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Views from the Choir Loft

Six Things Of Which We’ve Lost Sight

Richard J. Clark · September 4, 2015

ORE RECENTLY I’ve taken the opportunity to bring my children to Mass with me while I am working. Doing so affects my experience in prayer subtly and not so subtly. One such experience was having my daughter unexpectedly reach up to hold my hand just as I was intoning the Alleluia. Pleasantly startled, it was a sensation I have never felt in such a context–it left quite an impression on my soul.

She held my hand until I was done singing. She didn’t say anything. That was that–a child doing what comes naturally to them: being a beacon of light and truth.

HIS PROVIDES PERSPECTIVE on the many debates about liturgy and especially music. Every music director is quite used to fielding critiques, comments, opinions, etc., about what music would be better than what one is currently providing. Everyone would like more of this and less of that. And less of this and more of that.

Forget style. Here are things we’ve lost sight of and need to get back:


1. THE MASS IS A SUNG PRAYER.

Regardless of the style of music, are we singing the Mass? Are we singing the dialogues, the acclamations, both considered even by Sing to the Lord: Music in Divine Worship (SttL) to be the most important things that we sing? (And hymns and songs the least important as indicated by SttL §115d and the GIRM §48.)

Are we helping our priests—especially those who are not inclined to sing—to chant the presidential texts, Preface, or dialogues?

If not, why not?

Singing the Mass is integral; music is not an “addition” to the Mass. Sacred song grew up side by side with the Roman Rite in the singing of the texts of the Mass and hence scripture. This is our core understanding. This is the core understanding of Vatican II. (SC§ 112)


2. OUR PREFERENCES DON’T MATTER

What happens at Mass is entirely the work of God and a gift from God. Our personal tastes don’t matter very much in light of this. Corporate prayer necessitates the subjection of our will to God’s will. This is difficult. It’s supposed to be difficult, yet joyous!

Like a family, we naturally put the greater good ahead of our own desires. God’s will is all. This understanding comes naturally when we align ourselves to trust God. It may also come as a blessed relief as God carries our burdens.


3. CHRIST IS THE CENTER OF OUR MUSIC—NOT US.

Losing sight of this is perhaps the most dangerous. We should see Christ in our neighbor. That is what we are called to do.

But liturgical music is often manipulated and abused as a god of personal gratification. Music of all styles can become an idol when used for this purpose.

Is Christ the center of our music both in the text and intent? If we are the center, we’ve missed the opportunity to be intimate with God and nurture our relationship with Him. Furthermore, God at the core creates the opportunity to strengthen our relationships with each other.


4. WE LIVE TO SERVE.

We live to serve God and His people. It’s that simple. Ubi caritas et amor, Deus ibi est. Incidentally, this is where we find true fulfillment and happiness.


5. CHRIST IS ETERNAL. OUR MUSIC MIGHT NOT BE.

Consider that the fifty years since Vatican II are but a blink of an eye in the history of music, no less the world. Hundreds of years or even a millennium are nothing in the sight of God. But God also knows every hair on your head and knows all good things that you need.

Consider that the often-used terms “traditional” and “contemporary” are not styles. They describe aspects of time. Every note I’ve composed this year is “contemporary.” I’ll be fortunate if in a couple hundred years any of it becomes “traditional.” I won’t care by then I hope, because Christ is eternal.


6. GOD WANTS YOU CLOSE.

Pray unceasingly. God wants you close. He will find you, hunt you down and draw you near in an eternal loving embrace.

Y DAUGHTER REACHING FOR MY HAND while I was singing will probably teach me more than any books will. She communicated far more than my music ever will. It was love beyond words.

If God’s love is anything like my daughter’s for her parents, we have reason to rejoice. We have great reason to look forward to the Heavenly Banquet. We have the greatest reason to glorify God in divine worship.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

Recent Posts

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