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Views from the Choir Loft

The Legacy of Martin of Tours

Fr. David Friel · November 11, 2016

S OUR COUNTRY observes Veterans Day today, we, as a Church, celebrate the patron saint of soldiers, St. Martin of Tours. I have long felt a special connection to St. Martin.

As a child, I read a short book about Martin, and his story absolutely captivated me. Years later, I found myself praying to him (among other saints) during my training as a Navy chaplain.

The magnificent chapel of the college seminary in Philadelphia (pictured at right) is known as St. Martin’s Chapel. It was in this place that my life of prayer was formed and deepened. It was also in this chapel that I first sang in a choir and played the organ. It was ultimately in this chapel that I was ordained a deacon.

Whenever giving a tour of the seminary to a group of visitors, on entering the chapel, I would always point out the small, stained glass windows set inside the huge, wooden doors (pictured below). On the left door is a depiction of Martin as a soldier, and on the right door is an image of Martin as a bishop, representing the two major phases of his extraordinary life.

On reaching the sanctuary with the tour group, I would point out the paintings in the apse, which portray important scenes in Martin’s life. The left-most painting captures a remarkable story of his encounter with the Lord, and it seems like a story worth retelling today.

The story begins when Martin was a teenager, a catechumen, and a soldier in the Roman army. He came one day upon a beggar who was shivering from the cold. Moved with compassion for the fellow, he took off his cloak—part of his uniform—and cut it in two, giving half of it to the poor beggar.

I have often wondered why Martin did not give the beggar the whole cloak. That certainly would have been a nice thing to do and a great act of charity. But it also would have sent a very different message than what he actually did.

Had Martin given away his whole cloak, he would have sent the message that: “You’re needy, and I’m not. I can give you my cloak and go get another one for myself. I’m giving, and you’re taking.”

By tearing his cloak in half and sharing it, though, Martin sent a very different message. His message was: “We’re brothers. You’ll be a little bit cold, and so will I. Your problems are my problems. We’ll suffer together.” By doing what he did, Martin not only addressed the physical needs of the beggar, but, more importantly, established a real sense of fraternity with him.

The story about St. Martin goes on, because, some time later, he had a dream in which he had a vision of our Lord. In that dream, Jesus appeared to him wearing the half cloak he had given to the beggar. This was a very concrete symbol of Christ’s words, “Whatever you do to the least of My brethren, you do unto Me” (Matthew 25:40).

Even more than that, though, our Lord was sending the same message to Martin that Martin had sent to the beggar. Our Lord was saying, effectively: “We’re brothers. Your problems are My problems. We’ll suffer together.”

The message our Lord delivered to St. Martin of Tours is a message He shares, also, with us.

Martin’s cloak, thereafter, was treated as a most valuable relic, and pieces of it were frequently carried into battle. The relics were often cared for by priests, who came to be known as capellani. Eventually, all priests serving with the troops in battle came to be known by this name, from which the English word “chaplain” derives.

As we honor our veterans today, let us pray for the intercession of St. Martin of Tours upon all those in military service. In serving their country, may they serve, also, the Lord!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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