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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Church Music Issue Nobody Will Touch

Jeff Ostrowski · March 21, 2016

650 Footwashing OR A THOUSAND excellent reasons, we never delve into politics on this blog. The issue of abortion, however, is different because it’s a human rights issue, not a political one. On 7 March 2016, Senator Bernie Sanders was asked if abortion at any stage during pregnancy—even the moment of birth—should be prohibited. Sanders replied that an unborn child is part of a woman’s anatomy, and women can do as they please with their bodies. The moderator then continued to another subject.

In my view, more questions should have been asked, such as:

(1) You’ve said that children in the third trimester—even though they possess their own DNA and can live independently of the mother—are “part of the woman’s body.” At what specific point do these unborn children become human? Are they still part of the mother’s body when partially delivered?

(2) Based on your answer, is it correct to say that you believe the rights of innocent (unborn) boys and girls can be ignored once another human being decides to end their life?

(3) You say an unborn child has no rights, but others disagree with you and believe every human life matters. They feel the government should protect ALL innocent humans from violence, even those not strong enough to defend themselves. How would you feel if things were reversed, and your views were discounted?

As far as I know, Senator Sanders has never had to answer questions like these. The subject of “questions never asked” always calls to mind a certain liturgical abuse…

MUCH HAS BEEN WRITTEN about Cardinal Sarah’s recent “foot washing” documents. Yet, this tiny (optional) ceremony is insignificant compared to another liturgical issue, about which questions are never asked. I speak of an abuse that touches every single Ordinary Form Mass in the United States. Specifically, on 12 November 2012 the Bishops’ Liturgy Committee said that certain sections of the GIRM can be ignored. 1 But if that’s true, what other sections of the GIRM can be ignored? And what was so unacceptable about the Propers, which are ancient antiphons from Sacred Scripture? Was not the whole point of the liturgical movement to help people “sing the Mass” instead of singing during Mass?

We can ask these questions all day, but they’ll never be answered. That is why we have a situation where 99% of parishes replace the Propers with texts lacking the approval required by the GIRM. I’m at a loss to know why journals, blogs, and institutions claiming to care deeply about the liturgy refuse to address this so-called “tacit” approval. A more accurate description would be “imaginary” approval. 2



NOTES FROM THIS ARTICLE:

1   The GIRM requires that substitute texts must first be approved by the local bishop.

2   The Bishops’ Liturgy Committee has also made additions & modifications to the GIRM. For example, they claim that whenever a bishop approves a song for his diocese, that permission automatically extends to every other diocese in the USA; whereas the GIRM says a bishop’s approval only holds good inside his diocese. If only the FSSP had known how to bend the rules! During the 1990s, our priests visited each bishop, asking permission to start an Apostolate. Imagine if the FSSP had simply said, “The bishop of Kansas City has approved us, so his permission automatically extends to every other diocese in the United States.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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  • “Dies Irae” • A Monstrous Translation

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