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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Success! • Sacred Music Retreat in Ohio

Guest Author · October 5, 2018

87423 John Schauble FEW SHORT MONTHS AGO, I had the privilege of taking part in a Sacred Music Retreat near Cincinnati, Ohio. Hosted by the Oratorian Community of Cincinnati, the retreat featured Msgr. Wadsworth as the spiritual presenter, along with Kevin Allen and Nick Lemme as the music presenters. Fifty choir members from around the country—California to Maryland, Minnesota to Texas—came together for four days of intense Liturgy in the Extraordinary Form.

In general terms, a retreat is an opportunity to immerse oneself in meditation over conferences proposed by the retreat master, to spend time in individual and group prayer, all while focused on some spiritual end. Often, the traditional retreat is virtually silent except the periods of vocal prayer, and the focus is typically on the relationship of one’s soul with the Creator.

    * *  “Live” Recording • Kevin Allen “Jesu Dulcis Memoria”

This was almost exactly the same…but completely and utterly different.

87414 mass INTENDED FOR liturgical Martha’s more than liturgical Mary’s, our retreat was designed to probe the dignity and value of being a member of the liturgical choir and the corresponding responsibilities inherent therein. Spiritual conferences examined the Liturgy, the Sanctification of Time, the nature of pontifical ceremonies. The rehearsals were acts of prayer that sought to give us the tools to better accomplish our purpose. The liturgies were meditations in which we fulfilled our role of increasing the honor and glory rendered to God through participation in the worship of the Church.

The schedule was…ambitious. Prime at 6:15am followed by short meditation and Mass. Six hours of rehearsals bookending two hours of spiritual conferences. Visits to the Blessed Sacrament and time for confessions. Compline at 9:00pm followed by Grand Silence. Fourteen liturgies over the span of four days including the three public pontifical liturgies of Saturday and Sunday, celebrated by Bp. Slattery. Immersion in what defines our very purpose as members of the choir. Within these liturgies, we had an intentional range of the very simple to the very solemn. Low Mass and Prime in recto-tone without cantors; simple sung Compline with cantors; Solemn Vespers and Solemn Mass; Pontifical Vespers, Pontifical Matins / Lauds of the Dead, and two Pontifical High Masses—we ran a full gamut of different liturgical functions to illustrate the rich diversity of the Extraordinary Form. Throughout, our focus was on perfection of effort over perfection of performance, although we worked diligently for the latter with the public liturgies—no easy feat given the amount of music involved.

87422 Kevin Allen Conducting Several of the participants described the retreat as transformational in how they view their role as liturgical musicians. Of course, different things resonated with different people. For some, the musical and liturgical pedagogy while for others, the spiritual conferences. For some, the techniques gleaned from working with outstanding master musicians that we had as presenters while for others, the chance to form relationships with other directors and choir members. Relationships not merely as friends with common purpose but ordered toward aiding one another in the task of increasing the honor and glory of God through our music.

Feedback from participants revolved around two key statements. The first was the surprise that many had at discovering the deep and profound spirituality simply from chanting the Divine Office over the course of the retreat. For many, the Divine Office was a unique experience, and the hours of Prime and Compline quite moving and meaningful. The other statement was the recognition that we need more events just like this! “When will the next retreat be held?” was a question I heard frequently in the last day or two.

    * *  Facebook Page • Sacred Music Retreat

If you’d like more information about the Sacred Music Retreat or other similar events in the future, please visit the above link to our Facebook page. From that page, there are links to recordings and pictures from the retreat. Other groups have discussed hosting similar retreats in the future, and we will post information as we are made aware. Some of you may be interested to know that we are “in discovery” regarding a Sacred Music Pilgrimage to Europe in 2023 (exclusively Extraordinary Form). We’ll continue to post information about that as we explore the options that are available to us.

I leave you with the two mottos that define purpose in our choir:

Ad maiorem Dei gloriam. Da mihi animas, cetera tolle.

[All] to the greater glory of God. Give me souls, take away the rest.


We hope you enjoyed this guest article by John Schauble.



Source of Information: Official Letter

Source of Images: J. Senneff Facebook Page

Source of Recordings:     01   •   02   •   03   •   04

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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