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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Paragraph that Caught Attention

Andrew Leung · August 26, 2015

CTL Fr David Carter 2 AST WEEK, I posted a report on the Summer Sacred Music Workshop in Jasper, Georgia. At the workshop, Fr. David Carter, JCL, presented his paper as the keynote. Fr. Carter is the Pastor and Rector of the Basilica of Sts. Peter and Paul in Chattanooga, Tennessee. He has been singing in choirs since his youth. While he was at the Pontifical North American College in Rome, he studied Sacred Music with Fr. Pierre Paul, OMV, choirmaster of Capella Giulia at St. Peter’s Basilica and Fr. Cassian Folsom, OSB, from the Monastery in Norcia. His talk was entitled: Re-discovery of the Church’s Sacred Tradition: II Kings 22. Here is a paragraph, on his discovery of the Church’s traditions, from his speech:

At first I felt betrayed by all this—why had they kept this such a big secret? Why did they hide this from me? When I expressed my amazement at the riches I was finding in these books and rubrics, I encountered people who were viscerally angry! Angry that I had found joy in our own tradition. Angry that I was ‘undoing Vatican II’; angry that I wasn’t buying what they had spent so much time and effort building.

Didn’t I know how bad the old days were? “No, I don’t. I’m only 35—Marty Haugen and Dan Schutte are the ‘bad old days’ for me! Now I get to sing awesome things like Ambrosian Hymns composed in the 4th century and Kyrie’s that are even more ancient. I get to sing Pange, lingua, gloriosi Corporis mysterium, and Adoro te devote, latens Deitas.”

It still boggles my mind that this was not taught to us as some of the greatest things we would every be able to utter on our lips! And yet here we are. With my own two eyes I have read what the Church asks of us and it is nothing short of truth, beauty, and goodness. How could the Church ask for less? What so many had relegated to the waste bin, I have come to see as some of the greatest treasures the world knows…

Fr. Carter spoke on the mystery in liturgy, the joy of tradition, and his experiences in parishes. He also offered practical wisdom for those who wishes to provide authentically sacred music for the liturgy.The PDF file of his whole paper is available for download:

    * *  PDF • RE-DISCOVERY OF THE CHURCH’S SACRED TRADITION: II KINGS 22

HIS WORKSHOP is just the beginning. More workshops are being prepared for musicians in the South. The St. Ambrose School of Chant on the campus of Our Lady of the Mountains, Jasper, GA, will present a workshop for all those interested in learning the music that is an essential part of the Catholic Funeral Rites on Saturday, October 3rd. The Requiem Chants are some of the most beautiful and profound texts of the Gregorian repertoire and sadly they often go unheard. I will share more about this workshop when more information is released.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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