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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy outside Liturgy

Fr. David Friel · March 25, 2018

UST RELEASED this month, a new book by Professor David W. Fagerberg presents a fascinating study of the liturgical theology of Alexander Schmemann. The new volume explores the interconnectivity of liturgy, theology, and piety in a collection of five very accessible lectures.

Schmemann (1921-1983) was a distinguished theologian and protopresbyter of the Orthodox Church. He served as the long-time dean of St. Vladimir’s Orthodox Theological Seminary in Crestwood, NY. His immensely popular book, For the Life of the World (1973), is particularly memorable for his reflection on man as homo adorans: “‘Homo sapiens,’ ‘homo faber’ . . . yes, but first of all, ‘homo adorans.’ The first and basic definition of man is that he is the priest. He stands at the center of the world and unifies it in his act of blessing God, of both receiving the world from God and offering it to God.” 1

Schmemann’s life and writings have been a major scholarly interest for Fagerberg, who is himself a liturgical theologian, lover of Chesterton, and professor at the University of Notre Dame. Among Fagerberg’s other significant books are Theologia Prima (2003), On Liturgical Asceticism (2013), and Consecrating the World: On Mundane Liturgical Theology (2016).

The new book is entitled Liturgy outside Liturgy: The Liturgical Theology of Fr. Alexander Schmemann. It is available on Amazon and elsewhere, both in paperback and electronic format.

Fagerberg explains in his introduction that this new book is a collection of five lectures given in January 2017. Three were given during the course of a seminar on Schmemann at The Academy of St. John in Sweden, while the other two were presented to a doctoral seminar and a group of lay faithful. The texts have not been altered from their format as oral presentations.

The first three lectures draw heavily upon texts written by Schmemann, while the latter two lectures present Fagerberg’s own thought drawn from Schmemann’s work and ideas.

A look at the table of contents will help to demonstrate the timeliness and interest of this book:

Foreword (Chad Hatfield, President of St. Vladimir’s Orthodox Theological Seminary)

Introduction

Part I: A Sketch of Alexander Schmemann’s Though on Liturgy, Theology, and Piety

Chapter 1: Should Liturgy Matter Outside the Church? Schmemann on the Study of Liturgy
Liturgy and the World
Defining Antinomy
The Kingdom and the World Meet in Liturgy
The Liturgical Mission to the World

Chapter 2: Can Theology be Done outside the Academy? Schmemann’s Concept of Theology
The East Path Not Taken
The Harder Path We Will Take
Liturgy as Ontological Condition for Theology
A Conversion Required

Chapter 3: Do We Need Liturgy in Our Life? Schmemann’s Connection between Liturgy and Spirituality
What Liturgical Piety is Not
What Liturgical Piety Is
Baptismal Foundations
Cosmic Priesthood
Conclusion

Part II

Chapter 4: Liturgy and the Consecration of the World
Liturgy and Cosmos
Liturgy and Anthropology
Liturgy and Hearts
Liturgy and History
Conclusion

Chapter 5: On Liturgy, Theology, and Asceticism
A Theological Definition of Liturgy
A Liturgical Definition of Theology
A Liturgical Theology of the World

For those not familiar with the writings of Alexander Schmemann, this new volume might well serve as an introduction. For those who are already familiar with Schmemann, Fagerberg’s work will help to raise new questions and synthesize thoughts from across Schmemann’s corpus.




NOTES FROM THIS ARTICLE:

1   Alexander Schmemann, For the Life of the World: Sacraments and Orthodoxy (Crestwood, NY: St Vladimir’s Seminary Press, 2002), 14-15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alexander Schmemann Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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