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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 1 of 2

Fr. David Friel · October 11, 2015

ATE SEPTEMBER was a grace-filled time here in Philadelphia. A visit from the Holy Father to our country is rare, but his presence in our own city was extraordinary. I have spoken with hundreds of people in the two weeks since the events, and, by all accounts, the World Meeting of Families 2015 was a grand success. Coupled with the papal visit over the weekend, it was a great week to be a Philadelphian and to be a Catholic. Many people to whom I have spoken have described the week as “electrifying” or “energizing” or “refreshing.”

Mass was offered at the Pennsylvania Convention Center each day as part of the World Meeting of Families Congress. His Holiness celebrated Masses on Saturday morning at the Cathedral Basilica of Ss. Peter & Paul and on Sunday afternoon on the Benjamin Franklin Parkway. These Masses required a team of priests to serve as masters of ceremonies. As part of that team, I would like to share some of the experience with you.

Next Sunday, I will post a summary of Msgr. Marini’s remarks to the servers before Mass. This week, I will share with you a few behind-the-scenes photos.

First, you will see the golf cart used to transport the Holy Father during his stay at Saint Charles Borromeo Seminary; the cathedral altar set up with a 7th candle; and the vestments laid out in our cathedral sacristy for the Saturday morning Mass:

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Below is a photo of the long, vaulted hallway in the Philadelphia Museum of Art that served as the vesting area for concelebrating priests; a look at Archbishop Chaput’s birthday cake, which was on display in the papal vesting room on the Parkway; and a couple of backstage views; There is also a photo of what Pope Francis would have seen from his chair behind the altar:

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A few photos of the seminarian servers with the papal MCs; a photo of the choir rehearsing with David Kimock, conducting from a lift:

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For overseas trips, it is apparently customary for the Vatican to produce a special missal for the Holy Father to use throughout the Apostolic journey. The missal contains all the texts for the liturgies during the trip and nothing else. Inside the missal for this visit to Cuba and the USA, you can see the title page, the start of the canon (which was prayed in Latin at both Masses in Philadelphia), and a reading in Vietnamese:

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The Holy Father’s Fiat exiting the sacristy area en route to the airport and departure for Rome; a pizza shop near the seminary (affectionately known as “Padre Pio Pizza,” on account of the religious décor) produced commemorative papal pizza boxes:

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Philadelphia is a place filled with history, art, and unusual doses of civic pride. It is also a place filled with great love for our Holy Father. We are deeply grateful for the visit of Pope Francis, who brought the ministry of Peter into our midst.

Next week, I will post an inside account of Msgr. Marini’s last words to the servers before the papal Masses on Saturday & Sunday of the World Meeting of Families week.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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