“Come Holy Ghost” • Improvisation

Jeff Ostrowski · June 12, 2018 ·

HE ORGANIST at the FSSP Apostolate in Los Angeles does the most amazing things. Sometimes he takes the hymn and improvises on it throughout Mass, in a billion different sumptuous styles.

Here’s something he did with “Come Holy Ghost” during the Offertory:

* * Mp3 Download • E. Haman improvises

Some of those sections—at the 1:00 marker, for example—are really gorgeous, don’t you agree?

Mr. Haman is an undergraduate student at the university here.

About Jeff Ostrowski

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.

Anger at mistakes

I have a bad habit of getting frustrated when choir members take a long time to learn a particular interval or entrance. But this can be “cured.” It was cured a few weeks ago, when I made a mistake. I was supposed to go down a minor third, but instead I went down a perfect fifth. It reminded me that errors do happen—and we must be patient with our singers!

—Jeff Ostrowski

“The old man carried the Child, but the Child led the old man.”

The Antiphon for First Vespers of the Feast of the Purification (February 2nd) is beautiful: “The old man carried the Child, but it was the Child who was guiding the old man. The Virgin bore the Child, and after child-bearing was virgin still: whom she bore, him she adored.” —Senex púerum portábat, puer autem senem regébat: quem Virgo péperit, et post partum Virgo permánsit: ipsum quem génuit, adorávit.

—Jeff Ostrowski

A quote from Fr. Valentine Young

I had one brother who was out of the church for quite a few years. When my mother was asked, “Did she worry about him?” I remember her answer: “I don’t worry about him; I just pray for him.” She left that in God’s hands. My mother did not live to see her son return to the Church; but he did, and I was able to celebrate his funeral Mass.

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)