why bother attending Mass? What is there to offer if just a foggy mirror image of ourselves? We should be focused on Christ, not ourselves. Such self-focus is perhaps a large contributor toward fewer vocations.

Furthermore, all of this impacts not only priestly and religious vocations but also our responsibilities and vocations as parents. It impacts family life, our work, and how we live out our lives as Christians: Lex Orandi, Lex Credendi, Lex Vivendi — the law of prayer is the law of belief, and from this flows the law of how Christians must live our lives!

EGARDING EDUCATION in our Catholic schools, an answer to declining enrollment is not to take a cue from the outside secular world, but to embrace ever more tightly our Catholic Faith, our Catholic traditions, Catholic theology, and the Seven Themes of Catholic Social Teaching. We must reinforce and teach all of these things at all levels of education from Pre-K to high school (and beyond! We never stop learning until we die.) Just as in other circular methods of pedagogy that reinforce the essentials at every level, so too must our Catholic education fortify the tenets of our faith at every age.

Thomas Carroll, Superintendent of Schools for the Archdiocese of Boston implores that Catholic Schools embrace their Catholicism as their greatest strength. He writes in the Boston Pilot:

Some Catholic school leaders wrongly believe that they should de-emphasize faith as they seek to market their schools in a broadly secular society. This is a mistake. Given competition from free district schools and free charter schools, a Catholic school will not prevail by positioning itself as a tuition-charging secular (non-religious) school. Our schools can “go further with faith.” What Catholic schools offer is something more transcendent than any secular school can ever offer. This is our strength, not a weakness.

Such can also be said of the celebration of our greatest prayer, the Mass.

AM NOT a priest or religious, but a dad. I recognize this is my highest vocation and not that of a musician. But our children’s religious environment must be something they are familiar with every day of their lives. It is something they will be proud of only if we are too. They will love their faith as they grow only if we show love for our faith too.

We take care with the Sacred Liturgy and with religious education not because of requirement, but because of love. We love God. We love our Catholic Faith. We love our children.

God has blessed us greatly. God has given us all that we have. Perhaps, greater attention to these matters may inspire more vocations. But also, it will transform all of us be better Christians—to fulfill Jesus’ New Commandment, His Mandatum Novum—to “love one another as I have loved you.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 4, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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