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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Catholic Artists Society 1

Fr. David Friel · October 25, 2015

HE THEME for this year’s “Art of the Beautiful” lecture series is “Spirit & Flesh: The Incarnation and Its Implications for Art.” The series is a project of the The Catholic Artists Society, which describes itself as an association of artists and media professionals. Presented in conjunction with the Thomistic Institute, the lectures are quite popular and would be of interest to anyone who appreciates the field of aesthetics.

This season’s lecture series addresses topics such as beauty, art, architecture, music, Scripture, and literature. Each in its own way, the talks look very appealing. Especially notable is the conclusion of the series, which directly addresses the relationship of faith and music. The speakers and topics will include:

It’s Complicated: Art, the Beautiful, and the True Good in Dante’s Purgatorio (Dr. Robert Royal, The Faith and Reason Institute)

”You Spoke in a Vision” (Ps 89:19): Iconoclasts, Exegetes, and God’s Word as an Image (Rev. Anthony Giambrone, O.P., Pontifical Faculty of the Immaculate Conception)

Incarnation and Transfiguration: Rediscovering the Iconic Nature of Church Buildings (Prof. Dennis McNamara, University of St. Mary of the Lake/Mundelein Seminary)

Beauty and the Spiritual Senses (Prof. Francesca Murphy, University of Notre Dame)

Faith in Music (Manfred Honeck, Music Director of the Pittsburgh Symphony Orchestra)

The series will be held on Saturday nights at 7:30 PM in the Catholic Center at NYU, followed by a reception and sung Compline.

Again this year, these lectures look very worthwhile. They are sure to promote wonderful discussion of important topics related to the sacred liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

In the United States, Archbishop Kenrick had said in his “Moral Theology” that it was acceptable to sing the “Véni Sáncte Spíritus” before the sermon.

— Monsignor Schmitt (1977)

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