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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Response To “Should Church Singers Be Paid?”

Jeff Ostrowski · August 4, 2015

439 paid singers stained glass ACK IN APRIL, I promised to write about the subject of paying singers at Church. At that time, I carefully avoided revealing my thoughts on the matter. Nevertheless, I received an avalanche of emails, with a few attacking me personally. Some were angry I had condemned paid singers, while others criticized me supporting paid singers. In fact, I made neither statement.

A great theologian has written:

There’s nothing wrong with paying singers at Mass. It is simply a recognition of the fact that a professional singer (or section leader) has a special role to play in the total event of a MISSA CANTATA, which deserves a special acknowledgement according to the Gospel: Dignus est operarius mercede sua (I Tim 5: 18).

I agree, but there’s more to the story…

EACH CHOIRMASTER MUST decide for himself the best course of action. During my career, I’ve worked with paid singers and volunteers. Everyone knows the challenges that can arise with volunteers, but did you know paid singers can also bring problems? In my experience, when singers are paid, it can (sometimes) be difficult to ascertain if they’re attending Mass for the right reasons. Moreover, feelings of jealousy can grow in the other singers’ hearts. 1

Some will think me a fool, but I prefer not to rely on paid section leaders. My preference is to find parishioners who already attend Mass for the right reasons, training them. If I had paid section leaders, the non-paid singers might feel “extra,” whereas the paid singers are all that’s necessary. Our current arrangement causes me sleepless nights filled with worry—it’s true—but in my humble opinion the singers appreciate being needed. 2

If I were to employ paid singers again—and I reserve the right to change my mind!—I would do so through an established program. I would avoid making statements like one I’ll never forget, directed at a section leader whose attendance was poor: “Remember, if you don’t show up on Holy Thursday, you won’t get your $40.00.” It would be understood that section leaders receive a stipend provided in a subtle, equitable, and dignified manner. 3

When the lights break in the church, we pay an electrician. Priests, of course, are always paid (salary, health insurance, living expenses, cost of transportation, and so on). Organists, too, are generally paid, which I think is appropriate. Yet, in all my years serving as an Altar Boy—acolyte, thurifer, torchbearer, and master of ceremonies—I only remember getting paid once: for a funeral. I suppose much depends on local custom.



NOTES FROM THIS ARTICLE:

1   With regard to paying the choirmaster, I have no issue with this, but I also worked for years as a volunteer choirmaster & organist. Justice would seem to demand compensation in this case, since preparing for Sunday can easily require 40+ hours of hard work each week.

2   I recall sharing my views while serving on a discussion panel in front of an audience. One of my colleagues muttered something like, “It’s a pity you don’t hold your choir to the highest standards.” However, one can still have high standards while following the program I’ve outlined, where volunteer singers are found in one’s parish. Furthermore, if there’s excess money, it could be spent on other things that would improve the sacred music, such as hiring a music teacher for children in the parish. In short, I disagree with that panelist’s statement.

3   I once worked at a large parish where the administration constantly forgot to pay me. Twice or thrice each month I was forced to beg the secretary for my paycheck; it was truly humiliating. But these same folks somehow consistently remembered to pay the electric bill.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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