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Views from the Choir Loft

New Stained Glass Windows of Military Saints

Fr. David Friel · November 11, 2019

OVEMBER is the month of All Saints and All Souls, and today is both the feast of one of the Church’s great soldier-saints, Martin of Tours, and Veterans Day in the USA. In that spirit, it seems appropriate to share news of a set of stained glass windows featuring military-related saints that was recently crafted and installed. Now gracing the chapel of the Edwin Cardinal O’Brien Pastoral Center of the Archdiocese for the Military Services, USA (AMS) in Washington, DC, these windows were designed and executed by Washington Art Glass Studio, based in Dunkirk, MD.

The main windows depict saints who have a particular connection to military life. These include the Roman Centurion (Mt 8:5-13; Lk 7:1-10), St. Martin of Tours, St. Joan of Arc, St. John of Capistrano, St. Ignatius of Loyola, and St. Elizabeth Ann Seton.

Also included are Saints Peter & Paul, the four evangelists, symbols of the seven sacraments and the office of preaching, two episcopal coats of arms (belonging to Archbishops Joseph T. Ryan and Timothy P. Broglio, the first and current archbishops of the AMS), and six seals of the military branches and departments.

All the windows were blessed during a ceremony in early September 2019 that included readings from Sacred Scripture and the singing of psalms and hymns. In his remarks, Archbishop Broglio reflected on the significance of the occasion:

When the Church blesses stained glass windows, she does so for the following reasons: that when we look at the representations of those who followed Christ faithfully, we will be motivated to seek the city that is to come, that we will learn the way to attain complete union with Christ, that as we struggle along with our earthly cares, we will be mindful of the saints, those friends and co-heirs with Christ who are also our own brothers and sisters and our special benefactors, that we will remember how they love us, are near to us, intercede ceaselessly for us, and are joined to us in communion.

The following gallery includes photographs of the new windows.

AMS_G2 AMS_F2 AMS_E2 AMS_D2 AMS_C2 AMS_B2 AMS_A2

Two interesting things appear near the back of the chapel. First is a set of two windows side-by-side with no saints depicted. One presumes that these spaces are reserved in the hope that the canonization causes for Fr. Vincent Capodanno and Fr. Emil Kapaun will one day reach fulfillment.

Second, there are two paintings adorning the front of the balcony that, while not new, fit the overall plan of the chapel through their depiction of two additional saints with military connections. On the left appears St. George slaying the dragon, while on the right a young Fr. Angelo Roncalli (later Pope John XXIII) is shown ministering as a chaplain during World War I.

AMS_H2 AMS_Balcony2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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