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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

Richard J. Clark · September 9, 2016

OSPITAILITY and catechesis ultimately lead to evangelization. They are concepts that appear intangible. Often they are. However, they inform us of our very concrete work. They permeate most everything we do in service of God and the faithful.

The list of concrete elements that embody all three is endless. Two simple examples are the production of worship aids and the use of qualitative hymnals. A worship aid takes on much time and expense for a Parish on a limited budget. Producing worship aids can turn a part-time job into a full-time one, and they cost money to print. Hymnals are a large one-time expense. However, what is the long-term benefit? What is the spiritual gain?


HOSPITALITY
The people have in their hands everything they need to sing in one place or a reference to where to find music in hymnals. They can also include music from multiple sources, opening up a treasure of sacred music the Church has to offer. Reprint licenses are relatively inexpensive. Many resources are free. (E.g., Corpus Christi Watershed, Church Music Association of America (CMAA), Illuminare Publications). In short, this simple form of hospitality means offering our best to God while in service to the faithful.


CATECHESIS
A worship aid can contain texts and translations of antiphons, choral works, references to preludes and postludes (which are often connected to the liturgical calendar), and any music that fosters internal meditation. It can outline the liturgy so that young and old may learn the elements of the Mass. Importantly, the connections of the music we sing to the scriptures, the feast, or the season are more easily seen and ultimately taken to heart.


EVANGELIZATION
This is the outgrowth of hospitality and catechesis. Those who not only feel welcomed, but are nourished with dignified substance, will also be far more likely to return. But it is not just about putting people in the pews. It is about helping people to pray. And that is what a solid hymnal and worship aids accomplish.

The liturgy is also usually the first interaction most people have with a parish. We are ready not only to make positive first impressions, but also maintain a standard as best as possible to help parishioners, new and old, be nourished and rooted in prayer. Never forget: the Mass is the greatest form of evangelization.

HESE THREE CONCEPTS extend to many other concrete forms. Another important and often overlooked example is a well designed, easy to navigate, and informative website. This is not always easy to accomplish quickly. It may take time to develop and grow, but this is necessary for any parish today. In a parish website, the possibilities of hospitality, catechesis, and therefore evangelization, are endless.

The role of architecture in evangelization deserves volumes of commentary. From the worship space to parish space of various use, few elements are more influential in how a person feels and interacts with God and with others. Maintaining old buildings is the nightmare of every pastor—one of the most difficult aspects of being a pastor. But there are great rewards when any improvements can be made.

Outreach and social justice programs are fundamental part of hospitality and living out the Gospel. Understanding why we must do these things is an element of catechesis. The fruit is evangelization.

T IS IMPORTANT to remember that evangelization is not something we do for our personal gain or for a parish’s advancement or prestige. It is what we must do as God calls us. These three concepts are born from Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live.

My words here are but a beginning of something much, much larger. I have barely scratched the surface. But you have much to offer. God is calling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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