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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Watershed Make A Difference?

Jeff Ostrowski · September 13, 2017

4450 picture S YOU KNOW, all of us here at Watershed are volunteers. We have no staff and no salaries. Every so often, my fellow bloggers and I wonder if we are making an impact on the “real world.”

Here’s something powerful we recently received from Maryland:

Dear Corpus Christi Watershed,

I wanted to send a note to tell you what an incredible blessing your webpage and blog have been to me.

I am a vocalist and have been all my life. I am very studied, though I have no formal degree in music (in high school, thinking I’d never pay the bills with music, I got a degree in something else that makes no money and required a Master’s degree for employment!). I am an educator by trade. When I had my first child, I quit working full time but was asked shortly after to cantor at my parish—I wasn’t even fully Catholic at the time! Through much prayer, I discerned God was calling me to lead my parish’s music program when our brand new pastor came to our parish in 2013. I was hired as a part-time music director in early 2014 (right before finishing RCIA and being received into the Church at Easter Vigil).

For the past 3.5 years, I have been systematically implementing much of the good advice and practice I’ve gleaned from reading Views from the Choir Loft and endlessly exploring the Watershed website. Formerly our parish had folk Masses, Breaking Bread Missals, a volunteer choir that didn’t formally practice, and cantors only at big events. Now we have mostly organ-led Masses every weekend and feast, a more traditional Missal and Hymnal—allowing us to implement the communion antiphon—a regularly meeting and practicing choir, and (last year) we regularly sang in 2-part harmonies!

This past spring, you re-posted the Polyphonic rehearsal videos on Facebook and I knew I had to take advantage of that golden resource. Our county’s deanery planned a Fatima pilgrimage: a celebration the 13th of the month for six straight months at a different parish around the county. I knew when I saw those rehearsal videos that we had to utilize them for our turn (which was tonight).

I have an all-female choir of about 8 dedicated women who sing every Sunday. During Christmas and Easter I convene a “festival choir” and get a few more volunteers to make our bigger Masses more special. So, I recruited another 15 men and women to join us for tonight’s Mass, using music almost entirely from your page:

—Guerrero’s Missa Iste Sanctus

—Hymn to Mary

—Hail, Holy Queen

—A communion antiphon for the Marian Mass we chose that Richard Rice whipped up for me when I cried for help on the CMAA page a few days ago!

—Filled out the time with a few well known Marian and Eucharistic hymns.

We had about 250-300 in attendance (full for our little parish). It was a huge success! My pastor was blown away at the beauty of the Mass setting by Guerrero. The people in attendance were just floored by how the 4-part choir enhanced the Mass. To quote our priest and echoed by others, they felt “like we were in heaven.” One older gentleman and his wife approached me after Mass and thanked me for the pleasant surprise. He said “I already knew I was going to witness the miracle of the Blessed Sacrament tonight, but never did I think I’d open a program and see the MISSA ISTE SANCTUS.”

I just cannot thank you enough for how much your ministry has helped me grow and helped me introduce my parish to the incredible sounds that the human voice is capable of. I hope you’ll share some of my story on your blog and social media to encourage others to get out of their comfort zone and try beautiful things in their liturgies! My only regret is that with the stress of the night, I didn’t get any video or audio to send to Jeff Ostrowski so he could he could hear how all his soprano singing was worth it—to see little old ladies and scared young tenors singing sacred polyphony for the first time in their lives!


For whatever reason, these last two weeks have been full of heavy crosses.

A letter like this was so gratifying to receive!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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