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Views from the Choir Loft

Assumption Mass 1

Fr. David Friel · August 3, 2015

OR ALL THOSE in striking distance of the Delaware Valley, please make note of the open invitation to the Assumption Mass being offered this Friday evening in Philadelphia. The annual Assumption Mass is offered as an act of gratitude to God for the establishment of Mater Ecclesiae, the first diocesan-owned and staffed TLM parish in the United States (part of the Camden Diocese). This is the second year that the Mass will be celebrated in the Cathedral Basilica of Ss. Peter & Paul in Philadelphia.

The celebrant of the 15th annual Assumption Mass will be the Rev. Robert C. Pasley. In addition to his primary duties as Rector of Mater Ecclesiae Chapel, Fr. Pasley also serves as Chaplain to the Church Music Association of America (CMAA).

Each year, the Assumption Mass features terrific orchestral and choral music. The Ars Laudis Festival Chorus, conducted by Dr. Timothy McDonnell, will provide the sacred music for this year’s celebration.

This Solemn High Mass of the Assumption, celebrated in the Extraordinary Form, will begin at 7 PM at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway, Philadelphia). All are welcome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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Fr. David Friel

About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at St. Anselm Parish in Northeast Philly. He is currently a doctoral candidate in liturgical theology at The Catholic University of America.—(Read full biography).

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Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

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