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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christ The King Sunday (5th in October)

Jeff Ostrowski · October 26, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles. Bring your family to the High Mass (SAINT VICTOR, 8634 Holloway Dr, West Hollywood, CA 90069) at 7:00pm every Sunday.


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sometimes the ladies sing this.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)


GLORIA IN EXCELSIS

We will sing #5612.


GRADUAL & ALLELUIA

Psalm Tone Version

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We may sing #5984 by Machaut.

We also sometimes sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

We will sing the Palestrina #6962 (“Te saeculorum”)

Sometimes we sing #3496 paired with #2999.

Sometimes we sing Sanctus from Mass XIII. The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.


BENEDICTUS & HOSANNA

We will sing #6926 Palestrina (Te Sæculorum).


AGNUS DEI

We will sing #7554.

Before long we will begin work on a setting by Giovanni Gabrieli.


COMMUNION ANTIPHON

This will be sung by chosen soloists.


COMMUNION ORGAN

Organist.


COMMUNION OTHER

O Sanctissima is #4456, and we’re trying to learn the SATB sections.


RECESSIONAL HYMN   •   #858 Crown Him With Many Crowns

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

Reflection by Archbishop Fulton J. Sheen

Pilate, finding the Prisoner still silent, was full of wrath, for he was accustomed to seeing the accused crawling in dread before him. “What?” said Pilate, “hast Thou no word for me? Dost Thou not know that I have power to crucify Thee and power to release Thee?” (John 19:10) Pilate spoke of his power to release or to condemn. But if the Prisoner before him were innocent, Pilate had no power to crucify; if he were guilty, he had not power to release. The judge is judged. Our Blessed Lord spoke at once, reminding Pilate that any judicial authority which he had came not from Caesar but from God. Pilate had boasted of the arbitrariness of his power, but Christ referred him to a power that is delegated to men. “Thou wouldst not have any power over Me at all, if it had not been given thee from above.” (John 19:11) The power that Pilate boasted was “given”. Whether a governor, king or ruler knows it or not, all earthly authority is derived from on high. “By Me kings reign”, said the Book of Proverbs.

This bold rebuke of Pilate, reminding him of his dependence upon God, stirred his efforts more than ever toward “releasing Him”. Pilate went outside to meet the mob and reaffirm the innocence of the Prisoner. But the mob had their clever answer ready: “Thou art no friend of Caesar, if thou dost release Him; the man Who pretends to be a King is Caesar’s rival.” (John 19:12) It was very strange that the mob who despised Caesar for his massacres, for all the harm that he had done them, and for his prostitution of the temple, now proclaimed that they had no king but Caesar. By proclaiming Caesar as their king, they renounced the idea of a Messias and made themselves vassals of the Empire, thus preparing for the Roman armies that swallowed up Jerusalem within a generation. The terrors of Tiberius seemed more real to Pilate than the denying of justice to Christ. But in the end, those who fear men rather than God lose that which they hoped men would preserve for them.

When Pilate heard the threat to inform Caesar of his partiality to a man whom they accused of being an enemy of Caesar, Pilate sat down in his judgement seat. Pointing to the Prisoner robed in dried blood, crowned with thorns and a scarlet cloak, he said to the people: “See, here is your King.” But they cried out, “Away with Him; away with Him, crucify Him.” (John 19:14-15) Pilate asked: “What, shall I crucify your King?” The chief priests answered: “We have no King but Caesar.” (John 19:15)

And the king took them at their word!   “Thereupon Pilate gave Jesus up into their hands, to be crucified.” (John 19:16)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

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