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Views from the Choir Loft

The Book of Kells Online

Fr. David Friel · January 26, 2020

Just two weeks ago, I featured the tremendous digitization project of the Vatican Apostolic Library (VAT), known as DigiVatLib. Since then, two more treasure troves of online resources have come to my attention. I would like to share these with you today.

First, one of the greatest pieces of the world’s cultural inheritance is the Book of Kells. Described by the Annals of Ulster (A.D. 1007) as “the chief relic of the Western world,” the manuscript is a 680-page book of the Gospels, richly decorated in the tradition of Insular illumination. Long attributed to St. Columbkille (d. 597), the manuscript was more likely crafted by later monks of Iona around the year 800. The volume takes its name from the Abbey of Kells (County Meath), where it was housed for centuries, and it is now displayed to the public at Trinity College Library in Dublin. The folios of this manuscript were scanned in 1990, but they were rescanned two decades later with state-of-the-art technology. Since 2013, the entire Book of Kells has been available online. What a gift it is to have this masterpiece so easily accessible.

The second online resource I would like to recommend has only recently become available, courtesy of the Paris Musées, an incorporation of the fourteen city-operated museums of the French capital. Now available on their collections website are 150,000 high-resolution images depicting some of their holdings. Effective January 8, 2020, these digital reproductions are freely available, without charge and without restriction. This decision, according to the museums, “will contribute to enhancing and improving the way our collections are made available and will strengthen the measures taken to ensure better public access to art and culture as well as increasing visibility and understanding of the works in our municipal collections. . . . This policy of free access is part of a programme of development, cultural mediation and opening up of the collections to Internet users.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: August 28, 2022

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The Iste confessor was greatly altered and the hymn for the Dedication of a Church, which no one ought to have touched, was in fact completely recast in a new meter.

— Father Joseph Connelly

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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