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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Historic Adaptability of the Marriage Rite

Fr. David Friel · December 11, 2016

T IS FREQUENTLY argued that the Council of Trent, as part of the Counter-Reformation, sought to universalize Roman liturgical practices. In the case of the Missale Romanum, this seems clearly to be the case, as the missal of Pius V was formulated to take the place of any missal not in use for two-hundred years or more. Whether this universalizing tendency is true, also, of the marriage rite is less clear.

Matrimony has always been celebrated with greater leeway for adaptation than other Sacraments, largely on account of its pre-Christian history as a purely domestic and civil affair. For certain, Trent decreed that marriage is a Sacrament and that it must be celebrated in church, in the presence of a priest. But Trent also left room for local adaptation (“earnestly” 1 so).

The marriage formula contained in the Missale Romanum of 1570 is so bare that the austerity, itself, almost implies that it was meant to be the bare minimum to which local customs would be added. Notably, the Rituale Romanum was not published until 1614, nearly half a century after the Missale Romanum of the same council had been promulgated. During those intervening years, all that was provided was a Mass formulary in the 1570 missal. Even after the publication of the Rituale, “one must doubt that it was ever intended to be used as it stood.” 2 Evidence shows, in fact, that local customs continued to be used in the period before the Rituale was published and even afterward, up until the late nineteenth century. 3 In the case of the marriage rites, therefore, it seems that the major force in the standardization of the liturgy was not so much the Council of Trent as it was the influence of later Ultramontanism.

The praenotanda of the 1969 marriage ritual that emerged from the reforms of the Second Vatican Council is unlike any of the rituals that preceded it, and there are two developments that are particularly interesting. First, the 1969 ritual stresses the opportunity for making adaptations to the rite even more strongly than had Tametsi, Trent’s decree on matrimonial law. Whereas Tametsi gave vehement encouragement to retain local customs, the Vatican II ritual takes it a step further, making allowance for customs to be added, altered, or even omitted from the rite.

The 1969 ritual provides for the addition of material that would supplement the formularies of the questioning and the consent (praenotanda, article 13), as well as the option of crowning or veiling the bride (15). It further permits the inclusion of customs from cultures in missionary lands, saying that “whatever is good and is not indissolubly bound up with superstition and error” should be “sympathetically considered” (16). In terms of alteration, the 1969 ritual permits the adaptation of the questions before the consent and even the vows, themselves (13). Additionally permitted is the rearrangement of various parts of the marriage liturgy (14). As regards the possibility of omissions, the ritual grants permission to eliminate the joining of hands or the blessing and exchange of rings, if they are not in conformity with the practice of the people (15). Perhaps most dramatically, it affords to conferences of bishops the prerogative of preparing an entirely new rite of marriage, insisting only on the exchange of consent before the priest and the giving of the nuptial blessing as necessary conditions (17).

These various allowances show a clear stress on the possibilities of adaptation. One of these allowances, however, is unlike the others, namely the permission to incorporate the crowning or veiling of the bride into the ceremony (15). What is unique about this permission is that the crowning constitutes in another rite the form of the Sacrament. The bridal veiling has a long history in the Western rites, but the crowning in most of the Eastern tradition is understood to constitute the Sacrament.

The second significant development of the marriage rite promulgated following the Second Vatican Council is the special consideration it gives toward non-Catholics and non-practicing Catholics. To begin with, different forms of the ritual are provided for cases wherein one of the parties is a non-Catholic Christian or even unbaptized. Still more, the praenotanda give pastoral advice for occasions when non-Catholics and non-practicing Catholics might be among the congregation. The introduction advises priests in this way:

Show special consideration for those who take part in liturgical celebrations or hear the Gospel only on the occasion of a wedding, either because they are not Catholics or because they are Catholics who rarely if ever take part in the Eucharist or who apparently have lost their faith. Priests after all are ministers of Christ’s Gospel to everyone (9).

These instructions are an open admission of the post-Christendom situation of the Western Church. This admonishment to the priest also shows evidence of a ritual that has become self-aware of its historical development. Originally the purview of families in secular celebrations, the marriage rites were gradually subsumed into the sacramental authority of the Church. It is an unsurprising result, therefore, that weddings later grew to be occasions on which non-practicing Catholics and non-believers would frequently be present in church. In this pastoral encouragement of the 1969 ritual, we find an acknowledgment of new realities in the modern age.




NOTES FROM THIS ARTICLE:

1   Vehementer, as it appears in Trent, session 24, chapter 1.

2   Mark Searle & Kenneth Stevenson, Documents of the Marriage Liturgy (Collegeville, MN: Liturgical Press, 1992), 184.

3   Kenneth Stevenson, To Join Together: The Rite of Marriage (New York: Pueblo Publishing, 1987), 100.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy of the Second Vatican Council, Nuptial Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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