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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On Stillness

Veronica Moreno · December 2, 2015

The following is a guest article by my husband.|

968 Extraordinary Form N THE FIFTY-SECOND SUNDAY of our first year of conversion to the Extraordinary Form, my four-year old son behaved. 1 He did not crash the swat-team car on the pew. He did not crush a cereal snack underfoot, shred the folded bulletin, or even stack the disposable missals into towers or ramps. He was distracted most of the time. And couldn’t keep from commenting on and questioning the artwork he was noticing for the first time. When he “actively participated” in the Kyrie or Alleluia, he was too loud. 2 His volume is a permanent issue, and I immediately regretted asking him to count the candles he saw. (I cut him off at fourteen.)

But the boy could not have made a father more proud.

My children have taught me stillness, what Guardini describes as “the prerequisite of the liturgical holy act.” 3 It started when I first rocked our eldest and held the bottle for her during the Eucharistic Prayer. I couldn’t follow the Mass in the same way anymore because I didn’t have anymore hands to hold the missal. Even after she could hold her own bottle, I could never really focus on reading the words anymore. That’s how it started.

But it was the Extraordinary Form that made a new worshiper out of me. It forced me to grow still because it forced me to let go of so many things I thought I needed to fix. There was no liturgical abuse to plot to fix, the music was finally the Propers that the Church asked for, the Ordinary dignified, the altar servers mirrors of the priest’s dignity and purpose. Everything was our best. 4 Before, my thoughts constantly drifted to my personal actions as the savior of Tradition, as another new warrior supporting Pope Benedict’s “hermeneutic of continuity”, as a lead actor in this Reform of the Reform. How quickly this turned on its head, when confronted with the work of our Liturgy, done according to the book, to the best of our ability. It is embarrassing to consider how misplaced my attention had been for so long. I am an infant.

The conversion itself happened on the third Sunday of our first year of conversion to the Extraordinary Form. The three kids and I, looking through the sheen of the cry room window, saw the FSSP priest vesting in rose only feet away. And right there I realized there was an emptiness inside me: silence and awe. Detachment and humility. Worldly concern was gone because the priest Said the Black. Freedom to worship, how I now understand thee! Freedom to let go because my children are witnessing the fullness of the Roman Missal.

My place is behind that window—bottle-ready, arms full, pockets full of plush toys—still and empty. That window is not a looking glass. It makes my three kids holy. It makes me holy too. We are building a congregation. It will be our parish, and we will bring it home to our local Churches.

At the end of that Last Sunday of the liturgical year, my son made me proud. There was nothing anyone could do to change that. 5


We hope you enjoyed this guest article by José Francisco Moreno.




NOTES FROM THIS ARTICLE:

1   “Behaved” is a term, that for this short text, should be qualified: My son behaved at Mass. He was only removed from the main Church once, when the altar server’s altar bell jerked my son out of a distracted reverie and prompted him to involuntarily sing out ‘Ding-a-ling, Ding-a-ling’. He returned and no further problem ensued.

2   His sister is in the choir, so he knows the chants and hymns. But he does not know blending yet, so the mother and son in front of us turned around every time my son belted to sing.

3   Romano Guardini. Preparing Yourself for Mass (1939).

4   This is possible in the Ordinary Form too, except having so many options and a general tendency to demote things to “optional” makes it far more difficult. Too many loopholes. “Say the Black, Do the Red.”

5   It was irony, that after being so inspired by the completion of a year going to the FSSP Mass, a year just crowned by my son’s behavior, that a woman approached us to let us know that, “There’s a room for children in the side of the Church building.” My son’s behavior had bothered and distracted her throughout the Mass so much she felt compelled to speak to me! I said nothing, since no one was going to destroy the joy of that particular moment. But he was a good four-year-old, and deserves to meet God face-to-face, just like the rest of us. Next following week, with the one-year-old back with us, we were back in the “room for children.” Guardini on Church buildings and stillness:

What then is a church? It is to be sure, a building having walls, pillars, space. But these express only part of the word church, its shell. When we say that Holy Mass is celebrated “in church,” we are including something more: the congregation. Congregation, not merely people. Churchgoers arriving, sitting, or kneeling in pews are not necessarily a congregation; they can be simply a roomful of more or less pious individuals. Congregation is formed only when those individuals are present not only corporally but also spiritually, when they have contacted one another in prayer and step together into the spiritual “space” around them; strictly speaking, when they have first widened and heightened that space by prayer. Then true congregation comes into being, which, along with the building that is its architectural expression, forms the vital church in which the sacred act is accomplished. All this takes place only in stillness; out of stillness grows the real sanctuary. It is important to understand this.

Church buildings may be lost or destroyed; then everything depends on whether or not the faithful are capable of forming congregations that erect indestructible “churches” wherever they happen to find themselves, no matter how poor or dreary their quarters. We must learn and practice the art of constructing spiritual cathedrals.

We cannot take stillness too seriously. Not for nothing do these reflections on the Liturgy open with it. If someone were to ask me what the liturgical life begins with, I should answer: with learning stillness. Without it, everything remains superficial, vain. Our understanding of stillness is nothing strange or aesthetic. Were we to approach stillness on the level of aesthetics – of mere withdrawal into the ego – we should spoil everything. What we are striving for is something very grave, very important, and unfortunately sorely neglected: the prerequisite of the liturgical holy act.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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