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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Paragraph that Caught Attention

Andrew Leung · August 26, 2015

CTL Fr David Carter 2 AST WEEK, I posted a report on the Summer Sacred Music Workshop in Jasper, Georgia. At the workshop, Fr. David Carter, JCL, presented his paper as the keynote. Fr. Carter is the Pastor and Rector of the Basilica of Sts. Peter and Paul in Chattanooga, Tennessee. He has been singing in choirs since his youth. While he was at the Pontifical North American College in Rome, he studied Sacred Music with Fr. Pierre Paul, OMV, choirmaster of Capella Giulia at St. Peter’s Basilica and Fr. Cassian Folsom, OSB, from the Monastery in Norcia. His talk was entitled: Re-discovery of the Church’s Sacred Tradition: II Kings 22. Here is a paragraph, on his discovery of the Church’s traditions, from his speech:

At first I felt betrayed by all this—why had they kept this such a big secret? Why did they hide this from me? When I expressed my amazement at the riches I was finding in these books and rubrics, I encountered people who were viscerally angry! Angry that I had found joy in our own tradition. Angry that I was ‘undoing Vatican II’; angry that I wasn’t buying what they had spent so much time and effort building.

Didn’t I know how bad the old days were? “No, I don’t. I’m only 35—Marty Haugen and Dan Schutte are the ‘bad old days’ for me! Now I get to sing awesome things like Ambrosian Hymns composed in the 4th century and Kyrie’s that are even more ancient. I get to sing Pange, lingua, gloriosi Corporis mysterium, and Adoro te devote, latens Deitas.”

It still boggles my mind that this was not taught to us as some of the greatest things we would every be able to utter on our lips! And yet here we are. With my own two eyes I have read what the Church asks of us and it is nothing short of truth, beauty, and goodness. How could the Church ask for less? What so many had relegated to the waste bin, I have come to see as some of the greatest treasures the world knows…

Fr. Carter spoke on the mystery in liturgy, the joy of tradition, and his experiences in parishes. He also offered practical wisdom for those who wishes to provide authentically sacred music for the liturgy.The PDF file of his whole paper is available for download:

    * *  PDF • RE-DISCOVERY OF THE CHURCH’S SACRED TRADITION: II KINGS 22

HIS WORKSHOP is just the beginning. More workshops are being prepared for musicians in the South. The St. Ambrose School of Chant on the campus of Our Lady of the Mountains, Jasper, GA, will present a workshop for all those interested in learning the music that is an essential part of the Catholic Funeral Rites on Saturday, October 3rd. The Requiem Chants are some of the most beautiful and profound texts of the Gregorian repertoire and sadly they often go unheard. I will share more about this workshop when more information is released.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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