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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Stained Glass Windows of Military Saints

Fr. David Friel · November 11, 2019

OVEMBER is the month of All Saints and All Souls, and today is both the feast of one of the Church’s great soldier-saints, Martin of Tours, and Veterans Day in the USA. In that spirit, it seems appropriate to share news of a set of stained glass windows featuring military-related saints that was recently crafted and installed. Now gracing the chapel of the Edwin Cardinal O’Brien Pastoral Center of the Archdiocese for the Military Services, USA (AMS) in Washington, DC, these windows were designed and executed by Washington Art Glass Studio, based in Dunkirk, MD.

The main windows depict saints who have a particular connection to military life. These include the Roman Centurion (Mt 8:5-13; Lk 7:1-10), St. Martin of Tours, St. Joan of Arc, St. John of Capistrano, St. Ignatius of Loyola, and St. Elizabeth Ann Seton.

Also included are Saints Peter & Paul, the four evangelists, symbols of the seven sacraments and the office of preaching, two episcopal coats of arms (belonging to Archbishops Joseph T. Ryan and Timothy P. Broglio, the first and current archbishops of the AMS), and six seals of the military branches and departments.

All the windows were blessed during a ceremony in early September 2019 that included readings from Sacred Scripture and the singing of psalms and hymns. In his remarks, Archbishop Broglio reflected on the significance of the occasion:

When the Church blesses stained glass windows, she does so for the following reasons: that when we look at the representations of those who followed Christ faithfully, we will be motivated to seek the city that is to come, that we will learn the way to attain complete union with Christ, that as we struggle along with our earthly cares, we will be mindful of the saints, those friends and co-heirs with Christ who are also our own brothers and sisters and our special benefactors, that we will remember how they love us, are near to us, intercede ceaselessly for us, and are joined to us in communion.

The following gallery includes photographs of the new windows.

AMS_G2 AMS_F2 AMS_E2 AMS_D2 AMS_C2 AMS_B2 AMS_A2

Two interesting things appear near the back of the chapel. First is a set of two windows side-by-side with no saints depicted. One presumes that these spaces are reserved in the hope that the canonization causes for Fr. Vincent Capodanno and Fr. Emil Kapaun will one day reach fulfillment.

Second, there are two paintings adorning the front of the balcony that, while not new, fit the overall plan of the chapel through their depiction of two additional saints with military connections. On the left appears St. George slaying the dragon, while on the right a young Fr. Angelo Roncalli (later Pope John XXIII) is shown ministering as a chaplain during World War I.

AMS_H2 AMS_Balcony2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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