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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EWTN Broadcast • Mass of Ordination • First Bishop of the Personal Ordinariate of the Chair of St. Peter

Richard J. Clark · February 1, 2016

HIS TUESDAY, February 2nd, on the Feast of the Presentation of the Lord, EWTN will broadcast live from 7 p.m. to 9:30 p.m. (Central Standard Time) the ordination of Bishop-Elect Steven J. Lopes as the first bishop of the Personal Ordinariate of the Chair of St. Peter. This will take place at the Co-Cathedral of the Sacred Heart in Houston.

Maestro Edmund Murray will be directing for the ordination. He is the former Music Director of St. John’s Seminary in Boston and Our Lady of Atonement (Anglican Use Liturgy) in San Antonio, Texas. He is currently the Director of Music at Our Lady of Walsingham in Houston, Texas.

Our Lady of Walsingham is the Principal Church of the Ordinariate serving Roman Catholics nurtured in the Anglican tradition. It was established in 2012 by Pope Benedict XVI. With only three such Principal Churches in the world, the elevation by Pope Francis of Bishop-Elect Steven J. Lopes is highly significant, as he is the First Bishop of the Personal Ordinariate of the Chair of St. Peter. With his ordination, Our Lady of Walsingham will be elevated to a cathedral.

NDER THE DIRECTION OF EDMUND MURRAY, the music will be provided by a combined choir comprised of the Galveston-Houston Archdiocesan Choir (Dr. Rick Lopez, Director), Co-Cathedral of the Sacred Heart Schola Cantorum (Dr. Crista Miller, Director), and Our Lady of Walsingham Parish Choir. The organists will include M. Jackson Osborne, former Organist and Choirmaster at Our Lady of Walsingham, Dr. Crista Miller, and Dr. Kevin Clarke, Director of Music and Organist at St. Theresa Catholic Church in Sugar Land, TX.

This televised liturgy will be a rare opportunity to observe a liturgy in the Anglican tradition within the Roman Catholic Church. Also notable will be the presence of six cardinals and over thirty bishops. Be prepared for lengthy processions!

The music, which promises to be exquisite, will represent a distinct mix of Roman Catholic and Anglican traditions including a variety of Gregorian and Anglican Chant, works by William Byrd, Palestrina, Hans Leo Hassler, Healey Willan, and of course beautifully arranged hymnody. Unfortunately, the prelude will not be televised as it includes a sumptuous range of works by Hubert Parry, Jean Langlais, J. S. Bach, Charles Villiers Stanford, John Ireland, and Flor Peeters.

Finally, with a nod towards Murray’s Catholic roots in Boston, the Mass will also include an Alleluia by Theodore Marier, Michael Burgo’s beautiful Anima Christi, and a newly commissioned work for this occasion by yours truly.

DMUND MURRAY has done extraordinary work wherever he has gone. With his wife, Chalon, he built one of the finest music programs in the United States at Our Lady of Atonement—essentially a choir school in practice, if not in name. Named Director of Music in 2015 of Our Lady of Walsingham, I expect Murray will grow yet another extraordinary program as the years progress.

AM HONORED TO HAVE BEEN COMMISSIONED for a new work for this ordination, which will be sung during Communion. A setting of Psalm 111, Magna Opera Domini (“Great are the Works of the Lord”) is Bishop Lopes’ episcopal motto which appears on his Coat of Arms.

This piece, inspired by the works of Theodore Marier, utilizes a chant-based antiphon in Latin for the congregation. The verses, in English, alternate unison chant with various choral textures.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Anglican Ordinariate Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
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  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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