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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pastorally Imperative: They are all we have.

Richard J. Clark · May 26, 2017

ARDINAL SEÁN P. O’Malley, OFM, Cap. recently ordained eight men to the Priesthood on Saturday, May 20, 2017, at Immaculate Conception Church in Lowell, Massachusetts. (The Cathedral of the Holy Cross in Boston is currently under renovation.)

Please pray for these new priests! Fr. Jason Rinaldo Giombetti, Fr. Pablo Gomis, Fr. Kevin Paul Leaver, Fr. Godfrey Musabe, Fr. Wellington Oliveira, Fr. Joel Americo Santos, Fr. William Paro Joseph Sexton, and Fr. Michael Louis Zimmerman

FFORDED THE OPPORTUNITY to direct the music for this ordination, I hoped to emphasize to the choir the following:

What we do is not simply “important” music for an “important” Mass. This is a day that these eight men will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation.

Music itself won’t solve any problems or persuade any newly ordained priest to adjust their liturgical inclinations. That’s not the point.

But music sung in prayer and with joy hopefully permeates their hearts and minds. It can reach the hearts of their family and friends who will support and accompany them throughout their lives. To sing in prayer and with joy is pastorally imperative for they are all we have.

ERHAPS OF INTEREST, you can watch a video of the Ordination in the Archdiocese of Boston here. We are deeply grateful to Evan Landry for this recording.

Recording for broadcast is always tricky, especially capturing the true blend of a choir in the room. Mr. Landry did an exceptional job (with omnidirectional microphones) capturing a fairly representative blend of the choir while contending with specific restrictions in space.

Music of note:

• 4:15 • INTROIT • Sacerdotes Dei, benedicite, Mode VI • (Marc Demille intones verses) I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement. This was followed by the hymn This Is the Feast of Victory by Hillert.

• 20:45 • Kyrie and Gloria from the Mass of the Angels (Allesandra Cionco-Dahlberg, soprano)

• 28:30 • Psalm 23 • Jeffrey Ostrowski (Jaime Korkos, psalmist)

• 34:15 • Gospel Procession, Alleluia, Theodore Marier

• 36:24 • The Gospel is beautifully chanted by Rev. Mr. Joseph J. Sanderson

• 1:07:56 • Litany of the Saints (Marc DeMille Cantor)

• 1:16:30 • Holy Spirit, Come and Shine Chant, arr. Leo Abbott (Tom Manguem, cantor) and improvisation • repeated at 1:27:25

• 1:44:00 • Christ the Lord, a Priest Forever, RJC, Ps. 100

• 1:52:00 • You are My Friends, RJC • Jn. 15:14, Ps. 100

• 2:27: 40 • Agnus Dei XVI, Byrd/Agnus Dei XVIII

• 2:30:13 • Sicut Cervus Palestrina

• 2:33:28 • Adordo Te devote

• 2:53:45 • THAXTED, O God Beyond All Praising, arr. Richard Proulx

• 2:59:45 • Processional, Mathias • Dr. Janet Hunt, FAGO, organ

Photos by George Martell • Archdiocese of Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archdiocese of Boston, Ordination Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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