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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Centrality of the Sign of the Cross

Fr. David Friel · May 27, 2018

BOUT fifteen years ago (which, for someone my age, is quite some time ago), a priest pointed out to me the inescapability of the Sign of the Cross in the form of Mass we now call the Extraordinary Form. The Sign of the Cross, of course, is not absent from any of the Church’s liturgies, but the prominence of this gesture in the Extraordinary Form often catches the attention of people who participate in such a Mass without much familiarity with it. Similarly, by comparison to the current Book of Blessings, the Sign of the Cross is much more omnipresent in the older Roman Ritual.

I’ve written elsewhere about the centrality of the Communion of Saints in the Extraordinary Form, and I think something parallel can be said for the Sign of the Cross.

From signing oneself at the Misereatur to the incensing of the gifts during the offertory to the pouring of water and wine into the chalice over the cross on its base, the Sign of the Cross is one of the most notable features of the ceremonial ritual of the Extraordinary Form.

Consider what St. Francis de Sales has to say about the manifold applications of this most basic Catholic prayer:

The Sign of the Cross . . . [is] a plea for God’s help. St. Jerome, writing to his spiritual daughter, said, “With every work, with all of your comings and goings, may your hand make the Sign of the Cross.”

St. Ephraim said, “Whether you sleep or wake, travel or work, eat or drink, sail on the sea or cross a river, cover yourself with this breastplate, clothe and encircle your limbs with the saving sign, and evils will not meet you.”

And Tertullian: “At every change of place and movement, every going out and coming in, when dressing, when putting on shoes, at the bath, at the table, when carrying a lamp, upon entering a room, and in every action that life requires, we touch our forehead with the Sign of the Cross.”

“Make this sign,” St. Cyril said, “eating, drinking, sitting, standing, going outside, walking, in sum: in all of your affairs.” And, elsewhere, “Have therefore no shame of confessing the crucifix, but with confidence let us impress the Sign of the Cross with our fingers upon our forehead, and may the Sign of the Cross be made in all things, eating, drinking, coming in, going out, before sleep, sitting, standing, doing, and remaining idle. For it is a great defense, which for the sake of the poor is given away freely, and for the sake of the weak is made without difficulty, this grace being from God, as the sign of the faithful and to bring fear to the devils.”

St. John Chrysostom: “The Cross shines everywhere, in places inhabited and uninhabited.”

St. Ambrose: “All of our works should be done with the Sign of the Cross.”

. . . Who does not know that prayer is the general and universal tool of Christians, proper to all of our affairs and works, for every encounter and all of the actions of our life? The Sign of the Cross, then, is nothing other than a brief and lively exterior prayer by which God is invoked, and, as a result, it is proper for all of our doings and plans. 1

HE NUMEROUS Signs of the Cross in the Extraordinary Form do not strike me as examples of the “useless repetitions” (repetitiones inutiles) which Sacrosanctum Concilium sought to avoid (SC, no. 34). The ubiquity of this prayerful gesture seems, rather, to be an utterly simple method of praising God and a beneficial means of instructing the faithful. It teaches us how to conform every thought, word, and deed to Christ.

May the Cross, the great Sign of our salvation, become an ever more central feature of our Catholic life and prayer!




NOTES FROM THIS ARTICLE:

1   St. Francis de Sales, The Sign of the Cross: The Fifteen Most Powerful Words in the English Language, ed. and trans. Christopher O. Blum (Manchester, NH: Sophia Institute Press, 2013), 17–19.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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