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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

Richard J. Clark · September 8, 2017

N THE FEAST of the Nativity of the Blessed Virgin Mary, the St. Paul’s Choir School, Harvard Square, announces the release of its second international recording, Ave Maria. This follows the 2014 CD Christmas in Harvard Square which reached #1 on Billboard Magazine’s Classical Traditional Charts.

Led by a superlative music staff at St. Paul’s, the CD was directed by Choirmaster, John Robinson and accompanied by organist, Jeremy Bruns. Furthermore, the CD was produced by eleven-time Grammy Award-winner Christopher Alder, and Grammy Award-winner, Brad Michel. The CD is released by De Montfort Music/Sony Classical and its sister label AimHigher Recordings. They are responsible for several #1 Classical CDs including BENEDICTA: Marian Chant from Norcia.

      * *  Order the CD: Ave Maria • Saint Paul’s Choir School • Harvard Square

      * *  Order from iTunes: Ave Maria • Saint Paul’s Choir School • Harvard Square

N ADDITION to singing daily Mass, the St. Paul’s Choir School has sung in venues from Carnegie Hall, Boston Symphony Hall, to Fenway Park. They have enjoyed enormous national publicity having been featured on CBS This Morning, NPR, Good Morning America, Fox & Friends, WGBH, Boston Globe and on their own PBS Special.

IN THIS TRAILER FOR Ave Maria, you can find out what are each of the boys’ favorite pieces!

TTRACTING STUDENTS FROM all over America and the world, the St. Paul’s Choir School has transformed countless lives. One need look no further than St. Paul’s current pastor, Fr. William T. Kelly, a graduate of St. Paul’s (formerly known as the Boston Archdiocesan Choir School). In a conversation while he was Pastor of St. Mary’s of the Assumption in Dedham, Massachusetts, he said his calling to the priesthood grew directly out of his life as a student at St. Paul’s. Singing the Mass as a child was an enormous part of his spiritual education and formation—not only musical.

Furthermore, Choirmaster John Robinson speaks quite passionately regarding the impact such music has on the spirit, intellect, and character of young hearts and minds. In doing so, he even evokes the Communion of the Saints:

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given. Music is such a powerful tool for forming young minds, and of course it goes so far emotionally in uniting us with each other, but also with our families on earth and in heaven.

It’s amazing to think that if, say, Palestrina walked into Church during our 11.00 Mass, he would hear his music, and there would be a sense in which we are all joined together by this shared experience, which we’ve been given. You can see the boys growing in maturity and responsibility as the power and clarity of the musical thoughts help shape their minds in love of God and neighbor.

There’s a clear link with their academic development as well, since the concentration required to learn to sing this great music transfers perfectly to study.”

— John Robinson

Regardless of what one eventually does in life, music education is an invaluable discipline that leads to developing many valuable life skills, intellectual, emotional, spiritual, interpersonal, etc. Such education immersed in faith will lead to transformation.

This is true of the boys who enter the St. Paul Choir School. It has been true of generations past under its legendary founder, Theoodore Marier and under former Headmaster, Principal, Organist, and Choirmaster, John Dunn. Now, under John Robinson, the St. Paul Choir School continues on the international stage. But praising God with music is above all. These new recordings afford new opportunities for evangelization, and as such, a new responsibility for the school.

Finally, if you know a talented third or fourth grade boy, you can learn more about Applying to Become a Choirboy where you can see information about admissions, tuition, and opportunities at the Saint Paul’s Choir School.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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