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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

21 Thoughts • “Exterior Actions at Mass”

Corpus Christi Watershed · September 10, 2018

87651 • Fr Christopher Smith PRINCE OF PEACE TAYLORS ATHER Christopher Smith recently preached a homily that begs of you a listen—challenging the faithful to manifest their love of God in their exterior actions at the Mass. A few prompts for prayerful reflection are adapted from the homily below as you discern, “What would a non-Catholic Christian see from our example if they watched us in the Church at Mass?”

1. Do we see Sunday as a joyful occasion that we have the privilege to participate in as sons and daughters of Christ?

2. Is Sunday special—different from all other days?

3. Do we dress for Mass not by putting on whatever clothes happen to be available, but by dressing outwardly and inwardly for the wedding feast of the Lamb?

4. Do we realize each one of us was created by God to worship Him and that all time belongs to Him? Or, do we begrudge Him one hour of our week for Mass?

5. Do we arrive early for Mass to pray, focus and prepare for the most important thing we do each week? Or, are we running around like a chicken with its head cut off sailing into Mass distracted and not ready to pray? [families with children, we understand this is not always feasible]

6. Mass is not a spectator sport. The fruitfulness of the Mass within us depends on the disposition of our heart that we bring to it. We have to choose to engage it by disciplining our wandering minds by focusing on every word, gesture and ceremony of the Mass.

7. Are we watching the Mass with eyes of faith?

8. Are we listening to Mass with ears and hearts open to the truth proclaimed in the readings and prayers?

9. Are we tasting with devotion and reverence of the holy Eucharist?

10. Are we grasping the sacred by crossing ourselves, kneeling, bowing, genuflecting, standing and sitting not just because it is a ritual, but with purpose and love?

11. Are we smelling the incense, candles, flowers—the Church itself? Do we engage our entire bodies in worship—all five (5) senses—or do we just sit there and wait it out?

12. When we come into Church, do we plunge our hands into the Holy water font and remind ourselves that we were signed, sealed and delivered by our baptism and confirmation as children of God and heirs to heaven?

13. Do we genuflect by going all the way down on our right knee slowly as a sign of adoration to Christ as King who reigns from the throne of love in the tabernacle?

14. Do we put aside all earthly cares before Mass, get into a zone of prayer and enter a space of worship?

15. Do we carefully observe silence before and after Mass? Do we remember that this Church is the gate of Heaven and the only person to whom we should be speaking is to God?

16. Do we say the responses clearly and distinctly? Or, do we mumble?

17. Do we sing the ordinary of the Mass and the hymns with the beautiful voice God gave us?

18. Gentlemen of the congregation—you are the priests of the domestic church. That means that your children and everyone else are looking for you to be a model or worship and prayer. What contrary witness do men give when not picking up the music sheet to sing or slouching and mumbling?

19. Do we bow upon the name of Jesus?

20. When we come up to Holy Communion, do we assume an attitude of reverence and devotion and then allowing ourselves to be fed by the Body of Christ?

21. Judas was the only one who left the Last Supper early. And, he did it to betray our Lord. Do not leave Mass early. If we can’t stand to be in Church for an hour a week, how will we spend eternity with God?


Text courtesy of this source.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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