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Views from the Choir Loft

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 1 of 2

Fr. David Friel · October 11, 2015

ATE SEPTEMBER was a grace-filled time here in Philadelphia. A visit from the Holy Father to our country is rare, but his presence in our own city was extraordinary. I have spoken with hundreds of people in the two weeks since the events, and, by all accounts, the World Meeting of Families 2015 was a grand success. Coupled with the papal visit over the weekend, it was a great week to be a Philadelphian and to be a Catholic. Many people to whom I have spoken have described the week as “electrifying” or “energizing” or “refreshing.”

Mass was offered at the Pennsylvania Convention Center each day as part of the World Meeting of Families Congress. His Holiness celebrated Masses on Saturday morning at the Cathedral Basilica of Ss. Peter & Paul and on Sunday afternoon on the Benjamin Franklin Parkway. These Masses required a team of priests to serve as masters of ceremonies. As part of that team, I would like to share some of the experience with you.

Next Sunday, I will post a summary of Msgr. Marini’s remarks to the servers before Mass. This week, I will share with you a few behind-the-scenes photos.

First, you will see the golf cart used to transport the Holy Father during his stay at Saint Charles Borromeo Seminary; the cathedral altar set up with a 7th candle; and the vestments laid out in our cathedral sacristy for the Saturday morning Mass:

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Below is a photo of the long, vaulted hallway in the Philadelphia Museum of Art that served as the vesting area for concelebrating priests; a look at Archbishop Chaput’s birthday cake, which was on display in the papal vesting room on the Parkway; and a couple of backstage views; There is also a photo of what Pope Francis would have seen from his chair behind the altar:

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A few photos of the seminarian servers with the papal MCs; a photo of the choir rehearsing with David Kimock, conducting from a lift:

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For overseas trips, it is apparently customary for the Vatican to produce a special missal for the Holy Father to use throughout the Apostolic journey. The missal contains all the texts for the liturgies during the trip and nothing else. Inside the missal for this visit to Cuba and the USA, you can see the title page, the start of the canon (which was prayed in Latin at both Masses in Philadelphia), and a reading in Vietnamese:

PopeBook5 PopeBook4 PopeBook3 PopeBook2 PopeBook1

The Holy Father’s Fiat exiting the sacristy area en route to the airport and departure for Rome; a pizza shop near the seminary (affectionately known as “Padre Pio Pizza,” on account of the religious décor) produced commemorative papal pizza boxes:

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Philadelphia is a place filled with history, art, and unusual doses of civic pride. It is also a place filled with great love for our Holy Father. We are deeply grateful for the visit of Pope Francis, who brought the ministry of Peter into our midst.

Next week, I will post an inside account of Msgr. Marini’s last words to the servers before the papal Masses on Saturday & Sunday of the World Meeting of Families week.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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