• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Liturgy outside Liturgy

Fr. David Friel · March 25, 2018

UST RELEASED this month, a new book by Professor David W. Fagerberg presents a fascinating study of the liturgical theology of Alexander Schmemann. The new volume explores the interconnectivity of liturgy, theology, and piety in a collection of five very accessible lectures.

Schmemann (1921-1983) was a distinguished theologian and protopresbyter of the Orthodox Church. He served as the long-time dean of St. Vladimir’s Orthodox Theological Seminary in Crestwood, NY. His immensely popular book, For the Life of the World (1973), is particularly memorable for his reflection on man as homo adorans: “‘Homo sapiens,’ ‘homo faber’ . . . yes, but first of all, ‘homo adorans.’ The first and basic definition of man is that he is the priest. He stands at the center of the world and unifies it in his act of blessing God, of both receiving the world from God and offering it to God.” 1

Schmemann’s life and writings have been a major scholarly interest for Fagerberg, who is himself a liturgical theologian, lover of Chesterton, and professor at the University of Notre Dame. Among Fagerberg’s other significant books are Theologia Prima (2003), On Liturgical Asceticism (2013), and Consecrating the World: On Mundane Liturgical Theology (2016).

The new book is entitled Liturgy outside Liturgy: The Liturgical Theology of Fr. Alexander Schmemann. It is available on Amazon and elsewhere, both in paperback and electronic format.

Fagerberg explains in his introduction that this new book is a collection of five lectures given in January 2017. Three were given during the course of a seminar on Schmemann at The Academy of St. John in Sweden, while the other two were presented to a doctoral seminar and a group of lay faithful. The texts have not been altered from their format as oral presentations.

The first three lectures draw heavily upon texts written by Schmemann, while the latter two lectures present Fagerberg’s own thought drawn from Schmemann’s work and ideas.

A look at the table of contents will help to demonstrate the timeliness and interest of this book:

Foreword (Chad Hatfield, President of St. Vladimir’s Orthodox Theological Seminary)

Introduction

Part I: A Sketch of Alexander Schmemann’s Though on Liturgy, Theology, and Piety

Chapter 1: Should Liturgy Matter Outside the Church? Schmemann on the Study of Liturgy
Liturgy and the World
Defining Antinomy
The Kingdom and the World Meet in Liturgy
The Liturgical Mission to the World

Chapter 2: Can Theology be Done outside the Academy? Schmemann’s Concept of Theology
The East Path Not Taken
The Harder Path We Will Take
Liturgy as Ontological Condition for Theology
A Conversion Required

Chapter 3: Do We Need Liturgy in Our Life? Schmemann’s Connection between Liturgy and Spirituality
What Liturgical Piety is Not
What Liturgical Piety Is
Baptismal Foundations
Cosmic Priesthood
Conclusion

Part II

Chapter 4: Liturgy and the Consecration of the World
Liturgy and Cosmos
Liturgy and Anthropology
Liturgy and Hearts
Liturgy and History
Conclusion

Chapter 5: On Liturgy, Theology, and Asceticism
A Theological Definition of Liturgy
A Liturgical Definition of Theology
A Liturgical Theology of the World

For those not familiar with the writings of Alexander Schmemann, this new volume might well serve as an introduction. For those who are already familiar with Schmemann, Fagerberg’s work will help to raise new questions and synthesize thoughts from across Schmemann’s corpus.




NOTES FROM THIS ARTICLE:

1   Alexander Schmemann, For the Life of the World: Sacraments and Orthodoxy (Crestwood, NY: St Vladimir’s Seminary Press, 2002), 14-15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alexander Schmemann Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.