• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

Richard J. Clark · September 8, 2017

N THE FEAST of the Nativity of the Blessed Virgin Mary, the St. Paul’s Choir School, Harvard Square, announces the release of its second international recording, Ave Maria. This follows the 2014 CD Christmas in Harvard Square which reached #1 on Billboard Magazine’s Classical Traditional Charts.

Led by a superlative music staff at St. Paul’s, the CD was directed by Choirmaster, John Robinson and accompanied by organist, Jeremy Bruns. Furthermore, the CD was produced by eleven-time Grammy Award-winner Christopher Alder, and Grammy Award-winner, Brad Michel. The CD is released by De Montfort Music/Sony Classical and its sister label AimHigher Recordings. They are responsible for several #1 Classical CDs including BENEDICTA: Marian Chant from Norcia.

      * *  Order the CD: Ave Maria • Saint Paul’s Choir School • Harvard Square

      * *  Order from iTunes: Ave Maria • Saint Paul’s Choir School • Harvard Square

N ADDITION to singing daily Mass, the St. Paul’s Choir School has sung in venues from Carnegie Hall, Boston Symphony Hall, to Fenway Park. They have enjoyed enormous national publicity having been featured on CBS This Morning, NPR, Good Morning America, Fox & Friends, WGBH, Boston Globe and on their own PBS Special.

IN THIS TRAILER FOR Ave Maria, you can find out what are each of the boys’ favorite pieces!

TTRACTING STUDENTS FROM all over America and the world, the St. Paul’s Choir School has transformed countless lives. One need look no further than St. Paul’s current pastor, Fr. William T. Kelly, a graduate of St. Paul’s (formerly known as the Boston Archdiocesan Choir School). In a conversation while he was Pastor of St. Mary’s of the Assumption in Dedham, Massachusetts, he said his calling to the priesthood grew directly out of his life as a student at St. Paul’s. Singing the Mass as a child was an enormous part of his spiritual education and formation—not only musical.

Furthermore, Choirmaster John Robinson speaks quite passionately regarding the impact such music has on the spirit, intellect, and character of young hearts and minds. In doing so, he even evokes the Communion of the Saints:

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given. Music is such a powerful tool for forming young minds, and of course it goes so far emotionally in uniting us with each other, but also with our families on earth and in heaven.

It’s amazing to think that if, say, Palestrina walked into Church during our 11.00 Mass, he would hear his music, and there would be a sense in which we are all joined together by this shared experience, which we’ve been given. You can see the boys growing in maturity and responsibility as the power and clarity of the musical thoughts help shape their minds in love of God and neighbor.

There’s a clear link with their academic development as well, since the concentration required to learn to sing this great music transfers perfectly to study.”

— John Robinson

Regardless of what one eventually does in life, music education is an invaluable discipline that leads to developing many valuable life skills, intellectual, emotional, spiritual, interpersonal, etc. Such education immersed in faith will lead to transformation.

This is true of the boys who enter the St. Paul Choir School. It has been true of generations past under its legendary founder, Theoodore Marier and under former Headmaster, Principal, Organist, and Choirmaster, John Dunn. Now, under John Robinson, the St. Paul Choir School continues on the international stage. But praising God with music is above all. These new recordings afford new opportunities for evangelization, and as such, a new responsibility for the school.

Finally, if you know a talented third or fourth grade boy, you can learn more about Applying to Become a Choirboy where you can see information about admissions, tuition, and opportunities at the Saint Paul’s Choir School.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.