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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More Than 10,000 Attend Chartres Pilgrimage

Corpus Christi Watershed · July 2, 2015

574 CHARTRES PILGRIMAGE image HE CHARTRES PILGRIMAGE. It is much more than you expect. It is penitential, difficult, beautiful and a sacrifice of love that thousands walk each summer over the Pentecost weekend. On this pilgrimage, the dearest intention of all walking is the strengthening of the true Faith, which is found most deeply and sincerely within the Traditional Mass, starting within the Fold, but extending to all nations.

This is a pilgrimage steeped in Tradition—not just cultural, but spiritual—and it is a journey you never forget. When I went on it the first time, I got a glimpse of what Christendom will be. I was able to see part of the majesty and power of Christ the King when over 10,000 pilgrims bent the knee as He was elevated in the Holy Eucharist as the Sovereign and Savior of all. I saw here truly that at the name of Jesus, every knee shall bow. Even when I knew what to expect (the second time I went) it was still awe-inspiring and a partial picture of Christendom—where nationalities, troubles, and jealousies fade away in the love, devotion, and obedience all Catholics owe to Christ the King.

It was also impressive that we marched so far and sang and prayed the entire way, just as soldiers would have done. It brought to life, for me, the saying that we are all soldiers of Christ. We were marching for the victory of Our King. We ought to walk as soldiers every day, taking up our crosses and following Our King, but for me this was especially moving because we were physically marching with flags waving in the wake of the Cross.

573 J image 573 I 573 H

Before going on this pilgrimage there is no way to truly prepare for what will happen to you. It is not meant to be a feat of strength nor a race, and any physical training you do beforehand will still not prepare you for the grueling endurance you must have to finish the pilgrimage. I saw people obviously very fit having to ride the bus service at times; and yet other people who were not fit (such as myself) made it through. It will be different for each person. The pain certainly does exceed expectations and by the end of the pilgrimage, your legs feel as if they will fall off and your feet are on fire. But it is worth every bit!

Spiritual expectations will also be met and exceeded. I didn’t know how much I would be moved by this. I considered myself to be a good Traditional Catholic, and yet I found that when I went I realized how little I really cared for and lived my Faith. That pilgrimage changed me, and it changes everyone who goes on it. There is something so beautiful and gentle, that it captures your heart and lights it on fire with a zeal for the Truth. There is an abundance of grace present there that can seldom be found elsewhere. I was so changed the first time I went back a second time; and hope to return for as long as I am able.

573 D image 573 B 573 A

Part of the grace seen is in the conversations you have with the fellow Catholics—seemingly trivial conversations—but underlying is a zeal and love for God that directs all our actions toward Him. At night in the camps, the children (and there are many children) can be seen running around with laughter on their lips. The adults meander around visiting with one another with their piece of bread and cup of weak soup. Everyone has smiles on their faces, even the lame and injured.

The boy scouts are also amazing because they are what boy scouts should be. They help injured people, set up and take down all the tents for the pilgrims, walk the entire way, and attend at Mass as altar servers. Coming from America, I found this truly amazing!

573 G 573 F 573 E image

Best of all are the Masses. The first one is on Saturday morning in the great Notre Dame Cathedral in the heart of Paris. It is only recently that the pilgrims have been allowed to have the Traditional Mass celebrated in this building that was designed for the reverence and glory the Traditional Mass brings to Christ. Quite an honor. The second Mass is celebrated out in the middle of a field in the blistering heat, or the driving rain. This was the most moving Mass for me, because it showed the true devotion and love people have for Christ when I could see everyone kneeling in reverence even through their discomfort. The Mass in Chartres was glorious and we enter the city with the bells pealing. Such a beautiful ending to a holy pilgrimage where as many as possible try to fit inside the cathedral to attend the last Mass of the walk and the choir singing like angels.

The Chartres Cathedral is often called the playhouse of Our Lady, and it is truly her Church. There, the veil she wore at the Annunciation is kept at the back of the church in view for the public and behind the main altar is a spectacular marble carving of her Assumption into Heaven. There is just something about it that bears the imprint of Mary and it is probably one of the most beautiful churches.

572 people 572 statue 572 veil

Thus the pilgrimage far exceeds the expectations you will have before you go, both physically and spiritually. This was the best thing I’ve done in my life and I highly encourage you to go, because words cannot do justice to the experience you will have.

Our Lady, Queen of Chartres, pray for us!


We hope you enjoyed this guest article by Margaret Walsh.




PHOTOGRAPHS:

The first photograph is courtesy of John Sonnen’s blog. All other photographs were taken by Margaret Walsh.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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