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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pastorally Imperative: They are all we have.

Richard J. Clark · May 26, 2017

ARDINAL SEÁN P. O’Malley, OFM, Cap. recently ordained eight men to the Priesthood on Saturday, May 20, 2017, at Immaculate Conception Church in Lowell, Massachusetts. (The Cathedral of the Holy Cross in Boston is currently under renovation.)

Please pray for these new priests! Fr. Jason Rinaldo Giombetti, Fr. Pablo Gomis, Fr. Kevin Paul Leaver, Fr. Godfrey Musabe, Fr. Wellington Oliveira, Fr. Joel Americo Santos, Fr. William Paro Joseph Sexton, and Fr. Michael Louis Zimmerman

FFORDED THE OPPORTUNITY to direct the music for this ordination, I hoped to emphasize to the choir the following:

What we do is not simply “important” music for an “important” Mass. This is a day that these eight men will carry in their hearts for the rest of their lives. Not only what we sing, but how we sing will have spiritual impact beyond a nice memory. It will help shape their formation.

Music itself won’t solve any problems or persuade any newly ordained priest to adjust their liturgical inclinations. That’s not the point.

But music sung in prayer and with joy hopefully permeates their hearts and minds. It can reach the hearts of their family and friends who will support and accompany them throughout their lives. To sing in prayer and with joy is pastorally imperative for they are all we have.

ERHAPS OF INTEREST, you can watch a video of the Ordination in the Archdiocese of Boston here. We are deeply grateful to Evan Landry for this recording.

Recording for broadcast is always tricky, especially capturing the true blend of a choir in the room. Mr. Landry did an exceptional job (with omnidirectional microphones) capturing a fairly representative blend of the choir while contending with specific restrictions in space.

Music of note:

• 4:15 • INTROIT • Sacerdotes Dei, benedicite, Mode VI • (Marc Demille intones verses) I chose to have men and women sing in unison for a brighter sound, to create a more energetic pronouncement. This was followed by the hymn This Is the Feast of Victory by Hillert.

• 20:45 • Kyrie and Gloria from the Mass of the Angels (Allesandra Cionco-Dahlberg, soprano)

• 28:30 • Psalm 23 • Jeffrey Ostrowski (Jaime Korkos, psalmist)

• 34:15 • Gospel Procession, Alleluia, Theodore Marier

• 36:24 • The Gospel is beautifully chanted by Rev. Mr. Joseph J. Sanderson

• 1:07:56 • Litany of the Saints (Marc DeMille Cantor)

• 1:16:30 • Holy Spirit, Come and Shine Chant, arr. Leo Abbott (Tom Manguem, cantor) and improvisation • repeated at 1:27:25

• 1:44:00 • Christ the Lord, a Priest Forever, RJC, Ps. 100

• 1:52:00 • You are My Friends, RJC • Jn. 15:14, Ps. 100

• 2:27: 40 • Agnus Dei XVI, Byrd/Agnus Dei XVIII

• 2:30:13 • Sicut Cervus Palestrina

• 2:33:28 • Adordo Te devote

• 2:53:45 • THAXTED, O God Beyond All Praising, arr. Richard Proulx

• 2:59:45 • Processional, Mathias • Dr. Janet Hunt, FAGO, organ

Photos by George Martell • Archdiocese of Boston

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archdiocese of Boston, Ordination Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Last Fall, however, the bishop of Augsburg in West Germany, the Most Rev. Josef Stimpfle, ordered all parishes in his diocese to have a Latin High Mass at least once a month. This policy drew a letter of warm commendation from the apostolic nuncio to West Germany, Archbishop Guido del Mestri, who termed the decree “exemplary” and added, “The way chosen by you is one desired by the whole Church.”

— Latin Liturgy Association “Newsletter” (September 1980)

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