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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Those Pesky Letters of Complaint

Richard J. Clark · July 8, 2016

E ALL GET them. Every single one of us. No one is immune. Really.

We might receive ten notes of praise for every one letter of complaint, but the latter is what we obsess about. We brood. It’s human nature, and perhaps even vanity to do so.

For the most part, it is best to never get too low from complaints, not even too high from praise. Neither may be fully representative of the general likes or dislikes of a congregation. But that’s not what matters. Here’s what does:

1 • Spiritually • Is the music at the service of worship?
2 • Pragmatically • What is the opinion of the pastor, finance council, choir, most parishioners, etc.?

NE MAY TAKE COMFORT in the following: no matter who you are, or what the reputation of your music program is, you will be criticized, most likely with some regularity. As surely as the sun rises in the East and sets in the West, someone will be unhappy. Your name may be James Levine and you will be the target of vehement anger. Displeasure does not discriminate.

Here’s the good news: someone’s unhappiness is rarely, if ever, a reflection on you or your hard work. Nor is the personal pleasure of the faithful your responsibility within the liturgy. (To try is impossible and foolishness.)

But neither does an individual’s displeasure render them a bad or unwise person. They might be right. They may raise a fair point or two.

SUGGEST THE FOLLOWING: Separate the criticism from the way it was delivered. If the communication was charitable, there may be an opening for dialogue and both can learn from the encounter. This is a wonderful development that may broaden one’s personal connection to a member of the congregation. It may be an opportunity for catechesis.

If it was not delivered in a charitable fashion, do not respond in any way except kindly. After that, separate the criticism from how it was delivered and evaluate it. Can I learn something from it—even if delivered in a hurtful fashion? Sometimes the answer is yes—even if only in part. Make one’s own decision considering the betterment of your service to God and the faithful. Furthermore, it may even be wise to keep an open channel with the pastor about the criticism and your response. Responding kindly to uncharitable criticism reveals character and professionalism.

Openness to criticism takes an act of humility. Such openness is not a display of weakness. Self-evaluation and self-correction require great strength.

ACRED MUSIC IS AT THE SERVICE of worship, and not a slave to individual preferences including our own.

Instead, our responsibility is clearly outlined by the Second Vatican Council: the purpose of sacred music is to glorify God and sanctify the faithful. (Constitution on the Sacred Liturgy, §112) In short, we are responsible for helping others pray the words of the Mass.

Do this and we will find ultimate happiness and freedom with God.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

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