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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Illusion of Privacy • Social Media Etiquette for Liturgical Musicians

Richard J. Clark · July 15, 2016

THANK THE GOOD LORD that Facebook did not exist in my youth. I would have mishandled social media quite badly. I can only imagine the disaster a twenty-something me would have been with digital technology. I grew up with a phone that required my finger to rotate it. (I know. The horror.) I had a typewriter in college with plenty of Wite-Out™ on hand in case I made a mistake. The Lord blessed my youthful (and—ahem—not so youthful) indiscretions with inferior technology.

I also learned a valuable lesson some years ago. Deeply frustrated with a difficult professional situation, I sent an email to several colleagues venting this frustration. Understandable? Perhaps. No one is perfect and we all lose our cool from time to time. But a very wise, compassionate (and musically sympathetic) Jesuit priest kindly exhorted me to avoid writing such missives in a digital medium for the reasons I will discuss.

I quickly heeded his advice. So should you. Here’s why:

Theologican Goffredo Boselli states, “There is, then, an indissoluble link between the liturgy and the transmission of faith. We can say, in fact, that the celebration of the liturgy is the most important act of evangelization.”(pg. 209, The Spiritual Meaning of the Liturgy)

With so many challenging conditions and horrific events happening in the world, we must remember this. How we speak to each other about liturgy, and what we project to the public is more important than one may realize. Also consider this statement from the Synod of Bishops on New Evangelization (2012):

“The worthy celebration of the Sacred Liturgy is the primary and most powerful expression of the new evangelization. The liturgy is not just a human action but an encounter with God which leads to contemplation and deepening friendship with God. In this sense, the liturgy of the Church is the best school of the faith.”

Social media is a very powerful tool for good. How are we using it? If one is serious about a profession or a calling to serve to God, the following are some very important reminders to consider before publishing anything:


HUMAN NATURE AND THE ILLUSION OF PRIVACY

Intellectually, most of us are aware that most anything digital can be shared with anyone. Even if you limit privacy settings, screenshots or PDFs of most anything can exist even if a post or website is taken down. Even text messages aren’t completely private. (Ask Tom Brady.)

Some aren’t worried that their incredibly witty comments won’t go past their circle of “friends.” If technology doesn’t prohibit wide distribution of poorly conceived and uncharitable comments, human nature will.

As old as the hills is the power of gossip and the spreading of rumors. Facebook was unnecessary for neighbors to know your every move one hundred years ago, so why should that be different today? Even oceans can’t stop gossip, especially in tight-knit communities.

(I think of my grandfather who came to New York City from Italy in the 1920s. He intended to marry my grandmother who was still in Tuscany. Friends in New York tried to introduce him to other women. While my grandfather was not interested, he would tell his friends, “Gilda will find out!” No one argued, because they knew it was true.)

Rumors spread faster and more effectively than a Twitter account with a thousand followers. Human nature always was and always will be the strongest factor.


DON’T PUBLICLY DISPARAGE YOUR BOSS, A COLLEAGUE, A BRIDE, A COMPOSER, AN ENTIRE GENRE, ETC.

Submitting to the axiom that anything one publishes can potentially make all the rounds, this should be obvious. Not simply because your boss or someone with power might read it. It goes to one’s professional and personal reputation.

I once witnessed a highly connected (and respected) individual look aghast from reading a post. It was from a prominent musician complaining about one’s superior.

Don’t do that.

Many others saw it, talked about it, and spread the message with a thing called “word of mouth.” Social media was rendered irrelevant. Human nature amplified and “gave legs” to the story far more effectively.

Conversely, I read two memorable threads (from two very different liturgical worlds) involving prominent figures. In both cases, one attacked the other. In both cases, the one being attacked remained charitable and civil throughout. (DO THIS. Better yet, don’t even respond.) In each case, the public debate reflected quite well on one and rather poorly on the other. (No, I will not disclose identities even privately.)

Finally, disparagement of a composer or entire genre is exceedingly unhelpful. It does more to damage the cause than to further it. It exhibits provincial and parochial behavior. Civil commentary backed up up with intelligent analysis is different. Incivility is unchristian.


DON’T PUBLICLY POST A PRIVATE COMMUNICATION.

Just don’t.

While many of your friends may agree and you may enjoy wonderful banter, be sure that many others who are not interacting with the post are reading it and not thinking well of what they see.


”ABC” • “SUNSHINE & LIGHT”
I advise young people, especially, to be nothing but “sunshine and light” on social media. Here are some do’s and don’ts:

• Be encouraging. Be a mentor if given the opportunity. You might change someone’s life.
• Avoid the herd mentality: Think independently and comment selectively.
• Make sure any debate or criticism is intelligently stated and fair.
• Be ready to back up your statements—not only on social media, but to actual real people if personally confronted.
• Never “like” or comment anything disparaging or unfairly negative—no matter how tempting. Seriously. Don’t.
• ABC 2X: Always be civil. Always be charitable.

Do the above, and the conversation on liturgy, prayer, and God may open a door to evangelization even if only a little.

M I SUCKING ALL THE FUN out of social media? Most definitely! But if you are serious about your profession and serious about serving God, be prepared to keep the discussion on liturgy, our greatest form of evangelization, informed and enlightened.

To varying degrees, we are all public figures, even if only in our own parishes—the most important place! Are we furthering the edification of the faithful in our words?

Fair debate is a wonderful thing. But be mindful to remain in service of God. I need to remind myself of this every day! Do I ever.

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

10 February 1588: “All incompetent singers in the cathedral are warned that they must immediately begin to improve themselves or be fined. Regularly scheduled practice hours shall be announced, and all incompetents must attend. No one shall henceforth sing anything by way of a solo except those whose names the dean communicates to Guerrero.”

— From the “Life of Father Francisco Guerrero”

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