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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tenth Anniversary Celebration • “Summorum Pontificum”

Fr. David Friel · August 13, 2017

HE TENTH anniversary of Pope Benedict XVI’s motu proprio, Summorum Pontificum, is being marked in a variety of ways in different places. Some parishes and universities have hosted lectures, concerts, and discussion groups. Others have arranged for solemn Masses to commemorate the historic promulgation.

The occasion will be marked in Philadelphia with a solemn Pontifical Mass in the Extraordinary Form on September 14, 2017, the feast of the Exaltation of the Cross. This is the date on which the motu proprio came into effect, after having been published on July 7, 2007.

This Mass will be offered by Most. Rev. Joseph N. Perry, auxiliary bishop of Chicago, at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway, Philadelphia).

Philadelphia’s Cathedral will also be the site for this week’s solemn high choral Assumption Mass, organized each year by Mater Ecclesiae Parish (Berlin, NJ). Music for this celebration will be provided by the Ars Laudis Festival Chorus and Orchestra, under the direction of Dr. Timothy McDonnell. The Mass Ordinary will be Franz Schubert’s Mass No. 3 in B-flat Major.

Mass for the Blessed Mother’s feast will begin at 7 PM on August 15, 2017 in the Cathedral Basilica. All are welcome.

One decade removed from Summorum Pontificum, now is a good time to go back and re-read the document and the accompanying letter. Both texts are noteworthy for the pastoral concern that prompts and shapes them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Pope Benedict XVI, Summorum Pontificum, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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